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Bean Vine

Imię i nazwisko Klasa Data

Ito Jakuchu, Bean Vine (701). Dzieło w domenie publicznej.

Informacje podstawowe

Artysta
Ito Jakuchu artsdot.com/pl/artists/ito-jakuchu_pl/
Daty życia artysty
1716 – 1800
Obraz olejny
701
Wymiary oryginału
125.7cm x 47.9cm
Ruch
Japanese Traditional

W kontekście

Bean Vine — Ito Jakuchu

Jakie są wymiary?

Oryginalne wymiary to 126 × 48 cm (wysokość × szerokość), przedstawione tutaj obok osoby dorosłej o przeciętnym wzroście.

Data powstania

  1. 640
  2. 720
  3. 800
  4. 880
  5. 960
  6. 1040
  7. 1120
  8. 1200
  9. 1280
  10. 1360
  11. 1440
  12. 1520
  13. 1600
  14. 1680
  15. 1760

Shaded: lata życia Ito Jakuchu (1716–1800) ▲ to dzieło, 701

Dzieła podobne

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnej tematyce: artsdot.com/pl/art/similar/ito-jakuchu-bean-vine-D2VR7S-en/

Kolory

Na podstawie analizy obrazu

    Kolor dominujący

    Walnut #6d513a

    Paleta w katalogu

    • #6D513A
    • #D3CEC8
    • #CCC0B1
    • #978875
    Paleta kolorów
    Neutrals Dominująca gama kolorystyczna obrazu.
    Kolor główny
    Walnut
    Intensywność
    Balanced Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Gentle W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Unified Palette Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Brilliant Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Muted Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    O tym dziele sztuki

    Bean Vine — Ito Jakuchu

    Itō Jakuchū, son of a greengrocer, used vegetables and plants as a personal iconography that almost always included a moral or religious meaning. This handsome sketch of a bean plant, paired with a poem by Ōbaku Zen monk Musen Jōzen (Tangai), refers to a story about the Chinese poet Cao Zhi (192–232), whose tyrannical brother, Cao Pei (Emperor Wen), once commanded him to compose a poem before he took seven steps, threatening him with execution if he failed. Tangai’s verse makes an erudite reference to Cao Zhi’s original poem comparing himself and his brother to the parts of a bean plant, while also alluding to the Zen philosophy of nonduality. The green vine puts forth blossoms, and its pods are like half-formed swords. The bean and stalk are inseparable; both were born from the same roots. —Trans. John T. Carpenter

    Artysta i muzeum

    Artysta

    Ito Jakuchu

    Urodzony w Κυότο, Ιαπωνία

    Ito Jakuchu: A Kyoto Merchant’s Vision of Nature

    Ito Jakuchu (1716 – 1800) stands as a singular figure in Edo period Japanese art, an artist whose unconventional approach and profound connection to Zen Buddhism challenged prevailing artistic conventions. Unlike many of his contemporaries who adhered to established lineages within the Kano school—a dominant force in Kyoto’s artistic landscape—Jakuchu forged his own path, driven by personal conviction and a meticulous observation of the natural world. His legacy resides not merely in his technical prowess but also in his daring spirit, marking him as one of Japan's most original voices during a pivotal era of cultural transformation.

    Early Life & Family Background: Born into a prosperous Kyoto merchant family—specifically Masuya—Jakuchu’s upbringing instilled in him an awareness of societal shifts and the burgeoning influence of commerce. His father, Ito Genzaemon, was a successful grocer, providing young Jakuchu with considerable financial stability.

    Zen Influence & Education: Recognizing the importance of spiritual grounding, Jakuchu became a lay brother at Shokoku-ji temple, immersing himself in Zen Buddhist principles. This formative experience profoundly shaped his artistic sensibility, fostering detachment from worldly concerns and prioritizing direct perception.

    Breaking with Tradition: Style & Subject Matter

    Jakuchu’s distinctive style defied easy categorization, blending meticulous realism with playful experimentation—a hallmark of what Nobuo Tsuji termed “Lineage of Eccentrics.” He eschewed the idealized depictions favored by many Kano artists, opting instead for vibrant colors and dynamic compositions that captured the essence of life itself. His fascination with birds—particularly chickens—became a recurring motif in his oeuvre, elevating them from humble farm animals to subjects worthy of contemplative artistic exploration.

    Realistic Detail & Color Palette: Jakuchu’s paintings are characterized by an extraordinary attention to detail and a bold use of color. He achieved remarkable effects through layering pigments—a technique known as doshoku sai-e—creating luminous surfaces that seemed to pulsate with vitality.

    Zen Symbolism & Perspective: Beyond mere imitation of nature, Jakuchu employed perspective in ways that subtly conveyed Zen Buddhist ideas about emptiness and interconnectedness. His compositions often presented subjects from unconventional viewpoints, inviting viewers to contemplate their significance.

    Notable Works & Artistic Achievements

    Among Jakuchu’s most celebrated masterpieces are “Five Hundred Arhats,” a monumental depiction of Buddhist monks embodying compassion and enlightenment; “Hanshan and Shide,” capturing the serene beauty of Mount Hanshin—a pilgrimage site revered for its spiritual significance; and “Crabs and Peonies”—a harmonious blend of botanical observation and artistic innovation. His meticulous rendering of chickens, exemplified in “Rooster In The Snow,” remains a testament to his unparalleled skill and dedication.

    Five Hundred Arhats”: This ambitious project showcased Jakuchu’s mastery of polychrome painting and demonstrated his ability to convey complex spiritual concepts through visual imagery.

    "Hanshan and Shide": The painting exemplifies Jakuchu's sensitivity to landscape aesthetics and his capacity for capturing the sublime beauty of nature.

    Rediscovery & Legacy

    Despite remaining largely unknown during his lifetime, Ito Jakuchu experienced a dramatic resurgence in popularity following Nobuo Tsuji’s groundbreaking book Kisō no Keifu (Lineage of Eccentrics) in 1970. Tsuji championed Jakuchu as a pivotal figure within the “Lineage of Eccentrics,” initiating a scholarly reassessment that revolutionized perceptions of Edo period art.

    Tsuji’s Influence & Modern Recognition: Tsuji's scholarship established Jakuchu as one of Japan’s most important artists, sparking renewed interest in his work and cementing his place within the canon of Japanese art history.

    Jakuchu’s unwavering commitment to artistic originality—his willingness to challenge conventions and explore new creative possibilities—continues to inspire artists today. His enduring legacy resides not only in his technical brilliance but also in his profound engagement with Zen Buddhism, securing him a place as a visionary artist who captured the spirit of his time with unparalleled grace.

    Dowiedz się więcej

    Odkryj w sieci

    Kod QR prowadzący do strony pobierania Bean Vine

    artsdot.com/pl/art/download/ito-jakuchu-bean-vine-D2VR7S-en/

    Cytowanie dzieła

    MLA
    Jakuchu, Ito. Bean Vine. 701, https://artsdot.com/pl/art/ito-jakuchu-bean-vine-D2VR7S-en/
    APA
    Jakuchu, Ito (701). Bean Vine [Painting]. https://artsdot.com/pl/art/ito-jakuchu-bean-vine-D2VR7S-en/
    Chicago
    Ito Jakuchu. Bean Vine. 701. https://artsdot.com/pl/art/ito-jakuchu-bean-vine-D2VR7S-en/
    Harvard
    Jakuchu, Ito (701) Bean Vine. Available at: https://artsdot.com/pl/art/ito-jakuchu-bean-vine-D2VR7S-en/

    Przyjrzyj się uważnie

    Bean Vine — Ito Jakuchu

    Przyjrzyj się bliżej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. Nasz katalog klasyfikuje to dzieło w kategorii: japanese art, botanical illustration, zen philosophy. Czy zgadzasz się z tym? Co byś dodał lub co byś usunął?
    4. Wróć do dzieła Five hundred arhats (1789) wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne z tym obrazem oraz jedną różnicę.
    5. Motywy powracające w twórczości Ito Jakuchu: chinese poetic influence, zen buddhism symbolism, cao zhi's literary tale. Który z nich dostrzegasz tutaj?

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