Format papieru

Przewodnik po pracach studentów

The Dutch cap

Imię i nazwisko Klasa Data

Charles Marsh Webb (Nash) Gilbert, The Dutch cap (1917), Galeria Sztuki Nowego Południowej Walii. Dzieło w domenie publicznej.

Informacje podstawowe

Artysta
Charles Marsh Webb (Nash) Gilbert artsdot.com/pl/artists/charles-marsh-webb-nash-gilbert/
Daty życia artysty
1867 – 1925
Obraz olejny
1917
Wymiary oryginału
28 x 26 cm
Ruch
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Miejsce odbycia
Galeria Sztuki Nowego Południowej Walii artsdot.com/pl/museums/galeria-sztuki-nowego-poludniowej-walii-sydney_pl/

W kontekście

The Dutch cap — Charles Marsh Webb (Nash) Gilbert

Wymiary

Oryginalne wymiary to 28 × 26 cm (wysokość × szerokość), przedstawione tutaj obok osoby dorosłej o przeciętnym wzroście.

Data powstania

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Shaded: lata życia Charles Marsh Webb (Nash) Gilbert (1867–1925) ▲ to dzieło, 1917

Kolory

Na podstawie analizy obrazu

    Kolor dominujący

    Putty #dbdcde

    Paleta w katalogu

    • #DBDCDE
    • #1D1E20
    • #65656A
    • #363639
    Paleta kolorów
    Neutrals Dominująca gama kolorystyczna obrazu.
    Kolor główny
    Putty
    Intensywność
    Monochromatic Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Statement W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Strong Color Unity Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Bright Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Muted Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Artysta i muzeum

    Artysta

    Charles Marsh Webb (Nash) Gilbert

    Miejsce urodzenia Cockatoo Island, Australia

    early life and education

    charles marsh webb (nash) gilbert, a self-taught australian sculptor, was born in 1867 at cockatoo, victoria. his life's trajectory is a testament to perseverance and innate talent. despite facing adversity from an early age, with his father passing away when he was just two months old, gilbert's determination only grew stronger.

    artistic career

    charles marsh webb (nash) gilbert's work was initially all in marble until he began experimenting with casting in bronze, which he mastered despite the difficulties he faced.

    he created portrait heads in bronze of notable figures like john mather, a. mcclintock, john shirlow, hugh mccrae, and bernard o'dowd.

    in 1917, his marble head "the critic" was purchased for the tate gallery through the chantrey bequest.

    he was nominated for an associateship of the royal academy.

    war artist and legacy

    key works:

    the critic (1917) - a marble head purchased by the tate gallery.

    portrait heads in bronze of notable figures, including john mather, a. mcclintock, john shirlow, hugh mccrae, and bernard o'dowd.

    explore more of charles marsh webb (nash) gilbert's work on AllPaintingsStore.

    learn more about his life and works on wikipedia.

    conclusion

    charles marsh webb (nash) gilbert's journey is a beacon of hope for aspiring artists, demonstrating that with unwavering dedication and innate talent, one can transcend adversity and leave an enduring legacy in the world of art.

    Muzeum

    Galeria Sztuki Nowego Południowej Walii

    Wystawa w Sydney, Australia

    A Window into Colonial Australia: The Art of New South Wales

    Nestled within the vibrant heart of Sydney, the Art Gallery of New South Wales is more than just a collection of paintings and sculptures; it’s a profound journey through centuries of cultural exchange. Founded on the ancestral lands of the Gadigal people – a recognition that remains deeply woven into the gallery's very ethos – this institution invites visitors to contemplate not only the beauty within its walls but also the complex, often challenging narrative of Australia’s formation. From the meticulous detail of early engravings depicting the arrival of Governor Arthur Phillip to the bold expressions of contemporary street art, the Gallery offers a remarkably diverse collection reflecting the varied experiences that shaped colonial art and continue to resonate today.

    The gallery's origins trace back to 1872 with the establishment of the New South Wales Academy of Art. Initially focused on organizing annual exhibitions, it quickly evolved into a vital platform for emerging artists. The building itself – originally constructed as the Royal North Shore Hospital in 1856 – is an integral part of the gallery’s story. Designed by John Habens, its imposing Victorian façade speaks to a time when hospitals were symbols of civic pride and progress. The repurposing into an art gallery in 1973 was a deliberate act of preservation, honoring the building's historical fabric while providing a fitting space for artistic expression. The careful restoration has maintained the original grandeur, layering architectural history with the dynamic energy of contemporary exhibitions. Notice the soaring arches, the intricate stonework – each element whispers tales of generations past.

    A Legacy of Patronage and Artistic Voice

    The Gallery’s collection is particularly enriched by the influence of Charles Jones, a prominent patron and collector who championed the talents of Sydney artists during the 19th century. Jones recognized the potential within the colony's burgeoning artistic community and actively fostered its growth. His dedication resulted in a significant collection that showcases the evolution of artistic styles and techniques – from the formal elegance of early portraiture to the emerging Romanticism capturing the rugged beauty of the Australian landscape. Keep an eye out for works by Francis Wheatley, whose meticulous engravings immortalized figures like Arthur Phillip Esq., offering a poignant glimpse into the initial stages of settlement and British authority. The gallery also houses a remarkable collection of Charles Jones’s acquisitions, representing his discerning taste and commitment to supporting local talent.

    Notable Exhibitions & Artistic Voices

    The Art Gallery of New South Wales consistently hosts a dynamic program of exhibitions that illuminate diverse themes and artistic movements. Recent highlights have included compelling retrospectives dedicated to pioneering Australian artists like Charles Condor, whose dramatic seascapes capture the raw power of the Pacific Ocean, and explorations of contemporary street art – a vibrant reflection of urban culture and social commentary. The Archibald Prize, Australia’s most prestigious portraiture award, is regularly featured at the gallery, offering a captivating insight into the nation's artistic talent and its evolving perspectives on identity and representation. Don’t miss opportunities to explore thematic exhibitions focusing on Indigenous Australian art, showcasing traditional storytelling techniques and cultural symbolism – an essential component of understanding Australia’s rich artistic heritage. The Gallery also frequently hosts touring exhibitions from international institutions, broadening the scope of its collection and offering fresh perspectives.

    The Lewers Bequest: A Pivotal Collection

    Perhaps the Gallery's most distinctive feature is the Lewers Bequest – a remarkable collection of 19th-century Australian paintings amassed by Sir John Edward Lewers, a prominent businessman and art collector. This bequest represents a pivotal moment in the development of Australian art history, providing an unparalleled opportunity to study the evolution of artistic styles and techniques within the colony. The collection includes works by artists such as Frederick McCubbin, Tom Roberts, and Russell Drysdale, offering a comprehensive overview of the period’s artistic landscape. The Lewers Bequest is housed in a dedicated wing of the gallery, allowing visitors to immerse themselves fully in this extraordinary assemblage and appreciate its significance within the broader context of Australian art history.

    A Living Collection: Research & Community Engagement

    The Art Gallery of New South Wales is more than just a display space; it’s a vibrant hub for research and community engagement. Its curatorial team actively investigates the provenance and significance of its artworks, contributing to a deeper understanding of Australian art history. The gallery also offers a range of educational programs, workshops, and tours designed to engage visitors of all ages and backgrounds – from school groups to seasoned art enthusiasts. Furthermore, the Gallery’s commitment extends beyond its physical walls through collaborations with local schools, universities, and cultural organizations, promoting artistic literacy and supporting emerging talent. The gallery's website provides extensive resources for researchers, students, and art lovers alike, solidifying its role as a vital center for Australian art scholarship.

    Dowiedz się więcej

    Odkryj w sieci

    Kod QR prowadzący do strony pobierania The Dutch cap

    artsdot.com/pl/art/download/charles-marsh-webb-nash-gilbert-the-dutch-cap-D3ZMPY-en/

    Cytowanie dzieła

    MLA
    Gilbert, Charles Marsh Webb (Nash). The Dutch cap. 1917, Galeria Sztuki Nowego Południowej Walii. https://artsdot.com/pl/art/charles-marsh-webb-nash-gilbert-the-dutch-cap-D3ZMPY-en/
    APA
    Gilbert, Charles Marsh Webb (Nash) (1917). The Dutch cap [Painting]. Galeria Sztuki Nowego Południowej Walii. https://artsdot.com/pl/art/charles-marsh-webb-nash-gilbert-the-dutch-cap-D3ZMPY-en/
    Chicago
    Charles Marsh Webb (Nash) Gilbert. The Dutch cap. 1917. Galeria Sztuki Nowego Południowej Walii. https://artsdot.com/pl/art/charles-marsh-webb-nash-gilbert-the-dutch-cap-D3ZMPY-en/
    Harvard
    Gilbert, Charles Marsh Webb (Nash) (1917) The Dutch cap. Galeria Sztuki Nowego Południowej Walii. Available at: https://artsdot.com/pl/art/charles-marsh-webb-nash-gilbert-the-dutch-cap-D3ZMPY-en/

    Przyjrzyj się bliżej

    The Dutch cap — Charles Marsh Webb (Nash) Gilbert

    Przyjrzyj się bliżej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. Ile twarzy potrafisz odnaleźć? ____ (w naszym katalogu jest 1 — czy zgadzasz się z tą liczbą?)
    4. W naszym katalogu dzieło to znajduje się w kategorii: bronze bust sculpture, female portrait art, memorial artwork”. Czy zgadzasz się z tym opisem? Co warto by dodać lub usunąć?
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Gdzie można to dostrzec w tym dziele?

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.