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Mrs. Benjamin West

Imię i nazwisko Klasa Data

Benjamin West, Mrs. Benjamin West (1780), Addison Gallery of American Art. Domena publiczna. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Fakty

Artysta
Benjamin West artsdot.com/pl/artists/benjamin-west_pl/
Daty życia artysty
1738 – 1820
Technika malarska
1780
Miejsce wystawy
Addison Gallery of American Art artsdot.com/pl/museums/addison-gallery-of-american-art-andover/

W kontekście

Mrs. Benjamin West — Benjamin West

Kiedy powstało to dzieło?

  1. 1730
  2. 1740
  3. 1750
  4. 1760
  5. 1770
  6. 1780
  7. 1790
  8. 1800
  9. 1810
  10. 1820

Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu — 0 w chwili narodzin, 82 w chwili śmierci.

Namalowane, gdy artysta miał 42 lat. Artysta dożył 82 lat. 45 z 94 datowanych dzieł tego artysty w naszym katalogu powstało wcześniej.

Shaded: lata życia Benjamin West (1738–1820) ▲ to dzieło, 1780 każdy datowany obraz, dekada po dekadzie

Pierwsze prace: do 1772 Główne lata aktywności zawodowej: 1772–1798 Późne dzieła: od 1798

Te trzy sekcje dzielą datowane w tym katalogu dzieła na pierwszy kwartał, środkową połowę oraz ostatni kwartał. Nie stanowią one pełnego dorobku artysty: rzadsze okresy mogą wynikać z luk w dokumentacji, a nie z mniejszej aktywności twórczej. Lata zbieżne z życiem artysty

Porównaj z

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnym charakterze: artsdot.com/pl/art/similar/benjamin-west-mrs-benjamin-west-AQZBWH-en/

Paleta kolorów

Wyodrębniona z analizy obrazu

    Kolor główny

    Espresso #372223

    Paleta w katalogu

    • #372223
    • #D1A47E
    • #543D3A
    • #916955

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Paleta kolorów
    Earthy Dominująca gama kolorystyczna obrazu.
    Nazwa koloru głównego
    Espresso
    Nasycenie
    Balanced Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Bold W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Strong Color Unity Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Shadow Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Subtle Color Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Gdzie na świecie można zobaczyć ten obraz?

    • poniżej 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i więcej
    Samo to dzieło ma zbyt mało odnotowanych odwiedzających, aby móc je nanieść na mapę, dlatego zestawienie obejmuje wszystkie prace autorstwa Benjamin West z ostatnich dwunastu miesięcy — łącznie 27 krajów. Źródło tych danych

    Dziesięć wiodących krajów

    1. 1 Chiny 53,3%
    2. 2 Stany Zjednoczone Ameryki 15,0%
    3. 3 Singapur 3,9%
    4. 4 Hongkong 3,3%
    5. 5 Francja 2,8%
    6. 6 Meksyk 2,8%
    7. 7 Peru 2,8%
    8. 8 Brazylia 1,7%
    9. 9 Niemcy 1,7%
    10. 10 Argentyna 1,1%
    11. · 17 innych krajów 11,6%

    Znajdź na mapie trzy najciemniejsze kraje. Czy muzeum, w którym znajduje się ten obraz, leży w którymś z nich? Zapisz jeden powód, dla którego osoby z daleka mogą chcieć go zobaczyć.

    20 najczęściej oglądanych dzieł artysty Benjamin West

    1. 1 Śmierć generała Wolfe, 1770 17,3%
    2. 2 Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald (, 1786 6,1%
    3. 3 The Death of Hyacinth, 1771 5,2%
    4. 4 Death on a Pale Horse, 1796 3,0%
    5. 5 Edward III Crossing the Somme, 1788 2,6%
    6. 6 Edward, the Black Prince, Receiving King John of France after the Battle of Poitiers, 1788 2,6%
    7. 7 Joseph Banks, 1773 2,2%
    8. 8 The Last Supper, 1786 2,2%
    9. 9 Thomas Middleton of The Oaks, 1770 1,7%
    10. 10 Elizabeth, Countess of Effingham 1,7%
    11. 11 Study of a standing man, possibly a study for portrait of Lord Camden 1,7%
    12. 12 Discovering the bones of Sir Peter Halket 1,7%
    13. 13 Omnia Vincit Amor, czyli Moc Miłości w Trzech Elementach, 1809 1,3%
    14. 14 The Expulsion of Adam and Eve from Paradise, 1791 1,3%
    15. 15 George IV, when Prince of Wales, with Frederick, Duke of York,, whn Prince Frederick, 1777 1,3%
    16. 16 King Lear, 1788 1,3%
    17. 17 Thetis Bringing the Armor to Achilles, 1806 1,3%
    18. 18 Self-Portrait, 1770 1,3%
    19. 19 Moses Receiving the Law on Mount Sinai, 1784 1,3%
    20. — Mrs. Benjamin West, 1780 ten obraz 0,0%

    Razem dzieła te stanowią 57,1% całej uwagi, jaką obrazy tego artysty przyciągnęły w ciągu ostatnich dwunastu miesięcy. Katalog zawiera 274 dzieł tego artysty, z których 93 zostało obejrzanych co najmniej raz. Ten obraz nie został jeszcze obejrzany w tym okresie — zamyka on listę bez przypisanego miejsca w rankingu. To samo, miesiąc po miesiącu

    Paski mierzą poziom uwagi, a nie jakość. Wybierz dzieło z górnej części listy oraz to poniżej: wymień jedną rzecz, która może przynieść obrazowi sławę niezależnie od kunsztu jego wykonania.

    O tym dziele sztuki

    Mrs. Benjamin West — Benjamin West

    The painting "Mrs. Benjamin West" by Benjamin West is a masterpiece that exudes elegance and sophistication. Created in 1780, this oil on canvas portrait is a testament to the artist's skill and attention to detail. The subject of the painting is Mrs. Benjamin West, the artist's wife, who is depicted with poise and refinement.

    A Glimpse into the Artist's Life

    Benjamin West was a renowned American-born British artist who was known for his historical and portrait paintings. His works are characterized by their realism and attention to detail, which is evident in "Mrs. Benjamin West". The painting is now housed at the Addison Gallery of American Art in Andover, United States.

    Artistic Style and Technique

    The painting showcases Benjamin West's mastery of oil painting techniques. The use of color and light creates a sense of depth and dimension, drawing the viewer's eye to the subject. The artist's attention to detail is evident in the intricate folds of Mrs. Benjamin West's dress and the delicate features of her face.

    The painting measures 29 1/4 × 25 in (74.3 × 63.5 cm), making it an intimate and personal portrait.

    The use of oil on canvas allows for a level of detail and texture that is unparalleled in other mediums.

    The painting's provenance is well-documented, with records of its ownership and exhibition history available through the Addison Gallery of American Art.

    Handmade oil paintings reproductions of "Mrs. Benjamin West" are available on https://AllPaintingsStore.com, allowing art lovers to own a piece of history. For more information on Benjamin West and his works, visit https://en.wikipedia.org/wiki/Benjamin_West.

    The painting "Mrs. Benjamin West" is a testament to the enduring power of art to capture the essence of a moment in time. As a masterpiece of Benjamin West's oeuvre, it continues to inspire and delight audiences to this day.

    Artysta i muzeum

    Artysta

    Benjamin West

    Urodzony w Springfield, Stany Zjednoczone

    A Pioneer Bridging Worlds: The Life and Legacy of Benjamin West

    Born in 1738 amidst the burgeoning landscape of colonial Pennsylvania, Benjamin West emerged as a pivotal figure in the transatlantic art world, a painter who skillfully navigated the currents of Neoclassicism and Romanticism while forging a uniquely American artistic identity. His story is one of remarkable self-education, unwavering ambition, and an extraordinary ability to connect with both aristocratic patrons and revolutionary ideals. From humble beginnings—his father an innkeeper in Springfield—West’s innate talent was nurtured by early exposure to the arts, reportedly learning rudimentary techniques from Native Americans before receiving any formal training. This unconventional start instilled within him a spirit of innovation that would characterize his entire career. He quickly established himself as a sought-after portraitist in Philadelphia and New York, but a thirst for deeper artistic knowledge propelled him towards Europe in 1760, embarking on a journey that would irrevocably alter the course of American art.

    From Italy to London: Forging a Path to Recognition

    West’s arrival in Italy marked a turning point. Immersing himself in the artistic heartland of Europe, he studied the masters—Titian, Raphael—and engaged with contemporary Neoclassical thinkers like Anton Rafael Mengs and Angelica Kauffman. This period was crucial in shaping his aesthetic sensibilities, instilling within him an appreciation for classical form and historical narrative. He spent years meticulously copying works by these giants, absorbing their techniques and understanding of composition. However, it was London that ultimately became his adopted home and artistic center. Arriving in 1763, West swiftly ascended the ranks of the British art scene, captivating audiences with his ambitious canvases and securing the patronage of King George III. This royal endorsement not only provided financial stability but also cemented his position as a leading figure within the establishment. A defining moment came with his election to the Royal Academy in 1769, an institution he would later preside over as President from 1792 until his death. His influence extended beyond his own artistic production; West became a champion for American artists seeking training abroad, offering guidance and support to generations of aspiring painters like Allston, Copley, and Morse.

    Revolutionizing Historical Painting: Technique and Controversy

    West’s impact on the art world wasn't merely about achieving technical mastery; it was about challenging conventions. He dared to reimagine historical painting, moving away from rigid adherence to classical precedent and embracing a more contemporary sensibility. The Death of General Wolfe (1770), arguably his most famous work, exemplifies this revolutionary approach. By depicting the fallen general surrounded by figures in contemporary military attire rather than traditional Roman garb, West sparked considerable debate. Critics questioned the historical accuracy, but audiences were captivated by the immediacy and emotional resonance of the scene. This bold move signaled a shift towards greater realism and narrative power in history painting, influencing countless artists who followed. He was particularly interested in capturing dramatic moments and conveying strong emotions through his figures. His style evolved over time, incorporating elements of Romanticism into his later works, yet always retaining a commitment to ambitious composition and detailed execution. Other notable pieces like Thetis Bringing the Armor to Achilles, The Three Sisters, The Fright of Astyanax, and The Cave of Despair demonstrate his versatility and mastery across a range of mythological and historical themes.

    A Lasting Legacy: Shaping Artistic Identity

    Benjamin West’s legacy extends far beyond the canvases he created. He fundamentally altered the landscape of American art, establishing history painting as a viable genre for American artists and fostering a sense of national artistic identity. His presidency of the Royal Academy solidified his influence on British art, promoting innovation and supporting emerging talent.

    He championed a more accessible and emotionally engaging style of historical representation.

    His studio became a haven for American artists seeking training in Europe.

    He bridged the gap between Neoclassical ideals and the burgeoning Romantic movement.

    West’s innovative spirit, coupled with his diplomatic skills and unwavering dedication to his craft, earned him lasting recognition as “the American Raphael.” He died in London in 1820, leaving behind a body of work that continues to inspire awe and admiration. His story serves as a testament to the power of artistic vision, the importance of cultural exchange, and the enduring legacy of an artist who dared to challenge conventions and forge his own path.

    Muzeum

    Addison Gallery of American Art

    Prezentowane w Andover, United States of America

    A Sanctuary of American Spirit

    Nestled within the historic and verdant campus of Phillips Academy in Andover, Massachusetts, the

    Addison Gallery of American Art

    stands as a profound testament to the evolving soul of a nation. To enter this gallery is to step into a carefully curated dialogue between the past and the present, where the light of New England seems to dance across canvases that trace the very trajectory of American identity. Established through the visionary bequest of Sarah Sophia Addison, the institution was conceived not merely as a repository for objects, but as a living, breathing beacon of creativity. It remains a place where history breathes through every brushstroke, offering a sanctuary for those who seek to understand the textures, tensions, and triumphs of the American experience.

    The architecture of the Addison itself serves as a bridge between eras, blending classic structural elegance with modern sensibilities that invite quiet contemplation. The building is designed to harmonize with its surroundings, featuring expansive windows that allow natural sunlight to flood the galleries, illuminating the works in a way that connects the art to the very landscape it often depicts. For the interior designer or the lover of fine spaces, the gallery represents a masterclass in how light and structure can elevate the presentation of culture, turning a visit into a sensory journey through atmosphere and reflection.

    A Sweeping Epic of Artistic Evolution

    The collection is nothing short of a sweeping epic, spanning centuries of artistic evolution from the foundational roots of Colonial portraiture to the bold abstractions of the modern era. Visitors may find themselves captivated by the masterful precision of

    John Singleton Copley

    , whose portraits serve as windows into the social fabric of early America, before moving toward the dramatic, elemental power of the Hudson River School. The holdings include the rugged, maritime intensity of

    Winslow Homer

    and the sophisticated, atmospheric elegance of

    John Singer Sargent

    . As one wanders deeper, the narrative shifts toward the twentieth century, where the radical energy of

    Jackson Pollock

    and the organic, haunting beauty of

    Georgia O’Keeffe

    challenge and redefine the boundaries of perception.

    Beyond the canvas, the Addison possesses an extraordinary assemblage of photography that documents the raw, unvarnished truth of American life through the lenses of pioneers like

    Walker Evans

    and

    Robert Frank

    . This dedication to diverse media is further enriched by a unique collection of meticulously crafted ship models, which serve as exquisite miniature tributes to America’s maritime heritage and the spirit of exploration. The breadth of the collection includes notable works by:

    Thomas Eakins

    and

    James McNeill Whistler

    Edward Hopper

    and

    Andrew Wyeth

    Alexander Calder

    and

    Frank Stella

    Ansel Adams

    and

    Eadweard Muybridge

    Through its commitment to accessibility—offering free admission to ensure art remains a democratic treasure—and its vibrant artist-in-residence programs, the Addison Gallery of American Art continues to provoke thought and inspire curiosity, ensuring that the legacy of American creativity remains an ever-unfolding story.

    Gdzie przeczytać więcej

    Znajdź w sieci

    Kod QR prowadzący do strony pobierania Mrs. Benjamin West

    artsdot.com/pl/art/download/benjamin-west-mrs-benjamin-west-AQZBWH-en/

    Jak cytować to dzieło

    MLA
    West, Benjamin. Mrs. Benjamin West. 1780, Addison Gallery of American Art. https://artsdot.com/pl/art/benjamin-west-mrs-benjamin-west-AQZBWH-en/
    APA
    West, Benjamin (1780). Mrs. Benjamin West [Painting]. Addison Gallery of American Art. https://artsdot.com/pl/art/benjamin-west-mrs-benjamin-west-AQZBWH-en/
    Chicago
    Benjamin West. Mrs. Benjamin West. 1780. Addison Gallery of American Art. https://artsdot.com/pl/art/benjamin-west-mrs-benjamin-west-AQZBWH-en/
    Harvard
    West, Benjamin (1780) Mrs. Benjamin West. Addison Gallery of American Art. Available at: https://artsdot.com/pl/art/benjamin-west-mrs-benjamin-west-AQZBWH-en/

    Przyjrzyj się uważnie

    Mrs. Benjamin West — Benjamin West

    Przyjrzyj się uważniej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. Wróć do dzieła Śmierć generała Wolfe (1770), wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne z tym obrazem oraz jedną różnicę.
    4. Benjamin West miał około 42 lat, gdy powstało to dzieło. Co w nim przypomina twórczość artysty na tym etapie?
    5. Co artysta mógł chcieć, abyś poczuł?

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Pytania i odpowiedzi

    Czy kolory w „Mrs. Benjamin West” – Benjamin West są nasycone, czy stonowane?

    Dzieło „Mrs. Benjamin West” – Benjamin West charakteryzuje się nasyceniem na poziomie Subtle Color oraz intensywnością Balanced.

    Gdzie mogę kupić wydruk „Mrs. Benjamin West” – Benjamin West?

    Aby zamówić wydruk dzieła „Mrs. Benjamin West” – Benjamin West, wystarczy przejść na jego stronę Wydruk artystyczny premium: szlachetna odbitka na płótnie bawełnianym lub archiwalnym papierze o strukturze płótna.

    Czy kolory w „Mrs. Benjamin West” – Benjamin West są nasycone czy stonowane?

    Kolory dzieła „Mrs. Benjamin West” – Benjamin West charakteryzują się Subtle Color nasyceniem. Nasycenie określa, jak żywe lub stonowane są barwy.