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Hvis du kjenner til ett maleri av William Roberts, er det sannsynligvis The Boxing Match (1890). The First German Gas Attack at Ypres (1918) og The Cinema (1920) utgjør de tre verkene folk kjenner igjen umiddelbart. Vår katalog inneholder 59 verk av William Roberts. Nedenfor finner du de 59 mest kjente, hver med årstall, hvor de befinner seg og hva som gjør dem spesielle.
Start her: de 10 beste maleriene av William Roberts
Flere favoritter fra William Roberts, fra 11 til 59
Hva William Roberts malte mest av
De fire motivene som forekommer hyppigst i disse verkene, hver med sitt mest kjente eksempel.
British art 3 verk
Victorian 2 verk
Crowd 2 verk
Hvor du kan se maleriene til William Roberts
De 8 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av William Roberts | Malerier fra denne listen |
|---|---|---|---|
| London | 3 | The Garden of Eden, The Artist's Son Playing the Recorder, The Rhododendron | |
| Nottingham | 2 | The Return of Ulysses, Professor Janko Lavrin (1885–1986) | |
| Greater Manchester | 2 | The Control Room, Munitions Factory | |
| London | 2 | The Demolition Squad, Sidney James Barton (1909–1986), Chairman of London County Council (1959–1960) | |
| Ottawa | 1 | The First German Gas Attack at Ypres | |
| Wolverhampton | 1 | Kit (Katie Bissett Smith née Knewstub, 1907–2008) | |
| Oxford | 1 | The Crucifixion | |
| London | 1 | The Stockbroker's Clerk |
William Roberts tiår for tiår: ett fremragende verk for hvert tiår
Verk per tiår
Velg et tiår for å se dets fremste verk.
Study for Kites
William Roberts is a British painter of figure compositions and portraits. He was a pioneer of abstract art before the First World War. Roberts worked outside the mainstream. Later in his career he would describe himself as an English Cubist. In 1914 Roberts joined the short-lived art movement the Vorticists, founded by the artist and writer Wyndam Lewis. The Vorticists believed that British art at this time was in a…
Dine spørsmål om William Robertss malerier
Hvilket maleri av William Roberts er det mest kjente?Se svaret
Øverst på listen står The Boxing Match (1890). Rett bak følger The First German Gas Attack at Ypres (1918) og The Cinema (1920).
Hvilke er de 10 mest kjente William Roberts-maleriene?Se svaret
The Boxing Match, The First German Gas Attack at Ypres, The Cinema, The Garden of Eden, John Maynard Keynes, Baron Keynes Lydia Lopokova, Kit (Katie Bissett Smith née Knewstub, 1907–2008), The Port of London, The Return of Ulysses, The Red Turban og Portrait of a Young Woman. Du finner årstallet og museet for hvert av dem i listen ovenfor.
Hvor mange malerier har William Roberts skapt?Se svaret
Vi har 59 verk av William Roberts i vår katalog, datert fra 1913 til 1966.
Hvor kan du se de berømte maleriene til William Roberts?Se svaret
Du finner de fleste av dem i The Ingram Collection of Modern British And Contemporary Art (London), Nottingham Castle Museum And Art Gallery (Nottingham) og Salford Museum - Art Gallery (Greater Manchester). Listen over museer gir en fullstendig oversikt.
Når malte William Roberts sine mest kjente verk?Se svaret
I 1920s, mer enn på noe annet tidspunkt: 21 av de 59 verkene på denne siden stammer fra den tiden, The Cinema av dem.
Hvilke berømte malerier av William Roberts kom først og sist?Se svaret
Det eldste verket her er The Return of Ulysses (1913); det nyeste er Study for Kites (1966).
Hvilke motiver går igjen mest i William Roberts sine malerier?Se svaret
British art (3), Victorian (2) og Crowd (2) av 59 verk på denne siden.
Hvilken kunstretning var William Roberts en del av?Se svaret
Cubism, som du kan se i verkene på denne siden.
Hvilke verk av William Roberts kan du se på The Ingram Collection of Modern British And Contemporary Art?Se svaret
Du kan se 3 av verkene på denne siden på The Ingram Collection of Modern British And Contemporary Art, London, inkludert The Garden of Eden, The Artist's Son Playing the Recorder og The Rhododendron.
Bli kjent med William Roberts
The Architect of Fragmented Reality: The Life of William Patrick Roberts
In the turbulent landscape of early twentieth-century British art, few figures navigated the tension between tradition and the avant-garde as uniquely as William Patrick Roberts. Born in London in 1895, Roberts emerged during a period of profound aesthetic upheaval, where the stability of Victorian realism was being dismantled by the rapid pulse of modernity. As an artist often categorized as an English Cubist, he did not merely adopt a style; he forged a visual language that captured the fractured, energetic essence of a world in transition. His journey was one of constant movement, reflecting the very dynamism he sought to portray on canvas.
Roberts’ formative years were deeply shaped by his time at the Slade School of Fine Art, an institution that provided him with a rigorous foundation even as he began to push against academic constraints. It was here that he encountered the burgeoning influences of Vorticism and Futurism—movements characterized by their obsession with machine-age energy, geometric precision, and the violent beauty of motion. Through his association with the Vorticist circle, particularly under the influence of figures like Wyndham Lewis, Roberts learned to utilize sharp angles and interlocking planes to deconstruct his subjects, transforming ordinary scenes into rhythmic, structural compositions.
A Vision of Modernity and War
The evolution of Roberts’ work is inextricably linked to the historical tremors of his era. The experience of war left an indelible mark on his psyche and his palette, leading him to document the industrial grit and human endurance of the period. His paintings often serve as windows into the mechanical heart of the twentieth century, where the boundaries between man and machine begin to blur. In works such as Munitions Factory, one can witness his mastery of the Cubist technique applied to the heavy, rhythmic atmosphere of wartime production, using geometric forms to convey the relentless momentum of industry.
Beyond the industrial, Roberts possessed a profound ability to find poetic resonance in the everyday. His explorations of human connection and social landscapes are marked by an unflinching honesty. Whether depicting the quiet intimacy of a portrait, such as Sarah, or the bustling, structured chaos of street scenes like Les Routiers, he maintained a commitment to emotional depth. He utilized color not just for descriptive accuracy, but as a symbolic tool to evoke the psychological weight of his subjects, often bathing his compositions in a light that felt both modern and strangely primordial.
Legacy and Artistic Significance
The significance of William Patrick Roberts lies in his ability to synthesize the radical abstractions of Continental Europe with a distinctly British sensibility. While he embraced the fractured perspectives of Cubism, he never abandoned the figurative essence that allowed him to communicate the human condition. His work stands as a bridge between the classical traditions of the past and the experimental fervor of the modern age.
Throughout his long career, which spanned until 1980, Roberts earned prestigious recognition, including frequent exhibitions at the Royal Academy. His ability to capture the "vortex" of modern life ensured that his work remained relevant even as art movements shifted toward total abstraction. Today, he is remembered not just as a follower of a movement, but as a pioneer who helped define the visual identity of a generation caught between the old world and the new.





