Portrait of Guercino

Your Guide to the 100 Most Famous Guercino Paintings

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 367 works by Guercino in our catalogue

In short

Guercino's best-known piece is Pietà (1638). You'll find it at the Musée Condé in Chantilly. Next on the list are St Peter and the angel (1650) and David with the Head of Goliath (1657). We have 367 works by Guercino in our catalogue; this guide picks out the 100 best known, with the year, the museum and the story of each piece.

1591 – 1666, Cento Baroque Most works: Bavarian State Painting Collections

The 10 Guercino paintings to know first

1
Pietà (1638) by Guercino

Pietà

1638 · Oil On Canvas · Musée Condé, Chantilly

This painting, titled Pietà (or La Pietà), is a significant work by the Italian artist Giovanni Francesco Barbieri, known to history by his nickname Guercino. Created between 1635 and 1640, the work reflects the artist's profound command over the dramatic language of the Baroque period. It is an oil on canvas that captures a moment of intense human sorrow through a highly controlled use of light and shadow.

2
St Peter and the angel (1650) by Guercino

St Peter and the angel

1650 · Acrylic On Canvas · Art Gallery of South Australia, Adelaide

Guercino’s “St Peter and the Angel” is not merely a depiction of biblical figures; it's an intensely felt moment of solace, rendered with a raw emotionalism that distinguishes the artist from his more polished contemporaries. Painted in 1650, this work, measuring a modest 30 x 21 cm, embodies the turbulent spirit of Baroque Italy – a world grappling with religious fervor and social upheaval, yet simultaneously yearning for moments of…

3
David with the Head of Goliath (1657) by Guercino

David with the Head of Goliath

1657 · Oil On Canvas · Museum Boijmans Van Beuningen, Rotterdam

A single, heavy silence hangs in the air. David lunges forward, his muscular torso caught in a sudden, sharp light that carves his anatomy from the surrounding shadows. He does not wear the triumphant grin of a conqueror; instead, his face holds a quiet, introspective gravity. His golden cloak, lined with white fur, sweeps across the composition in a diagonal arc, pulling the eye toward the severed head of Goliath.…

4
The Samian Sibyl with a Putto (1651) by Guercino

The Samian Sibyl with a Putto

1651 · Oil On Canvas · National Gallery, London

The room is heavy with silence and the weight of unseen truths. A woman, the Samian Sibyl, sits anchored beside a weathered wooden desk, her body forming a stable, pyramidal shape that commands the center of this shadowed space. She is lost in deep introspection, perhaps mourning or contemplating a future only she can perceive. Her face and chest catch a sudden, directional light emerging from the upper left, pulling…

5
Saint-Jean-Baptiste (1661) by Guercino

Saint-Jean-Baptiste

1661 · Oil On Canvas · Musée Fabre, Montpellier

The oil on canvas titled SAINT JEAN-BAPTISTE A LA SOURCE depicts the figure of Saint-Jean-Baptiste. This work was executed by the Italian artist Giovanni Francesco Barbieri, known as Guercino. The painting emerged from his brush about 1661, during the later years of his creative life. It captures a moment of quietude through the depiction of the saint at a spring.

7
Painting and Drawing (1656) by Guercino

Painting and Drawing

1656 · Oil On Canvas · Staatliche KunstSammlungen Dresden, Dresden

The oil on canvas titled Painting and Drawing was executed by the artist Guercino in 1656. This allegorical work captures a quiet moment of creative exchange between two figures. A woman sits at the center, her hands engaged in the act of creation, while an older man observes the progress of a sketch. The scene functions as a visual metaphor for the relationship between different modes of artistic expression.

8
Portrait of a Woman (1628) by Guercino

Portrait of a Woman

1628 · Oil · Bavarian State Painting Collections, München

Guercino’s Portrait of a Woman, created about 1628, presents a close-up bust portrait of a young woman. The subject is positioned with her body slightly turned to her right, while her gaze is directed downward and toward the viewer's left. This orientation creates a sense of quiet introspection. The monochromatic color palette of this specific image emphasizes tonal range and the interplay of light rather than hue.

9
Christ and the Moneylender (1628) by Guercino

Christ and the Moneylender

1628 · Oil · Bavarian State Painting Collections, München

The composition presents a close-up profile view of two male figures positioned against a dark, indistinct background. On the left, a figure with long dark hair and a beard looks downward, his expression settled into a contemplative or sorrowful state. He is dressed in a reddish-brown garment. To the right, a second figure is shown in profile, wearing a white turban accented with blue stripes. This man possesses a weathered…

10
St Anthony of Padua with the Infant Christ by Guercino

St Anthony of Padua with the Infant Christ

Oil On Canvas

In this intimate composition, we find St. Anthony of Padua cradling the Infant Christ. The scene is stripped of grandiosity, focusing instead on the profound connection between the Franciscan friar and the child. There is a palpable tenderness in the way the figures interact, a moment of stillness that invites the viewer into a private space of devotion. The light falls softly upon the figures, pulling them from the shadows…

Numbers 11 to 100: more Guercino paintings

11Lot and His Daughters (1651) by GuercinoLot and His Daughters1651 · Toledo Museum of Art 12God the Father (1630) by GuercinoGod the Father1630 · Nasjonalmuseet i Warszawa 13Saint Francis with an angel playing violin (1620) by GuercinoSaint Francis with an angel playing violin1620 · Nasjonalmuseet i Warszawa 14Study of Saint Matthew turned to his right, reading a book by GuercinoStudy of Saint Matthew turned to his right, reading a book 15The Glory of All the Saints. Fragment (1613) by GuercinoThe Glory of All the Saints. Fragment1613 16The Glory of All the Saints. Fragment (1613) by GuercinoThe Glory of All the Saints. Fragment1613 17Jael and Sisera (1616) by GuercinoJael and Sisera1616 18Madonna and Child with Saint John The Baptist (1616) by GuercinoMadonna and Child with Saint John The Baptist1616 · Museum of Fine Arts, Houston 19Abraham and Hagar (1616) by GuercinoAbraham and Hagar1616 · Statens Museum for Kunst 20St. Francis in Ecstasy with St. Benedict and an Angel (1620) by GuercinoSt. Francis in Ecstasy with St. Benedict and an Angel1620 21The Persian Sybil (1628) by GuercinoThe Persian Sybil1628 · Bavarian State Painting Collections 22St Sebastian (1628) by GuercinoSt Sebastian1628 · Bavarian State Painting Collections 23Martyrdom of Saints John and Paul (1632) by GuercinoMartyrdom of Saints John and Paul1632 · Musée des Augustins 24Saint Joseph with the Christ Child (1637) by GuercinoSaint Joseph with the Christ Child1637 · National Gallery of Ireland 25Circé (1637) by GuercinoCircé1637 26Mary Magdalene (1645) by GuercinoMary Magdalene1645 27The Sick Child (1660) by GuercinoThe Sick Child1660 28St. Paul the Hermit Fed by the Raven (1660) by GuercinoSt. Paul the Hermit Fed by the Raven1660 · Dayton Kunstmuseum 29Absalom and Tamar (1655) by GuercinoAbsalom and Tamar1655 30The Virgin and Child appearing to Saint Jerome (1650) by GuercinoThe Virgin and Child appearing to Saint Jerome1650 31Santa Palazia (1658) by GuercinoSanta Palazia1658 · Museo Civico 32Virtuous Love (1666) by GuercinoVirtuous Love1666 33Assumption of the Virgin (1650) by GuercinoAssumption of the Virgin1650 · Detroit Institute of Arts 34Saint Paul (1700) by GuercinoSaint Paul1700 · Slovak National Gallery 35Cleopatra (1621) by GuercinoCleopatra1621 · Nasjonalgalleriet i Armenia 36La Madonna del Carmine con San Giuseppe e Santa Teresa e Gloria d' Angeli by GuercinoLa Madonna del Carmine con San Giuseppe e Santa Teresa e Gloria d' Angeli 37The Vocation of Saint Aloysius (Luigi) Gonzaga by GuercinoThe Vocation of Saint Aloysius (Luigi) GonzagaMetropolitan Museum of Art 38Saint Margaret of Cortona by GuercinoSaint Margaret of Cortona 39Apparition of Christ to Saint Therese by GuercinoApparition of Christ to Saint Therese 40The Holy Family (1620) by GuercinoThe Holy Family1620 41Fame, Honor and Virtue by GuercinoFame, Honor and Virtue 42Stilleben mit Melonen + Papagei (1616) by GuercinoStilleben mit Melonen + Papagei1616 43Amnon and Tamar by GuercinoAmnon and TamarNational Gallery of Art 44The Flagellation of Christ (1642) by GuercinoThe Flagellation of Christ1642 · Szépművészeti Múzeum 45Madonna and Child by GuercinoMadonna and ChildFinnish National Gallery 46Saint Paul by GuercinoSaint Paul 47Child seen from behind, standing between its mother's knees by GuercinoChild seen from behind, standing between its mother's knees 48BAPTISM OF CHRIST by GuercinoBAPTISM OF CHRIST 49St. Hieronymus by GuercinoSt. Hieronymus 50San Filippo Neri by GuercinoSan Filippo Neri 51Esther before Ahasuerus (1750) by GuercinoEsther before Ahasuerus1750 · University of Michigan Museum of Art 52The Pensive Muse by GuercinoThe Pensive MuseNational Gallery of Ireland 53Saint Agatha by GuercinoSaint AgathaNational Gallery of Ireland 54The Triumph of David by GuercinoThe Triumph of DavidNational Gallery of Ireland 55Study for St. William of Aquitaine by GuercinoStudy for St. William of AquitaineRhode Island School of Design Museum of Art 56Bust of a Soldier in Armor by GuercinoBust of a Soldier in ArmorRhode Island School of Design Museum of Art 57The Holy Family on the Flight meets the infant St John by GuercinoThe Holy Family on the Flight meets the infant St JohnFitzwilliam Museum 58Primavera by GuercinoPrimaveraMuseum of Fine Arts 59David with the head of Goliath by GuercinoDavid with the head of Goliath 60Saint Alexius in a brown wrap, holding a staff by GuercinoSaint Alexius in a brown wrap, holding a staff 61Man Kneeling by GuercinoMan Kneeling 62Landscape with a Fisherman by GuercinoLandscape with a Fisherman 63Landscape with Figures and a Wel by GuercinoLandscape with Figures and a Wel 64Landscape with Figures and Trees by GuercinoLandscape with Figures and Trees 65Landscape with Figures and a Tent by GuercinoLandscape with Figures and a Tent 66Landscape with Figures and a Bridge by GuercinoLandscape with Figures and a Bridge 67Landscape with Figures and a Bridge 1 by GuercinoLandscape with Figures and a Bridge 1 68Saint Francis in Adoration by GuercinoSaint Francis in Adoration 69St. John the Baptist in the Wilderness by GuercinoSt. John the Baptist in the Wilderness 70Portrait of a Man by GuercinoPortrait of a Man 71An Old Man by GuercinoAn Old Man 72A Woman Drinking from a Cup by GuercinoA Woman Drinking from a Cup 73St. John the Baptist in the Wilderness 1 by GuercinoSt. John the Baptist in the Wilderness 1 74A Woman Outstretched Arms by GuercinoA Woman Outstretched ArmsBavarian State Painting Collections 75The Flaying of Marsyas by GuercinoThe Flaying of Marsyas 76God the Father by GuercinoGod the Father 77Saint Jerome by GuercinoSaint Jerome 78Two Women and an Infant by GuercinoTwo Women and an Infant 79HEAD OF A GIRL, SEEN FROM BEHIND by GuercinoHEAD OF A GIRL, SEEN FROM BEHIND 80A seated man training a dog by GuercinoA seated man training a dog 81Cupid holding a vase of flowers by GuercinoCupid holding a vase of flowers 82Study of a woman holding a sieve by GuercinoStudy of a woman holding a sieve 83Susanna and the Elders 1 by GuercinoSusanna and the Elders 1 84The Martyrdom of St Peter by GuercinoThe Martyrdom of St Peter 85A study of Christ by GuercinoA study of Christ 86Madonna of the Swallow by GuercinoMadonna of the Swallow 87Landscape with tree in the foreground by GuercinoLandscape with tree in the foreground 88Annunciation by GuercinoAnnunciation 89Warrior Kneeling with Arms Outstretched by GuercinoWarrior Kneeling with Arms Outstretched 90Putto in the Clouds by GuercinoPutto in the Clouds 91Saint John the Evangelist in Meditation by GuercinoSaint John the Evangelist in Meditation 92The Resurrected Christ Appears to the Virgin by GuercinoThe Resurrected Christ Appears to the Virgin 93Saint Peter by GuercinoSaint Peter 94Nude figure of a woman, seen from the side by GuercinoNude figure of a woman, seen from the side 95STUDIES FOR THE VISION OF SAINT PHILIP NERI by GuercinoSTUDIES FOR THE VISION OF SAINT PHILIP NERI 96The Virgin and Child with the Infant Saint John the Baptist by GuercinoThe Virgin and Child with the Infant Saint John the BaptistScottish National Gallery 97David the violonist by GuercinoDavid the violonist 98Self-Portrait before a Painting of Amor Fedele by GuercinoSelf-Portrait before a Painting of Amor Fedele 99St Augustine by GuercinoSt Augustine 100Study of the God Almighty by GuercinoStudy of the God Almighty

Guercino's paintings, period by period

What Guercino painted most

The four subjects that come up most often in these pieces, each with its best-known example.

Where you can see Guercino's paintings

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Guercino Paintings from this list
Bavarian State Painting Collections, MünchenBavarian State Painting Collections München 8 Portrait of a Woman, Christ and the Moneylender, The Persian Sybil
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 6 Saint Joseph with the Christ Child, The Pensive Muse, Saint Agatha
Nasjonalmuseet i Warszawa, WarszawaNasjonalmuseet i Warszawa Warszawa 2 God the Father, Saint Francis with an angel playing violin
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 2 Study for St. William of Aquitaine, Bust of a Soldier in Armor
National Gallery, LondonNational Gallery London 8 The Samian Sibyl with a Putto
Staatliche KunstSammlungen Dresden, DresdenStaatliche KunstSammlungen Dresden Dresden 4 Painting and Drawing
Fitzwilliam MuseumFitzwilliam Museum 3 The Holy Family on the Flight meets the infant St John
Scottish National Gallery, EdinburghScottish National Gallery Edinburgh 3 The Virgin and Child with the Infant Saint John the Baptist

Decade by decade: the best-known Guercino piece of each

Works per decade

Pick a decade to see its standout piece.

Guercino: quick answers about the paintings

What is Guercino's best-known painting?See the answer

Top of the list is Pietà (1638), Musée Condé, Chantilly. Right behind it: St Peter and the angel (1650) and David with the Head of Goliath (1657).

What age was Guercino when creating Pietà?See the answer

47 years old. Guercino was born in 1591, and Pietà dates from 1638.

What are Guercino's top 10 paintings?See the answer

Pietà, St Peter and the angel, David with the Head of Goliath, The Samian Sibyl with a Putto, Saint-Jean-Baptiste, La Madonna del passero, Painting and Drawing, Portrait of a Woman, Christ and the Moneylender and St Anthony of Padua with the Infant Christ. You'll find the year and the museum of each in the list above.

How many works by Guercino are in your catalogue?See the answer

We have 367 works by Guercino in our catalogue, dated 1613 to 1666.

In which museums can you see Guercino's famous works?See the answer

You'll find most of them in Bavarian State Painting Collections (München), National Gallery of Ireland (Dublin) and Nasjonalmuseet i Warszawa (Warszawa). The museum list above has the full breakdown.

When did Guercino make the most famous pieces?See the answer

In 1650s, more than any other time: 9 of the 100 pieces on this page date from then, St Peter and the angel among them.

What are Guercino's first and last famous pieces?See the answer

The earliest piece here is The Glory of All the Saints. Fragment (1613); the most recent is Virtuous Love (1666).

Which subjects did Guercino paint most often?See the answer

Woman (11), Man (10) and Religious (9), out of the 100 pieces on this page.

Which medium shows up most in Guercino's paintings?See the answer

Oil On Canvas, used in 15 of the 100 pieces on this page.

What style or movement is Guercino known for?See the answer

Baroque, as you can see in the pieces on this page.

Which famous Guercino paintings are at the Bavarian State Painting Collections?See the answer

You can see 5 of the pieces on this page at the Bavarian State Painting Collections, München, including Portrait of a Woman, Christ and the Moneylender and The Persian Sybil.

Where can I order a Guercino reproduction?See the answer

Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.

Guercino's story

A Life Illuminated by Shadow: The World of Guercino

Giovanni Francesco Barbieri, kjent verden over som Il Guercino – “den skjeløyde” – var et navn født fra en fysisk egenskap, men bestemt til å representere et kunstnerisk syn som dramatisk forandret barokkmaleriet. Han ble født i 1591 i Cento, en liten by mellom Ferrara og Bologna, og hans reise begynte ikke i de hellige hallene av formelle akademier, men gjennom selvutforsking og tidlig lærlingeliv med Ludovico Carracci. Dette formative perioden la grunnlaget for en stil som ville bli synonymt med intens emosjonellitet, dramatisk chiaroscuro og en dyp engasjement med både realisme og idealisme. I motsetning til mange av sine samtidige som søkte klassisk perfeksjon, pulserte Guercinos kunst med en rå, menneskelig energi, gjenspeillet den turbulente åndelige klimaet i 1600-tallets Italia. Hans tidlige liv var preget av en naturlig talent som raskt overgikk konvensjonell trening; han kopierte ikke bare stiler, men skapte sin egen vei, en opplyst av en iboende forståelse for lys og skygge.

From Caravaggism to Classical Grace: A Shifting Palette

Guercinos kunstneriske utvikling var ikke en lineær progresjon, men heller en fascinerende dialog mellom ulike innflytelser og stilistiske utforsking. Hans tidlige verk var dypt gjeldt til den revolusjonerende naturalismen til Caravaggio, omfavnet skarpe kontraster og gritty realisme som sjokkerte og fengslet publikum. Malerier som *Amnon og Tamar* eksemplifiserer denne tidlige perioden – en hjerteskjærende fremstilling av en bibelsk fortelling gjengitt med nådeløs ærlighet og psykologisk dybde. Likevel var Guercino ikke fornøyd med å forbli i Caravaggismens favør. En avgjørende overgang skjedde i hans stil under 1630-tallet, drevet av både kunstnerisk nysgjerrighet og kravene fra diskrete mecenater. Han begynte å myke opp paletten sin, og forlot den harde tenebrismen mot en mer lysende og balansert tilnærming. Denne overgangen var ikke bare et stilistisk valg; det reflekterte en dypere engasjement med klassiske idealer og et ønske om å skape verk som ikke bare var visuelt imponerende, men også estetisk raffinerte. Denne perioden så ham omfavne en større følelse av romlig dybde og en mer harmonisk komposisjon, som demonstrert i mesterverk som *Return of the Prodigal Son*. Han eksperimenterte med ulike teknikker og materialer, og utviklet et unikt visuelt språk som skilte seg ut fra hans samtidige.

Biblical Narratives and Emotional Resonance

Gjennom hele sin karriere vendte Guercino stadig tilbake til bibelske fortellinger for inspirasjon. Likevel illustrerte han ikke bare disse historiene; han innpreget dem med en dyp følelse av menneskelig drama og emosjonell resonans. Hans figurer er ikke idealiserte helgener, men feilbarlige individer som kjemper med tro, tvil, anger og frelse. *The Vocation of Saint Aloysius Gonzaga* er et godt eksempel – en kraftfull fremstilling av religiøs oppvåkning gjengitt med betagende dyktighet og følsomhet. Guercinos evne til å fange de indre livene til sine motiver skilte ham fra mange av hans samtidige. Han forsto at ekte pietet ikke var omfattet av ytre uttrykk for hengivenhet, men om interne kamper og ofre som definerte et liv dedikert til troen. Denne psykologiske dybden, kombinert med hans mesterskap i lys og skygge, skapte malerier som var både visuelt blendende og emosjonelt engasjerende. Han nølte ikke med å fremstille vanskelige eller ubehagelige øyeblikk, og mente at disse var essensielle for å forstå kompleksiteten i det menneskelige tilstand.

A Lasting Legacy: Influence and Rediscovery

Guercinos innflytelse utvidet seg langt utover hans levetid. Hans dramatiske bruk av lys og skygge, kombinert med hans evne til å vekke kraftfulle følelser, inspirerte generasjoner av kunstnere over hele Europa. Selv om hans rykte ble noe nedtonet i det 18. og 19. århundre, opplevde en ny verdsettelse av hans arbeid i det 20. århundre, hovedsakelig takket være den utholdende innsatsen til kunsthistoriker Sir Denis Mahon. Mahons grundige forskning og lidenskapelige forsvarsarbeid hjalp til med å gjenopprette Guercino på hans rettmessige plass blant barokkens mestere. I dag er hans malerier feiret i prestisjetunge museer over hele verden – fra Pinacoteca Nazionale i Ferrara til National Gallery of Art i Washington D.C. – og tjener som et vitnesbyrd om hans vedvarende kunstneriske geni.
  • Museer og samlinger: Guercinos verk pryder hallene i museer som Pinacoteca Nazionale (Ferrara), Palazzo Brignole-Sale (Genoa) og Galleria Spada (Roma).
  • Chiaroscuro Master: Hans dramatiske bruk av lys og skygge er en definerende egenskap ved hans stil.
  • Biblical Storyteller: Han formidlet bibelske fortellinger med uovertruffen emosjonell dybde og psykologisk innsikt.

Key Works

Among Guercino’s most celebrated works are *The Return of the Prodigal Son* (1634-1635), a poignant depiction of repentance and forgiveness; *The Vocation of Saint Aloysius Gonzaga* (1629-1630), showcasing his ability to capture spiritual awakening; and *The Flight into Egypt* (c. 1630), demonstrating his mastery of dramatic composition and emotional intensity. These paintings, along with numerous other works, reveal the breadth of Guercino’s artistic vision and his enduring legacy as one of the most important figures in Baroque art.

All 367 works by Guercino →