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Din guide til de 1 mest kjente maleriene av Timoléon
Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 1 verk av Timoléon i vår katalog
Kort fortalt
Timoléons mest kjente verk er At the Tobacco Shop of the Great Victor (1804). Du finner det på Carnavalet Museum i Paris. Vi har 1 verk av Timoléon i vår katalog; denne guiden har plukket ut de 1 mest kjente, med årstall, museum og historien bak hvert verk.
Flest verk: Carnavalet Museum
De 10 viktigste maleriene av Timoléon du bør kjenne til
Hvor du kan se maleriene til Timoléon
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Timoléon | Malerier fra denne listen |
|---|---|---|---|
 Carnavalet Museum |
Paris | 1 | At the Tobacco Shop of the Great Victor |
År for år: de mest kjente verkene til Timoléon
De daterte verkene av Timoléon på denne siden er alle fra 1804. Her er de, sortert etter berømmelse.
Verk per år
Velg et år for å se verkene fra det året.
Timoléon: raske svar om maleriene
Hva er det mest kjente maleriet til Timoléon?Se svaret
Øverst på listen står At the Tobacco Shop of the Great Victor (1804).
Hvor mange verk av Timoléon finnes i katalogen din?Se svaret
Vi har 1 verk av Timoléon i vår katalog.
I hvilke museer kan du se de berømte verkene til Timoléon?Se svaret
Du finner de fleste av dem i Carnavalet Museum (Paris). Listen over museer gir en fullstendig oversikt.
Timoléons historie
The Chronicler of Childhood
In the quietude of Cornod, France, the foundations of a specific kind of visual storytelling are laid. Born in 1831, Timoléon Marie Lobrichon enters a France caught between the gears of industrial progress and a deep longing for the simplicity of the past. He moves from the Jura department to the rigorous halls of the Académie des Beaux Arts in Paris. Under the guidance of François-Édouard Picot, he masters the classical techniques that would later provide the structure for his most sentimental subjects. He does not merely paint figures; he constructs narratives of innocence.
His brush finds its true purpose in the fleeting expressions of youth. There is a specific tension in his work between the formal training of the Academy and the soft, emotional warmth he applies to his subjects. He captures the quiet drama of a child lost in a book or the wide-eyed wonder of siblings peering through a shop window. These are not static portraits. They are moments of unadulterated emotion frozen in oil.
A Career of Recognition
The Parisian art world responds to this ability to weave character into composition. From 1859 until his death, Timoléon is a constant presence at the Salon de Paris. His work travels far beyond the borders of France, finding audiences in Germany, Australia, and the United States. His versatility allows him to move between the high art of the Salon and the satirical edges of magazines like Le Gaulois and Le Hanneton.
His professional trajectory is marked by specific honors and diverse subject matter:
- First Prize medals at the Salon des Artistes Français in 1868 and 1882.
- Induction into the Légion d'Honneur in 1883.
- Illustrations for Jean Aicard's 1884 work, La Chanson de l'Enfant.
- Portraits of notable figures, including Alexander Graham Bell.
His repertoire extends beyond the sentimental scenes of children. He produces landscapes, historical scenes, and humorous picture stories such as Histoire de Mr. Tuberculus (1856) and Histoire de Mr. Grenouillet (1856). This range demonstrates a technical flexibility that supports both the satirical caricaturist and the serious painter.
The Legacy of Sentiment
By the time he reaches the end of his life in 1914, Timoléon has established himself as a master of genre painting. His works, such as La Vitrine du Magasin de Jouets, become widely known through engravings by Goupil & Cie, allowing his imagery to enter the homes of the masses. He leaves behind a body of work that prioritizes the emotional truth of a moment over the mere anatomical precision of a subject. His vision remains fixed on the small, significant dramas of daily life.