Portrett av Sofie Holten

Din guide til de 1 mest kjente maleriene av Sofie Holten

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 1 verk av Sofie Holten i vår katalog

Kort fortalt

Sofie Holtens mest kjente verk er August Strindberg, 1849-1912 (1885). Du finner det på National Portrait Gallery of Sweden i Strängnäs. Vi har 1 verk av Sofie Holten i vår katalog; denne guiden har plukket ut de 1 mest kjente, med årstall, museum og historien bak hvert verk.

1858 – 1930, Skuldelev Flest verk: National Portrait Gallery of Sweden

De 10 viktigste maleriene av Sofie Holten du bør kjenne til

Hvor du kan se maleriene til Sofie Holten

Museet som innehar flest av maleriene på denne siden.

Museum By Verker av Sofie Holten Malerier fra denne listen
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 1 August Strindberg, 1849-1912

År for år: de mest kjente verkene til Sofie Holten

De daterte verkene av Sofie Holten på denne siden er alle fra 1885. Her er de, sortert etter berømmelse.

Verk per år

Velg et år for å se verkene fra det året.

Sofie Holten: raske svar om maleriene

Hva er det mest kjente maleriet til Sofie Holten?Se svaret

Øverst på listen står August Strindberg, 1849-1912 (1885).

Hvor gammel var Sofie Holten da August Strindberg, 1849-1912 ble skapt?Se svaret

27 år gammel. Sofie Holten ble født i 1858, og August Strindberg, 1849-1912 er fra 1885.

Hvor mange verk av Sofie Holten finnes i katalogen din?Se svaret

Vi har 1 verk av Sofie Holten i vår katalog.

I hvilke museer kan du se de berømte verkene til Sofie Holten?Se svaret

Du finner de fleste av dem i National Portrait Gallery of Sweden (Strängnäs). Listen over museer gir en fullstendig oversikt.

Hvor kan jeg bestille en reproduksjon av Sofie Holten?Se svaret

Ja. Alle malerier på denne siden er tilgjengelige som håndmalte oljereproduksjoner eller trykk, i den størrelsen som passer deg. Åpne maleriets side for å bestille.

Sofie Holtens historie

A Life Painted in Light and Purpose

Born on 12 August 1858 in Skuldelev, Denmark, Sofie Holten grew up as the daughter of a parish priest, Hans Nicolai Holten. Her early years were shaped by the quiet rhythms of Danish life, yet her ambitions reached far beyond the borders of her birthplace. After receiving private instruction from Christen Dalsgaard and Carl Thomsen, she sought the wider horizons of Paris. In the French capital, she studied under Félix-Joseph Barrias and Alfred Stevens, absorbing the modern methods of painting that would later define her brushwork.

Her travels were as varied as her subjects. During the 1890s, she moved through the Netherlands, Germany, Italy, England, and Greece. These excursions provided a steady stream of new sights, from the ancient motifs of the Parthenon to the quiet corners of European landscapes. She was a woman who moved through the world with a clear sense of her own direction, often choosing the independence of her craft over the traditional path of marriage.

The Brush and the Cause

Holten’s work was never confined to a single genre. She found equal expression in portraits, flower paintings, and scenes of everyday life. Some of her most noted portraits captured figures such as August Strindberg and L. A. Ring. Her ability to translate the character of her sitters onto canvas earned her recognition at the Charlottenborg Spring Exhibition and the Salon in Paris. She also brought her eye for detail to historical subjects, creating works inspired by the Parthenon Frieze.

Beyond the studio, her life was defined by a deep commitment to social change. She was a voice for women, writing reviews of female artists in Kvinden og Samfundet and advocating for practical changes in women's lives, such as more functional clothing. In 1895, she acted as a driving force behind the Copenhagen Women's Exhibition. Her dedication to her community and her faith remained constant throughout her later years.

Later Years and Lasting Marks

In her later life, Holten found a spiritual home in Roman Catholicism after spending time in Assisi, Italy. She settled in Roskilde with her friend Erikke Rosenørn-Lehn, where she contributed to the local landscape through her art. Her work decorating the St Laurenti Church in Roskilde remains a significant part of her legacy, earning her the Pro Ecclesia et Pontifice award.

When she passed away on 5 June 1930, she left behind a body of work that reflected both her technical skill and her personal convictions. Her life was marked by several notable achievements:

  • Exhibiting at the 1893 World's Columbian Exposition in Chicago.
  • Advocating for women's rights through writing and organized exhibitions.
  • Decorating religious spaces with her oil paintings.
  • Maintaining a professional presence at the Charlottenborg exhibitions until 1904.