Portrett av Robert Smithson

Din guide til de 4 mest kjente maleriene av Robert Smithson

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 6 verk av Robert Smithson i vår katalog

Kort fortalt

Robert Smithsons mest kjente verk er Non Site - Site Uncertain. Du finner det på Detroit Institute of Arts i Detroit. Neste på listen er Three-Sided Vortex (1966) og Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967). Vi har 6 verk av Robert Smithson i vår katalog; denne guiden har plukket ut de 4 mest kjente, med årstall, museum og historien bak hvert verk.

1938 – 1973, Passaic Flest verk: Detroit Institute of Arts

De 10 viktigste maleriene av Robert Smithson du bør kjenne til

Hvor du kan se maleriene til Robert Smithson

De 2 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Robert Smithson Malerier fra denne listen
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Non Site - Site Uncertain
Chrysler Museum of Art, NorfolkChrysler Museum of Art Norfolk 1 Three-Sided Vortex

År for år: de mest kjente verkene til Robert Smithson

Robert Smithson sine daterte verk her spenner fra 1966 til 1970, kun 5 år. Her er de, ett år av gangen.

Verk per år

Velg et år for å se verkene fra det året.

Robert Smithson: raske svar om maleriene

Hva er det mest kjente maleriet til Robert Smithson?Se svaret

Øverst på listen står Non Site - Site Uncertain, Detroit Institute of Arts, Detroit. Rett bak følger: Three-Sided Vortex (1966) og Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967).

Hvor mange verk av Robert Smithson finnes i katalogen din?Se svaret

Vi har 6 verk av Robert Smithson i vår katalog, datert fra 1966 til 1970.

I hvilke museer kan du se de berømte verkene til Robert Smithson?Se svaret

Du finner de fleste av dem i Detroit Institute of Arts (Detroit) og Chrysler Museum of Art (Norfolk). Listen over museer gir en fullstendig oversikt.

Hva er Robert Smithsons første og siste kjente verk?Se svaret

Det eldste verket her er Three-Sided Vortex (1966); det nyeste er Torn Photograph from the 2nd Stop (Rubble) (2nd Mountain of Six Stops on a Section) from Artists Photographs (1970).

Robert Smithsons historie

Early Life and Artistic Beginnings

  • Born: January 2, 1938, in Passaic, New Jersey
  • Early years spent in Rutherford and Clifton, New Jersey
  • Studied painting and drawing at the Art Students League of New York (1955-1956)
  • Early artwork explored collage influenced by homoerotic themes, science fiction, and pop art. Primarily identified as a painter during this period.
  • Influenced by William Carlos Williams, who was his pediatrician.

The Shift to Minimalism and Conceptual Art

  • After a three-year break from the art world, emerged in 1964 as a proponent of the minimalist movement.
  • Abandoned figurative work, focusing on glass sheet and neon lighting tubes exploring visual refraction and mirroring.
  • Developed interest in entropy (the second law of thermodynamics) – decay, renewal, chaos, order, non-sites, and earthworks. Saw entropy not as a disadvantage but as a form of transformation.
  • Associated with minimalist artists like Nancy Holt (his wife), Robert Morris, and Sol LeWitt.
  • Became a critic for *Arts Magazine* and *Artforum*, gaining recognition as a writer before his art.

Land Art and Earthworks: Spiral Jetty and Beyond

  • Fascination with industrial areas in New Jersey led to the development of "Non-Sites" – sculptures incorporating earth and rocks from specific locations, often combined with mirrors or glass.
  • Spiral Jetty (1970): His most famous work, a massive coil of basalt rock extending into the Great Salt Lake in Utah. A key example of land art, exploring themes of entropy, time, and geological processes.
  • Explored temporary sculptures using mirrors in the Yucatan Peninsula, documented in "Incidents of Mirror-Travel in the Yucatan."
  • Recovered 18th- and 19th-century conceptions of landscape architecture, influencing his later earthwork explorations.

Theoretical Writings and Landscape Perspectives

  • Wrote extensively on art theory, including "A Heap of Language," exploring how writing could become an artwork.
  • Examined Frederick Law Olmsted's design for Central Park in New York City, recovering issues of site specificity, human intervention, and the picturesque landscape.
  • His writings demonstrate a deep engagement with history, philosophy, geology, and cultural theory.

Legacy and Historical Significance

  • Died: July 20, 1973, in Tucson, Arizona (due to a heart attack while hiking).
  • Considered a pivotal figure in Land Art and Earthworks movements.
  • His work expanded the definition of art, blurring boundaries between sculpture, landscape, and natural processes.
  • Influenced generations of artists with his conceptual approach, exploration of entropy, and engagement with geological time scales.
  • The Holt/Smithson Foundation continues to preserve and promote his legacy.