Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 1 verk av Peter Copmann i vår katalog
Kort fortalt
Peter Copmanns mest kjente verk er Portræt af en ung pige (1824). Du finner det på Statens Museum for Kunst i København. Vi har 1 verk av Peter Copmann i vår katalog; denne guiden har plukket ut de 1 mest kjente, med årstall, museum og historien bak hvert verk.
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Peter Copmann | Malerier fra denne listen |
|---|---|---|---|
 Statens Museum for Kunst |
København | 1 | Portræt af en ung pige |
De daterte verkene av Peter Copmann på denne siden er alle fra 1824. Her er de, sortert etter berømmelse.
Velg et år for å se verkene fra det året.
Øverst på listen står Portræt af en ung pige (1824).
30 år gammel. Peter Copmann ble født i 1794, og Portræt af en ung pige er fra 1824.
Vi har 1 verk av Peter Copmann i vår katalog.
Du finner de fleste av dem i Statens Museum for Kunst (København). Listen over museer gir en fullstendig oversikt.
Ja. Alle malerier på denne siden er tilgjengelige som håndmalte oljereproduksjoner eller trykk, i den størrelsen som passer deg. Åpne maleriets side for å bestille.
Born in 1794, Peter Copmann lived through a period of significant artistic transition. His life, which concluded in 1850, was defined by a commitment to capturing the likeness of individuals and the quiet details of the natural world. Working primarily in Denmark, he developed a skill for both the delicate touch of pastel and the precise lines of lithography. His hands were as comfortable with the soft, powdery texture of a portrait as they were with the technical demands of printmaking.
His work often focused on the human face, seeking to find the character within a sitter's gaze. In his 1832 pastel portrait of the composer Friedrich Kuhlau, Copmann demonstrated his ability to interpret existing works, creating a new version of a portrait originally painted by Christian Horneman. This ability to translate one medium into another shows a deep understanding of light and form. He did not merely copy; he reinterpreted the essence of his subjects through his own lens.
Copmann’s repertoire was diverse, spanning from the intimate scale of a portrait to the expansive views of a rural scene. He moved between different artistic subjects with ease, often finding beauty in the simplest elements of nature. His technical range allowed him to explore various ways of seeing the world:
In his lithograph of Johan Christian Ryge, there is a specific focus on the subject's unwavering gaze. This directness creates a sense of psychological depth, making the viewer feel the weight of the sitter's presence. It is a quiet, steady way of engaging with the world, avoiding the dramatic in favor of the sincere.
