Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 5 verk av László Pataky i vår katalog
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Det mest kjente maleriet av László Pataky er Roosters on Horses (1880), og du kan se det på Slovak National Gallery i Bratislava. Rett etter følger Cavalry Battle (1890) og Kuruci (1903). Av 5 verk av László Pataky i vår katalog, er disse 3 de mest kjente. Hvert verk er oppført med årstall, museum og en kort beskrivelse av hva som gjør det unikt.
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av László Pataky | Malerier fra denne listen |
|---|---|---|---|
 Slovak National Gallery |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
Velg et tiår for å se dets fremste verk.
Øverst på listen står Roosters on Horses (1880), Slovak National Gallery, Bratislava. Rett bak følger: Cavalry Battle (1890) og Kuruci (1903).
23 år gammel. László Pataky ble født i 1857, og Roosters on Horses er fra 1880.
Vi har 5 verk av László Pataky i vår katalog, datert fra 1880 til 1903.
Du finner de fleste av dem i Slovak National Gallery (Bratislava) og Ernest Zmeták Art Gallery (Nové Zámky). Listen over museer gir en fullstendig oversikt.
Det eldste verket her er Roosters on Horses (1880); det nyeste er Kuruci (1903).
Du kan se 2 av verkene på denne siden på Slovak National Gallery, Bratislava, inkludert Roosters on Horses og Cavalry Battle.
Ja. Alle malerier på denne siden er tilgjengelige som håndmalte oljereproduksjoner eller trykk, i den størrelsen som passer deg. Åpne maleriets side for å bestille.
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.
