Portrett av Jacob Coning

Din guide til de 16 mest kjente maleriene av Jacob Coning

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 16 verk av Jacob Coning i vår katalog

Kort fortalt

Jacob Conings mest kjente verk er Nicolas de Seue (1691). Neste på listen er Portrait of Peter Wessel Tordenskiold (1700) og Nikolaj Sibbern (1720). Vi har 16 verk av Jacob Coning i vår katalog; denne guiden har plukket ut de 16 mest kjente, med årstall, museum og historien bak hvert verk.

1647 – 1724, The Hague Flest verk: Nasjonalmuseet

De 10 viktigste maleriene av Jacob Coning du bør kjenne til

Tallene 11 til 16: flere malerier av Jacob Coning

Hvor du kan se maleriene til Jacob Coning

De 3 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Jacob Coning Malerier fra denne listen
Nasjonalmuseet, OsloNasjonalmuseet Oslo 9 Krapfoss near Moss, Halden, seen from a hill on the foreground, View of Moss
Oslo Museum, OsloOslo Museum Oslo 3 Portrait of Peter Wessel Tordenskiold, Halden (Fredrikshald), Oslo Hospital
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 1 The Cattle Pen

Tiår for tiår: det mest kjente verket av hver Jacob Coning

Verk per tiår

Velg et tiår for å se dets fremste verk.

Jacob Coning: raske svar om maleriene

Hva er det mest kjente maleriet til Jacob Coning?Se svaret

Øverst på listen står Nicolas de Seue (1691). Rett bak følger Portrait of Peter Wessel Tordenskiold (1700) og Nikolaj Sibbern (1720).

Hvor gammel var Jacob Coning da Nicolas de Seue ble skapt?Se svaret

44 år gammel. Jacob Coning ble født i 1647, og Nicolas de Seue er fra 1691.

Hva er de 10 viktigste maleriene til Jacob Coning?Se svaret

Nicolas de Seue, Portrait of Peter Wessel Tordenskiold, Nikolaj Sibbern, The Cattle Pen, Halden (Fredrikshald), Oslo Hospital, Krapfoss near Moss, Halden, seen from a hill on the foreground, View of Moss og Akershus Fortress near Christiania/Oslo. Du finner årstallet og museet for hvert av dem i listen ovenfor.

Hvor mange verk av Jacob Coning finnes i katalogen din?Se svaret

Vi har 16 verk av Jacob Coning i vår katalog, datert fra 1666 til 1720.

I hvilke museer kan du se de berømte verkene til Jacob Coning?Se svaret

Du finner de fleste av dem i Nasjonalmuseet (Oslo), Oslo Museum (Oslo) og Museum Boijmans Van Beuningen (Rotterdam). Listen over museer gir en fullstendig oversikt.

Når skapte Jacob Coning sine mest kjente verk?Se svaret

I 1690s, mer enn på noe annet tidspunkt: 10 av de 16 verkene på denne siden stammer fra den tiden, Nicolas de Seue av dem.

Hva er Jacob Conings første og siste kjente verk?Se svaret

Det eldste verket her er The Cattle Pen (1666); det nyeste er Nikolaj Sibbern (1720).

Hvilke berømte malerier av Jacob Coning finnes på Nasjonalmuseet?Se svaret

Du kan se 9 av verkene på denne siden på Nasjonalmuseet, Oslo, inkludert Krapfoss near Moss, Halden, seen from a hill on the foreground og View of Moss.

Hvor kan jeg bestille en reproduksjon av Jacob Coning?Se svaret

Ja. Alle malerier på denne siden er tilgjengelige som håndmalte oljereproduksjoner eller trykk, i den størrelsen som passer deg. Åpne maleriets side for å bestille.

Jacob Conings historie

A Master of the Topographical Eye

In the golden twilight of the seventeenth century, a period defined by the meticulous observation of the natural world, Jacob Coning emerged as a vital bridge between the storied traditions of Dutch landscape painting and the burgeoning courtly aesthetics of Denmark-Norway. Born around 1647 in The Hague, Coning was steeped in the rich artistic heritage of his homeland from his very first breaths. As the son of the Dutch painter Jacob Koninck, his apprenticeship began within the intimate confines of a family workshop, where he learned to capture the subtle nuances of light and atmosphere that had made Dutch art the envy of Europe. This foundational training was further refined under the guidance of masters such as Adriaen van de Velde, an influence that undoubtedly instilled in him a profound respect for topographical accuracy and the delicate interplay of shadow and sky.

The trajectory of Coning’s life took a transformative turn in 1676 when he traveled to Copenhagen. This migration was more than a mere change of scenery; it was a pivotal moment that allowed him to transplant the sophisticated techniques of the Dutch school into a new cultural landscape. Settling in Denmark, Coning found himself uniquely positioned to serve the needs of the Danish Court. His arrival coincided with a period where the nobility sought to document their lands and estates with a sense of grandeur and permanence. Through his marriage to Dorothea Tranberg, a lady-in-waiting to Queen Charlotte Amalie, Coning secured a prestigious foothold within the royal circle, eventually earning the esteemed title of painter to the Danish Court.

The Art of the Landscape and the Court

Coning’s oeuvre is characterized by a remarkable duality, oscillating between the intimate precision of topographical painting and the formal dignity of portraiture. He was a pioneer in Denmark-Norway, specializing in landscapes that functioned as much as historical documents as they did works of fine art. His approach to topography was not merely about mapping terrain; it was about capturing the soul of a place. Whether rendering the sweeping vistas of Norway or the manicured estates of Denmark, Coning possessed an uncanny ability to imbable his scenes with a sense of lived reality and atmospheric depth.

His technical mastery is perhaps most evident in his ability to navigate various artistic demands:

  • Topographical Precision: His works, such as the celebrated View of Moss from 1699, demonstrate an exacting eye for detail, documenting specific locales with a clarity that serves both aesthetic and archival purposes.
  • Portraiture: Beyond the landscape, Coning was a sought-after portraitist for the Danish and Norwegian nobility, translating the status and character of his subjects onto canvas with grace and sophistication.
  • Decorative Artistry: His versatility extended to the ornamental, as he undertook tasks such as the gilding of frames, ensuring that the presentation of art matched the quality of the painting itself.

Despite his proximity to royal splendor, Coning’s personal journey was marked by the harsh realities of economic instability. The life of a court painter, while prestigious, did not always guarantee financial security. He faced periods of significant hardship, often finding himself forced to auction off his beloved creations to sustain himself. This struggle adds a poignant layer to his legacy, painting a picture of an artist whose dedication to his craft persisted even amidst the shadows of poverty.

Legacy and Historical Significance

The historical significance of Jacob Coning lies in his role as a cultural conduit. He did not merely bring Dutch techniques to Scandinavia; he helped foster a new visual language for the region. His efforts to establish an art academy in Copenhagen, alongside a circle of contemporary artists, reflect his vision for a structured and flourishing artistic community in Denmark. Though he spent his final years in the humble surroundings of a reformed church poorhouse, his impact on the Northern European landscape tradition remains indelible.

Today, Coning’s works are cherished not only as beautiful objects of art but as essential windows into the past. His landscapes remain significant for their cultural and historic value, offering contemporary viewers a glimpse into the topography and spirit of a bygone era. Through his brush, the rugged beauty of the North and the refined elegance of the Court continue to breathe, preserved in the enduring legacy of a true master of observation.