Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 2 verk av Hellmut Eichrodt i vår katalog
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Hellmut Eichrodts mest kjente verk er Portrait of a Woman (1909). Du finner det på Staatliche Kunsthalle Karlsruhe i Karlsruhe. Vi har 2 verk av Hellmut Eichrodt i vår katalog; denne guiden har plukket ut de 2 mest kjente, med årstall, museum og historien bak hvert verk.
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Hellmut Eichrodt | Malerier fra denne listen |
|---|---|---|---|
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 2 | Portrait of a Woman, Female Portrait in Profile Facing Left |
Hellmut Eichrodt sine daterte verk her spenner fra 1909 til 1914, kun 6 år. Her er de, ett år av gangen.
Velg et år for å se verkene fra det året.
Øverst på listen står Portrait of a Woman (1909).
37 år gammel. Hellmut Eichrodt ble født i 1872, og Portrait of a Woman er fra 1909.
Vi har 2 verk av Hellmut Eichrodt i vår katalog, datert fra 1909 til 1914.
Du finner de fleste av dem i Staatliche Kunsthalle Karlsruhe (Karlsruhe). Listen over museer gir en fullstendig oversikt.
Det eldste verket her er Portrait of a Woman (1909); det nyeste er Female Portrait in Profile Facing Left (1914).
Du kan se 2 av verkene på denne siden på Staatliche Kunsthalle Karlsruhe, Karlsruhe, inkludert Portrait of a Woman og Female Portrait in Profile Facing Left.
Ja. Alle malerier på denne siden er tilgjengelige som håndmalte oljereproduksjoner eller trykk, i den størrelsen som passer deg. Åpne maleriets side for å bestille.
Bruchsal, 1872. A life begins that will eventually bridge the gap between fine art and the printed page. Hellmut Eichrodt enters the studios of the Karlsruher Kunstakademie, a student navigating the rigorous training of the late nineteenth century. He moves under the guidance of Hans Thoma and Leopold Graf von Kalckreuth, absorbing the technical foundations of German painting. The years between 1890 and 1903 are defined by this academic discipline.
The focus shifts from the canvas to the periodical. Between 1897 and 1912, Eichrodt finds a rhythm within the pages of Jugend and Simplicissimus. Here, the graphic artist meets the public through mass reproduction. His hand shapes the visual identity of these influential magazines, translating complex imagery into the sharp, reproducible lines required for print. This period marks his emergence as a significant contributor to German graphic culture.
The scale of his work expands beyond the magazine spread. Eichrodt moves into the architectural realm, applying pigment to the very bones of public and sacred spaces. He leaves his mark on the Karlsruher Christuskirche through multiple murals. His reach extends far beyond German borders; he contributes a mural for the mausoleum in Addis Abeba, built for the Ethiopian emperor Menelik II. These large-scale works demand a different command of space than his graphic illustrations.
Commercial necessity drives much of his output during his later years. Through collaboration with the Kunstdruckerei Künstlerbund Karlsruhe, he becomes a designer of advertisements and posters. His name appears on the branding for various entities:
Eichrodt’s graphic legacy includes specific narrative collections created for Friedrich Dreser. In 1908 and 1909, he produces the imagery for Der Froschkönig, Der Soldat, and Die sieben Raben. He marks these collections with a simple, personal signature: "H-E".
The year 1918 brings a starker application of his skill. As the Grand Duchy of Baden calls upon its soldiers to lay down their arms and return home, Eichrodt illustrates this historical moment. The artist passes away in Karlsruhe in 1943, leaving behind a body of work held in collections such as the Staatliche Kunsthalle Karlsruhe, including portraits like his 1909 Frauenbildnis.
