Kort fortalt
Cornelia Scheffers mest kjente verk er Self-portrait (1795). Du finner det på Dordrechts Museum i Dordrecht. Neste på listen er Woman with Two Children on a Country Road (1811) og The Women of Souli (1833). Vi har 4 verk av Cornelia Scheffer i vår katalog; denne guiden har plukket ut de 4 mest kjente, med årstall, museum og historien bak hvert verk.
De 10 viktigste maleriene av Cornelia Scheffer du bør kjenne til
Hvor du kan se maleriene til Cornelia Scheffer
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Cornelia Scheffer | Malerier fra denne listen |
|---|---|---|---|
| Dordrecht | 4 | Self-portrait, Woman with Two Children on a Country Road, The Women of Souli |
Tiår for tiår: det mest kjente verket av hver Cornelia Scheffer
Verk per tiår
Velg et tiår for å se dets fremste verk.
Cornelia Scheffer: raske svar om maleriene
Hva er det mest kjente maleriet til Cornelia Scheffer?Se svaret
Øverst på listen står Self-portrait (1795), Dordrechts Museum, Dordrecht. Rett bak følger: Woman with Two Children on a Country Road (1811) og The Women of Souli (1833).
Hvor gammel var Cornelia Scheffer da Self-portrait ble skapt?Se svaret
26 år gammel. Cornelia Scheffer ble født i 1769, og Self-portrait er fra 1795.
Hvor mange verk av Cornelia Scheffer finnes i katalogen din?Se svaret
Vi har 4 verk av Cornelia Scheffer i vår katalog, datert fra 1795 til 1833.
I hvilke museer kan du se de berømte verkene til Cornelia Scheffer?Se svaret
Du finner de fleste av dem i Dordrechts Museum (Dordrecht). Listen over museer gir en fullstendig oversikt.
Hva er Cornelia Scheffers første og siste kjente verk?Se svaret
Det eldste verket her er Self-portrait (1795); det nyeste er The Women of Souli (1833).
Hvilke berømte malerier av Cornelia Scheffer finnes på Dordrechts Museum?Se svaret
Du kan se 4 av verkene på denne siden på Dordrechts Museum, Dordrecht, inkludert Self-portrait, Woman with Two Children on a Country Road og The Women of Souli.
Hvor kan jeg bestille en reproduksjon av Cornelia Scheffer?Se svaret
Ja. Alle malerier på denne siden er tilgjengelige som håndmalte oljereproduksjoner eller trykk, i den størrelsen som passer deg. Åpne maleriets side for å bestille.
Cornelia Scheffers historie
A Life of Miniature Precision
Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.
In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.
The Move to Paris
The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.
Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.
Legacy in Miniature
Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.
Her technical output remains rooted in the intimate scale of her training:
- Self-portrait Cornelia Scheffer-Lamme: A 1795 painting capturing her own likeness.
- Miniature portraits of her family: Executed in watercolor and gouache on ivory, held in the Dordrechts museum.
- Genre works: Including pieces such as The women of Souli, a copy of her son's work.
She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.