Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 5 verk av Carl Ebert i vår katalog
Kort fortalt
Hvis du kjenner til ett maleri av Carl Ebert, er det sannsynligvis Forest Landscape with Bathing Children (1867), som henger i Bavarian State Painting Collections, München. Evening Landscape (1875) og Landscape society in a park utgjør de tre verkene folk kjenner igjen umiddelbart. Vår katalog inneholder 5 verk av Carl Ebert. Nedenfor finner du de 5 mest kjente, hver med årstall, hvor de befinner seg og hva som gjør dem spesielle.
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Carl Ebert | Malerier fra denne listen |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
München | 1 | Isar Landscape |
9 år, fra 1867 til 1875: dette er hele tidsspennet for Carl Ebert sine daterte verk her. Gå gjennom dem år for år.
Velg et år for å se verkene fra det året.
Øverst på listen står Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, München. Rett bak følger: Evening Landscape (1875) og Landscape society in a park.
46 år gammel. Carl Ebert ble født i 1821, og Forest Landscape with Bathing Children er fra 1867.
Vi har 5 verk av Carl Ebert i vår katalog, datert fra 1867 til 1875.
Du finner de fleste av dem i Bavarian State Painting Collections (München) og Lenbachhaus (München). Listen over museer gir en fullstendig oversikt.
Det eldste verket her er Forest Landscape with Bathing Children (1867); det nyeste er Evening Landscape (1875).
Du kan se 2 av verkene på denne siden på Bavarian State Painting Collections, München, inkludert Forest Landscape with Bathing Children og Evening Landscape.
Ja. Alle malerier på denne siden er tilgjengelige som håndmalte oljereproduksjoner eller trykk, i den størrelsen som passer deg. Åpne maleriets side for å bestille.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.
