Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 1 verk av Benjamin Raborg i vår katalog
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Benjamin Raborgs mest kjente verk er Night Scene of Indian Tipi (1895). Du finner det på Smithsonian American Art Museum i Washington, D.C.. Vi har 1 verk av Benjamin Raborg i vår katalog; denne guiden har plukket ut de 1 mest kjente, med årstall, museum og historien bak hvert verk.
Museet som har flest av maleriene på denne siden.
| Museum | By | Verker av Benjamin Raborg | Malerier fra denne listen |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 1 | Night Scene of Indian Tipi |
De daterte verkene av Benjamin Raborg på denne siden er alle fra 1895. Her er de, sortert etter berømmelse.
Velg et år for å se verkene fra det året.
Øverst på listen står Night Scene of Indian Tipi (1895).
24 år gammel. Benjamin Raborg ble født i 1871, og Night Scene of Indian Tipi er fra 1895.
Vi har 1 verk av Benjamin Raborg i vår katalog.
Du finner de fleste av dem i Smithsonian American Art Museum (Washington, D.C.). Listen over museer gir en fullstendig oversikt.
Ja. Alle malerier på denne siden er tilgjengelige som håndmalte oljereproduksjoner eller trykk, i den størrelsen som passer deg. Åpne maleriets side for å bestille.
Benjamin O'Fallan Raborg lived a life shaped by the landscapes of the American West. Born in Sulphur Springs, Missouri, he carried the influence of his family into his work, including his uncle, the artist Astley David Middleton Cooper. His brush found its way to the textures of the frontier, focusing on the quiet dignity of landscapes and the presence of portraits. He often turned his attention to American Indians, capturing them within the scenes he composed on canvas.
His work was not about grand gestures, but about the specific details of a place. In pieces like Night Scene of Indian Tipi, there is a focus on how light and shadow settle over a camp. This particular work resides in the Smithsonian American Art Museum, a quiet piece of his legacy that remains after his passing.
The path of his life took him from the plains of Missouri to the coast of California. He spent his final years in San Francisco, where his life came to an abrupt end in 1918. A cable car accident took his life, leaving behind a body of work that reflects the era of his existence. He is buried in Oak Hill Memorial Park in San Jose, California.
His paintings remain as physical traces of his time. They are objects that hold the light of a different century, specifically through his use of oil on canvas. His subjects—the landscapes and the people of the West—remain fixed in the way he chose to see them.
