Portrett av Basawan

Møt de 13 mest kjente maleriene av Basawan

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 13 verk av Basawan i vår katalog

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Hvis du kjenner til ett maleri av Basawan, er det sannsynligvis Mihrdukht aims her arrow at the ring (1570), som henger i Metropolitan Museum of Art, New York. The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) og The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) utgjør de tre verkene folk kjenner igjen umiddelbart. Vår katalog inneholder 13 verk av Basawan. Nedenfor finner du de 13 mest kjente, hver med årstall, hvor de befinner seg og hva som gjør dem spesielle.

1560 – 1600, Uttar Pradesh Flest verk: Cleveland Museum of Art

Start her: de 10 beste maleriene av Basawan

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Mihrdukht aims her arrow at the ring (1570) av Basawan

Mihrdukht aims her arrow at the ring

1570 · Tempera · Metropolitan Museum of Art, New York

The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…

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Flere favoritter fra Basawan, fra 11 til 13

Hvor du kan se maleriene til Basawan

De 6 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Basawan Malerier fra denne listen
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 8 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Mihrdukht aims her arrow at the ring
Victoria and Albert Museum, LondonVictoria and Albert Museum London 1 Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama
San Diego Museum of Art, San DiegoSan Diego Museum of Art San Diego 1 The Virgin and Child
Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 A Mughal and a Rajput Converse at Dusk

Basawan tiår for tiår: ett fremragende verk for hvert tiår

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Dine spørsmål om Basawans malerier

Hvilket maleri av Basawan er det mest kjente?Se svaret

Øverst på listen står Mihrdukht aims her arrow at the ring (1570), Metropolitan Museum of Art, New York. Rett bak følger: The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) og The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560).

Hvor gammel var Basawan da Mihrdukht aims her arrow at the ring ble laget?Se svaret

10 år gammel. Basawan ble født i 1560, og Mihrdukht aims her arrow at the ring er fra 1570.

Hvilke er de 10 mest kjente Basawan-maleriene?Se svaret

Mihrdukht aims her arrow at the ring, The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur), Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer, The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, The Virgin and Child, The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) og Page from Tales of a Parrot (Tuti-nama): text page. Du finner årstallet og museet for hvert av dem i listen ovenfor.

Hvor mange malerier har Basawan skapt?Se svaret

Vi har 13 verk av Basawan i vår katalog, datert fra 1570 til 1596.

Hvor kan du se de berømte maleriene til Basawan?Se svaret

Du finner de fleste av dem i Cleveland Museum of Art (Cleveland), Metropolitan Museum of Art (New York) og Victoria and Albert Museum (London). Listen over museer gir en fullstendig oversikt.

Når malte Basawan sine mest kjente verk?Se svaret

I 1590s, mer enn på noe annet tidspunkt: 4 av de 13 verkene på denne siden stammer fra den tiden, Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer av dem.

Hvilke berømte malerier av Basawan kom først og sist?Se svaret

Det eldste verket her er Mihrdukht aims her arrow at the ring (1570); det nyeste er The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) (1596).

Hvilke verk av Basawan kan du se på Cleveland Museum of Art?Se svaret

Du kan se 8 av verkene på denne siden på Cleveland Museum of Art, Cleveland, inkludert The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night og The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night.

Kan jeg få en reproduksjon av et maleri av Basawan?Se svaret

Ja. Alle malerier på denne siden er tilgjengelige som håndmalte oljereproduksjoner eller trykk, i den størrelsen som passer deg. Åpne maleriets side for å bestille.

Bli kjent med Basawan

Basawan: The Pioneer of Mughal Portraiture

Basawan (flourished 1580–1600), a name whispered with reverence in Indian art history, stands as one of the foremost figures of the Mughal miniature tradition. Though shrouded in obscurity—details about his life remain scant—his legacy endures through his breathtaking depictions of human subjects within the monumental Akbarnama, cementing his place as an innovator who elevated portraiture to unprecedented heights. Born in New Delhi during a period of significant cultural exchange between Persia and India, Basawan’s artistic journey began amidst the opulent courts of Akbar the Great. His formative years were spent under the tutelage of Abd al-Samad, a renowned artist whose influence profoundly shaped Basawan's stylistic sensibilities. This mentorship instilled within him a meticulous observation of human anatomy and expression—a hallmark that distinguishes his work from contemporaries.
  • Akbarnama Influence: Basawan’s contribution to the Akbarnama is arguably his most celebrated achievement. Unlike previous chronicles, Akbar commissioned a series of portraits capturing not merely royal figures but also individuals representing diverse social strata – scholars, musicians, and artisans. This bold decision signaled a departure from conventional artistic practices and established Basawan as a trailblazer in portraying human character with remarkable realism.
  • Color Palette & Technique: Basawan’s mastery lay primarily in his exceptional color palette and technique. Utilizing opaque watercolor pigments combined with gold leaf—a practice considered revolutionary at the time—he achieved luminous hues and textural depth that captivated viewers. His meticulous layering of colors created an illusionistic effect, mirroring the subtleties of light and shadow and conveying a profound sense of atmosphere.
  • Family Legacy: Basawan’s artistic lineage continued through his son Manohar Das, who carried on the family tradition as a court painter. Today, the Das family maintains a thriving manufacturing business specializing in handcrafted carpets—a tangible connection to their ancestral heritage and a testament to the enduring influence of Basawan's artistic vision.

Exploring His Artistic Output: Beyond Akbarnama Illustrations

While the Akbarnama undoubtedly represents Basawan’s magnum opus, evidence suggests he engaged in diverse artistic endeavors extending beyond royal commissions. Fragments of manuscripts depicting scenes from Hindu mythology—particularly those featuring Tara Kalan—offer glimpses into his versatility and willingness to explore different thematic concerns. These works demonstrate a keen understanding of symbolism and narrative complexity, reflecting the broader intellectual currents of the Mughal era.
  • Notable Works: Among Basawan’s surviving paintings are depictions of angels (Peri) riding composite camels—a striking visual representation of Islamic cosmology—and portraits capturing the dignity and solemnity of royal figures.

Connections to Western Artistic Traditions

Basawan's artistic development coincided with the arrival of Jesuit missionaries in India, bringing with them European paintings that profoundly impacted Mughal artists. This exposure fostered a dialogue between Eastern and Western aesthetics—a pivotal moment in Indian art history—and Basawan’s oeuvre bears subtle traces of this influence. His meticulous attention to detail and his masterful use of perspective foreshadowed developments occurring across the ocean, marking him as an artist attuned to global artistic trends.

Historical Significance: A Reflection of Mughal Patronage

Basawan's success is inextricably linked to Akbar’s enlightened patronage—a royal commitment to fostering artistic excellence and promoting cultural enrichment. Akbar recognized Basawan’s talent and entrusted him with monumental commissions, securing his place as one of the most influential artists of his time. His work serves as a poignant reminder of the transformative power of royal support in shaping artistic innovation and preserving cultural heritage for posterity.