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Central Black

Navn Klasse Dato

William Ronald Smith, Central Black (1956), The Robert McLaughlin Gallery. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
William Ronald Smith artsdot.com/no/artists/william-ronald-smith_no/
Kunstnerens levetid
1926 – 1998
Malt
1956
Opprinnelig størrelse
214 x 165 cm
Arrangert på
The Robert McLaughlin Gallery artsdot.com/no/museums/the-robert-mclaughlin-gallery-oshawa/

I sammenheng med

Central Black — William Ronald Smith

Hvor stort er det?

Originalen måler 214 × 165 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde. Det er for stort til å vises i riktig skala på denne siden.

Når ble dette malt?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 72 ved død.

Malt da kunstneren var 30. Kunstneren ble 72 år gammel. 2 av de 4 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til William Ronald Smith (1926–1998) ▲ dette verket, 1956 hvert daterte maleri, tiår for tiår

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: artsdot.com/no/art/similar/william-ronald-smith-central-black-D7H22F-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Putty #dedad0

    Katalogisert palett

    • #DEDAD0
    • #978A82
    • #222123
    • #921317

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Neutrals Den dominerende fargefamilien i bildet.
    Hovedfarge
    Putty
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av William Ronald Smith i løpet av de siste tolv månedene — totalt 1 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 100.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 2 mest viste verkene av William Ronald Smith

    1. 1 Manhattan Carnival, 1952 100.0%
    2. — Central Black, 1956 dette maleriet 0.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 4 verk av denne kunstneren, hvorav 1 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    William Ronald Smith

    Født i Stratford, Canada

    **early life and career**

    william ronald smith, known professionally as william ronald, was a pivotal figure in the development of canadian abstract art. born on august 13, 1926, in canada, smith's artistic journey was marked by innovation and a deep passion for the abstract expressionist movement.

    **the founding of painters eleven**

    in 1953, smith co-founded painters eleven, a group that would significantly influence the canadian art scene. this collective's emphasis on abstract art not only reflected the post-war avant-garde spirit but also positioned smith as a leading figure in this movement.

    **artistic style and contributions**

    smith's work is characterized by his "central image" paintings, which embody the essence of abstract expressionism. his style, though varied, consistently explores the depths of human emotion through bold, vibrant colors and dynamic compositions. this approach has been influential in shaping the broader understanding of canadian art.

    key works: the lyrical abstraction art movement, a series that delves into the emotional aspects of abstract art. central image paintings, a collection showcasing smith's unique approach to abstract expressionism.

    influences: the lyrical abstraction art movement on AllPaintingsStore, offering insights into the post-war art scene. abstract expressionism on wikipedia, detailing the global influence of this art movement.

    museums and collections: the robert mclaughlin gallery, featuring smith's works alongside other notable canadian artists. the robert mclaughlin gallery on AllPaintingsStore, highlighting the gallery's collection of contemporary art.

    **legacy and impact**

    william ronald smith passed away on february 9, 1998, but his legacy endures. his contributions to canadian abstract art have been profound, influencing generations of artists and cementing his place in the annals of art history.

    notable mentions: walter hawley yarwood, a fellow artist whose work sky fire is featured on AllPaintingsStore, showcasing the diversity of canadian abstract art. william ronald smith's profile on AllPaintingsStore, offering an in-depth look at his life and work.

    **conclusion**

    william ronald smith's impact on canadian art is undeniable. through his pioneering spirit and innovative approach to abstract expressionism, he has left an indelible mark on the world of art. his legacy continues to inspire, a testament to the enduring power of his vision.

    Museum

    The Robert McLaughlin Gallery

    Utstilt i Oshawa, Canada

    A Sanctuary of Light and Line

    Nestled within the vibrant pulse of Downtown Oshawa, Ontario,

    The Robert McLaughlin Gallery

    stands as a luminous beacon for the Canadian spirit, offering a profound sanctuary where modernism meets memory. To step into this institution is to enter a carefully curated dialogue between the earth and the ether, a place where the heavy weight of history is lifted by the soaring, light-filled expansiveness of its design. The architectural presence of the gallery is, in itself, a masterpiece of modernist principle. Designed by the legendary Canadian architect

    Arthur Erickson

    , the building serves as a structural poem that mirrors the artistic ethos found within its walls. Erickson’s vision prioritizes an organic connection to the surrounding urban landscape, utilizing expansive windows that flood the interior with natural light. This intentional luminosity does more than illuminate; it breathes life into the canvases, mirroring the brilliance and depth found in many of the gallery's most celebrated works.

    For the interior designer or lover of fine spaces, the gallery offers a masterclass in how architecture can act as a silent collaborator to art, creating an environment that is simultaneously invigorating and deeply contemplative. The space serves as a bridge between the industrial heritage of the region and the ethereal beauty of abstract form, making it a vital destination for those who seek inspiration in the intersection of structure and soul.

    The Pulse of Abstract Expressionism

    At the heart of the gallery’s identity lies an unparalleled devotion to

    Abstract Expressionism

    . This singular focus is inextricably linked to the pioneering legacy of

    Alexandra Luke

    , a visionary whose advocacy for abstract forms irrevocably altered the trajectory of Canadian art history. The gallery holds the distinction of housing the largest collection of works by the

    Painters Eleven

    in Canada, a group of rebels and innovators who sought to break free from representational constraints to explore pure emotion, form, and texture. To wander through these collections is to encounter monumental works that pulse with energy, offering profound insights into a collective movement that redefined how we perceive the canvas.

    The collection's depth is matched by its diversity, featuring a wide array of artistic expressions including:

    Canadian Paintings:

    A vast panorama of works spanning various periods of national importance.

    Sculpture and Printmaking:

    Tactile explorations of materiality and process that complement the painted works.

    Archives:

    Significant historical records related to the Painters Eleven, preserving the very origins of the movement.

    Beyond its permanent treasures, which number over 4,500 diverse pieces, the gallery remains a living, breathing entity through its commitment to groundbreaking exhibitions and community engagement. It consistently pushes boundaries, presenting shows that traverse themes from the intricate nuances of Indigenous storytelling to the cutting-edge pulse of contemporary trends. Whether one is drawn by the historical weight of the McLaughlin legacy or the raw, unbridled power of modern Canadian creativity, the gallery offers an enduring journey through the heart of Canadian expression.

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Central Black

    artsdot.com/no/art/download/william-ronald-smith-central-black-D7H22F-en/

    Kildehenvisning for dette kunstverket

    MLA
    Smith, William Ronald. Central Black. 1956, The Robert McLaughlin Gallery. https://artsdot.com/no/art/william-ronald-smith-central-black-D7H22F-en/
    APA
    Smith, William Ronald (1956). Central Black [Painting]. The Robert McLaughlin Gallery. https://artsdot.com/no/art/william-ronald-smith-central-black-D7H22F-en/
    Chicago
    William Ronald Smith. Central Black. 1956. The Robert McLaughlin Gallery. https://artsdot.com/no/art/william-ronald-smith-central-black-D7H22F-en/
    Harvard
    Smith, William Ronald (1956) Central Black. The Robert McLaughlin Gallery. Available at: https://artsdot.com/no/art/william-ronald-smith-central-black-D7H22F-en/

    Se nærmere på

    Central Black — William Ronald Smith

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Back Through Sound (1954), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. William Ronald Smith var omtrent 30 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvor gammel var William Ronald Smith da "Central Black" ble skapt i 1956?

    Da "Central Black" ble skapt i 1956, var William Ronald Smith – født i 1926 – 30 år gammel.

    Hvilken palett og hvilken dominerende farge definerer "Central Black"?

    "Central Black" av William Ronald Smith bruker en Neutrals-palett, med Putty (#dedad0) som den dominerende fargen.

    Hvilken orientering har "Central Black" av William Ronald Smith?

    "Central Black" av William Ronald Smith har et Portrait-format. Formatet beskriver komposisjonens proporsjoner.