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Untitled

Navn Klasse Dato

Mark Rothko, Untitled (1947). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Mark Rothko artsdot.com/no/artists/mark-rothko_no/
Kunstnerens levetid
1903 – 1970
Malt
1947
Opprinnelig størrelse
70 x 55 cm
Bevegelse
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Periode
Modern
Influences
Jackson Pollock
Style
Gestural Abstraction

I sammenheng med

Untitled — Mark Rothko

Dimensjoner

Originalen måler 70 × 55 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 67 ved død.

Malt da kunstneren var 44. Kunstneren ble 67 år gammel. 61 av de 168 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Mark Rothko (1903–1970) ▲ dette verket, 1947 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1945 Hovedvirksomhetsår: 1945–1958 Senere verk: fra 1958

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan være et hull i dokumentasjonen snarere enn en rolig periode. De samme årene med kunstnerens liv lagt langs dem

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: artsdot.com/no/art/similar/mark-rothko-untitled-D38RNX-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Rosy Brown #9e948e

    Lagret palett

    • #9E948E
    • #C9BAA9
    • #7F6C65
    • #4F566B

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Palett
    Neutrals Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Rosy Brown
    Metning
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Softly Mixed Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av Mark Rothko i løpet av de siste tolv månedene — 46 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 32.6%
    2. 2 Italy 17.9%
    3. 3 United States of America 7.7%
    4. 4 Brazil 5.3%
    5. 5 France 4.7%
    6. 6 Germany 4.1%
    7. 7 Greece 3.7%
    8. 8 Netherlands 3.0%
    9. 9 Spain 2.2%
    10. 10 Storbritannia 1.8%
    11. · 36 andre land 17.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Mark Rothko

    1. 1 Hvit Senter, 1950 7.6%
    2. 2 No.61 (Rust and Blue), 1953 7.6%
    3. 3 Rød og Orange 3.6%
    4. 4 Orang og gul, 1956 3.2%
    5. 5 Ingen.1 2.9%
    6. 6 No. 5/No. 22 2.8%
    7. 7 AUTUMN 2.8%
    8. 8 Three 2.2%
    9. 9 Violet, Black, Orange, Yellow on White and Red, 1949 2.1%
    10. 10 Nr. 13 (Hvit, rød på gul), 1958 2.1%
    11. 11 Abstrakt maleri 2.0%
    12. 12 Uten tittel, 1970 1.9%
    13. 13 Blå og grått, 1970 1.7%
    14. 14 Fire Mørke i Rød, 1958 1.5%
    15. 15 Orange and Red on Red 1.5%
    16. 16 No.8, 1952 1.4%
    17. 17 Entré til Subway 1.3%
    18. 18 Slow Swirl at the Edge of the Sea, 1944 1.3%
    19. 19 Uten tittel, 1964 1.3%
    20. 226 Untitled, 1947 dette maleriet 0.1%

    Sammen utgjør disse verkene 50.9% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 460 verk av denne kunstneren, hvorav 257 ble sett på minst én gang. Dette maleriet rangerer som nummer 226 av dem, med 0.1% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Om dette kunstverket

    Untitled — Mark Rothko

    A Glimpse into Rothko’s Early Abstract Expressionism

    This 1947 work by Mark Rothko represents a pivotal moment in the artist's transition towards his signature Color Field style. Measuring 70 x 55 cm, it offers a fascinating look at the foundations of an aesthetic that would profoundly impact 20th-century art. While lacking a traditional subject matter, the painting is far from empty; it’s a dynamic field of layered color and texture brimming with emotional resonance.

    Style & Technique: Gestural Abstraction in Formation

    The artwork embodies the spirit of Abstract Expressionism, prioritizing spontaneous gesture and raw emotion over representational accuracy. Rothko employs a vigorous, gestural technique, building up layers of paint with visible brushstrokes – an impasto application that creates a tactile surface. Lines are fragmented and irregular, contributing to a sense of unrestrained energy. The composition isn’t about depicting something from the world, but rather expressing something within it. This piece showcases Rothko's early exploration of form and color before he fully embraced the simplified rectangular blocks that would define his later work.

    Color & Composition: A Dissonant Harmony

    The palette is complex and somewhat dissonant, featuring a range of blues, reds, pinks, and whites. These colors aren’t blended seamlessly; instead, they clash and interact, creating visual tension. The layering of shapes – amorphous blobs alongside more defined curves and angular forms – adds to the sense of depth and movement. There's no traditional perspective; Rothko achieves spatial illusion through overlapping planes rather than linear construction. This deliberate lack of conventional structure invites viewers to engage with the painting on a purely emotional level.

    Historical Context: Post-War Anxiety & Artistic Innovation

    Created in 1947, this work emerges from the aftermath of World War II – a period marked by profound anxiety and existential questioning. Abstract Expressionism arose as an artistic response to these turbulent times, seeking new ways to express the complexities of the human condition. Rothko, having immigrated to the United States from Latvia as a child, brought his own experiences of displacement and cultural shift to bear on his art. This painting reflects that era’s search for meaning in a world grappling with trauma and uncertainty.

    Symbolism & Emotional Impact: A Window into the Subconscious

    While Rothko resisted prescriptive interpretations of his work, this piece undeniably evokes powerful emotions – turbulence, anxiety, and perhaps a struggle for form. The chaotic yet dynamic composition suggests inner turmoil, while the interplay of colors hints at conflicting feelings. It’s reminiscent of early works by Jackson Pollock, emphasizing action and gesture, but with a distinctively Rothkoian sensitivity to color and atmosphere. The painting isn't about what it depicts, but rather how it makes you feel.

    Rothko’s Artistic Journey

    Born in Latvia in 1903, Mark Rothko (Marcus Rothkowitz) immigrated to the US at age ten.

    His early work explored urban scenes before evolving towards abstract expressionism.

    He is celebrated for his pioneering role in the Color Field movement.

    Rothko aimed to evoke profound emotional responses through simplified forms and color.

    This artwork offers a unique opportunity to own a piece that embodies the spirit of artistic innovation and emotional depth. It’s not merely a painting; it's an invitation to contemplate the complexities of human experience.

    Kunstner og museum

    Kunstner

    Mark Rothko

    Født i Dvinsk, Latvia

    Early Life and the Seeds of Artistic Vision

    Mark Rothko, born Markus Yakovlevich Rothkowitz in Dvinsk, Latvia, in 1903, carried within him from the outset a sense of displacement that would profoundly shape his artistic journey. His early years were marked by the anxieties of a Jewish family living within the Pale of Settlement, shadowed by pogroms and political unrest. This atmosphere instilled a deep sensitivity to human suffering, a theme that would resonate throughout his oeuvre. The 1913 immigration to Portland, Oregon, represented not just a geographical shift but a cultural upheaval for the young Rothko. While his father, a pharmacist and intellectual with socialist leanings, fostered a home filled with debate and learning, the loss of Jacob Rothkowitz shortly after their arrival cast a long shadow. This early experience of loss, coupled with the challenges of assimilation, fueled a lifelong exploration of existential themes – mortality, trauma, and the search for meaning in a chaotic world. Though he excelled academically at Yale University, Rothko found himself drawn more to the vibrant energy of New York City, abandoning formal studies to pursue his passion for art at the Art Students League. These formative years laid the groundwork for an artistic vision that would ultimately challenge conventional notions of painting and redefine the emotional power of color.

    From Figurative Beginnings to Abstract Expressionism

    Rothko’s initial artistic explorations were firmly rooted in realism, depicting urban scenes and portraits with a keen eye for detail. However, these early works already hinted at the psychological depth that would become his hallmark. As the 1940s unfolded, and the world grappled with the horrors of World War II, Rothko’s art underwent a dramatic transformation. Influenced by Surrealism and mythology, he began to move away from representational imagery, seeking instead to express universal human emotions through symbolic forms. This period saw the emergence of multi-form paintings – canvases populated by ambiguous, biomorphic shapes that seemed to hover between figuration and abstraction. These works were not merely experiments in form; they were deeply felt responses to the anxieties and uncertainties of a world at war. By the late 1940s, Rothko had arrived at his signature style: large-scale canvases featuring rectangular blocks of color that appeared to float and resonate with one another. He stripped away all vestiges of recognizable imagery, focusing instead on the pure emotional impact of color and form. This marked a pivotal moment in the development of Abstract Expressionism, and established Rothko as a leading figure in this groundbreaking movement.

    The Color Field and the Pursuit of Transcendence

    Rothko’s mature work is defined by what came to be known as “Color Field” painting – vast expanses of luminous color that envelop the viewer in an immersive experience. These paintings are not about what they depict, but rather how they make you feel. Rothko believed that art should engage the viewer viscerally, bypassing intellectual analysis and speaking directly to the emotions. He meticulously layered thin washes of paint, creating subtle variations in tone and texture that seemed to emanate from within the canvas. The edges of his rectangular forms are often blurred, allowing them to blend and interact with one another, creating a sense of depth and movement. Rothko deliberately avoided titles beyond numbers – “No. 1,” “No. 6” – encouraging viewers to confront the paintings without preconceived notions and allow their own emotional responses to guide their experience. He sought to create a space for contemplation, a sanctuary where viewers could connect with something larger than themselves. His ambition was nothing less than to evoke profound spiritual experiences through the language of color.

    Major Achievements and Lasting Legacy

    Among Rothko’s most significant achievements are “No. 10 (1950),” a pivotal work that exemplifies his evolving style, and the Seagram Murals (1958). Commissioned for the Four Seasons Restaurant in New York City, these murals were ultimately rejected by Rothko, who felt they would be compromised by their intended environment. He instead donated them to the Tate Gallery in London, where they continue to inspire awe and contemplation. Perhaps his most ambitious project was the Rothko Chapel (1971) in Houston, Texas – a non-denominational sanctuary housing fourteen of his paintings. Designed as a space for quiet reflection, the chapel is considered a sacred place by many, embodying Rothko’s belief in the spiritual power of art. Rothko's influence on subsequent generations of artists has been immense. He paved the way for Minimalist art and continues to inspire contemporary painters who explore the emotional possibilities of abstraction. Despite struggling with depression throughout his life, culminating in his tragic suicide in 1970, Mark Rothko remains one of the most important and influential artists of the 20th century – a master of color whose work continues to resonate with audiences around the world.

    ## The Enduring Power of Emotional Resonance

    Rothko’s paintings are celebrated for their ability to convey universal human emotions—tragedy, ecstasy, despair, and hope.

    His exploration of color as a vehicle for emotional expression revolutionized abstract painting.

    The Rothko Chapel stands as a testament to his belief in the spiritual power of art.

    He remains a pivotal figure in Abstract Expressionism and a major influence on contemporary artists.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Untitled

    artsdot.com/no/art/download/mark-rothko-untitled-D38RNX-en/

    Kildehenvisning for dette kunstverket

    MLA
    Rothko, Mark. Untitled. 1947, https://artsdot.com/no/art/mark-rothko-untitled-D38RNX-en/
    APA
    Rothko, Mark (1947). Untitled [Painting]. https://artsdot.com/no/art/mark-rothko-untitled-D38RNX-en/
    Chicago
    Mark Rothko. Untitled. 1947. https://artsdot.com/no/art/mark-rothko-untitled-D38RNX-en/
    Harvard
    Rothko, Mark (1947) Untitled. Available at: https://artsdot.com/no/art/mark-rothko-untitled-D38RNX-en/

    Se nærmere etter

    Untitled — Mark Rothko

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: abstract, color field, emotion. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Hvit Senter (1950), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Kunstquiz

    Untitled — Mark Rothko

    Hvor godt kjenner du dette kunstverket?

    Marker ett svar for hvert av de 5 spørsmålene nedenfor. Hvert spørsmål har nøyaktig ett riktig svar.

    1. 1. To which art movement is this artwork most closely associated?

      • A Impressionism
      • B Abstract Expressionism
      • C Surrealism
    2. 2. What is a defining characteristic of the technique used in this painting?

      • A Precise realism and detail
      • B Thin, transparent washes of color
      • C Thick impasto application of paint
    3. 3. The artwork's composition is best described as:

      • A Highly structured and representational
      • B Chaotic yet dynamic with overlapping forms
      • C Geometric and minimalist
    4. 4. Which artist is specifically mentioned as a stylistic comparison to this work?

      • A Pablo Picasso
      • B Salvador Dalí
      • C Jackson Pollock
    5. 5. What year was this artwork created?

      • A 1950
      • B 1947
      • C 1962

    Min poengsum: ____ av 5

    Fasit — til læreren

    Dette starter en ny side i utskriften, slik at den enkelt kan utelates fra kopiene.

    1B · 2C · 3B · 4C · 5B

    Kontroller alle svar mot katalogoppføringen for dette maleriet

    Spørsmål og svar

    Hva er den fargemessige identiteten til "Untitled" av Mark Rothko?

    "Untitled" er definert av en Neutrals-palett med Rosy Brown (#9e948e) som dominerende farge.

    Hvilken følelse formidler Abstract Expressionism-verket "Untitled"?

    Innenfor Abstract Expressionism-retningen er "Untitled" nedtegnet med en Tense tone.

    I hvilken retning og i hvilken epoke er "Untitled" av Mark Rothko plassert?

    "Untitled" tilhører Abstract Expressionism-retningen, og skaperen arbeidet i Moderne tid-epoken.