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Self Portrait

Navn Klasse Dato

john bowen, Self Portrait (1938). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
john bowen artsdot.com/no/artists/john-bowen/
Kunstnerens datoer
1914 – 2006
Malt
1938
Opprinnelig størrelse
49 x 40 cm

I sammenheng

Self Portrait — john bowen

Hvor stor er den?

Originalen måler 49 × 40 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000

Skyggelagt: livsløpet til john bowen (1914–2006) ▲ dette verket, 1938

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: artsdot.com/no/art/similar/john-bowen-self-portrait-AS7VMP-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Espresso #5c3d22

    Katalogisert palett

    • #5C3D22
    • #2A1909
    • #B88852
    • #886038
    Palett
    Dark Den dominerende fargefamilien i bildet.
    Hovedfargenavn
    Espresso
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Bold Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Clear Color Presence Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    john bowen

    John Bowen: A Painter of Shropshire and Beyond

    Born in Llanelli, South Wales, in 1914, John Bowen’s artistic journey began amidst the rolling hills and vibrant landscapes of his childhood home. His early education at Llanelli and Swansea Schools of Art laid a foundation for a career dedicated to capturing the essence of British countryside – particularly the evocative beauty of Shropshire and Dorset. Bowen wasn't merely a recorder of scenery; he possessed an uncanny ability to infuse his paintings with a sense of atmosphere, light, and mood, transforming familiar landscapes into deeply personal and emotionally resonant works.

    Initially influenced by the Impressionists – Monet’s dappled sunlight and Renoir’s joyful brushstrokes served as key inspirations – Bowen gradually developed a distinctive style. He moved beyond simple representation, employing looser brushwork and a more expressive palette to convey not just what he saw, but also how he felt about it. This shift is particularly evident in his later works, where the colors become richer, the forms more fluid, and the overall effect imbued with a quiet sense of melancholy or serenity.

    The Shropshire Landscape: A Core Subject

    Shropshire formed the bedrock of Bowen’s artistic output for much of his career. He spent considerable time exploring its diverse terrains – from the dramatic cliffs of Winspit to the gentle folds of the Vale of Ercall and the rolling hills surrounding Shrewsbury. His paintings of these locations are not photographic reproductions; instead, they are imbued with a subjective interpretation, reflecting Bowen’s own emotional response to the landscape. He frequently depicted scenes at twilight or dawn, utilizing soft, diffused light to create an atmosphere of mystery and contemplation.

    Bowen's meticulous attention to detail is another hallmark of his work. He painstakingly rendered every blade of grass, every ripple in a stream, every texture of stone – demonstrating a deep respect for the natural world. However, this precision never comes at the expense of spontaneity or feeling. His paintings are both technically proficient and emotionally engaging, inviting the viewer to lose themselves within their intricate details.

    Influences Beyond Impressionism

    While initially drawn to the techniques of the Impressionists, Bowen’s artistic vision expanded over time. He was particularly influenced by the work of Sir Stanley Spencer, whose depictions of rural life and religious themes resonated with Bowen's own interest in capturing the spirit of a place and its people. Furthermore, Bowen’s exploration of Orientalist painting – evident in works like “Low Tide at Evening” – reveals his fascination with exotic cultures and landscapes, reflecting a broader engagement with global artistic traditions.

    The influence of Gwen John is also noticeable in Bowen's later work, particularly in his portraits. Like John, Bowen possessed a remarkable ability to capture the inner lives of his subjects, conveying their personalities through subtle gestures and expressions. His portraits are not merely likenesses; they are intimate studies of character.

    Major Works and Legacy

    Bowen’s oeuvre comprises over 80 paintings, many of which are held in public collections across the UK. Notable works include “Winspit,” a dramatic depiction of the iconic Shropshire landmark, and numerous landscapes of the Dorset coast, capturing the rugged beauty of its cliffs and beaches. His series of paintings depicting the village of Little Gaddesden in Buckinghamshire showcase his ability to capture the essence of rural life.

    John Bowen’s legacy extends beyond his individual artworks. He was a dedicated teacher, shaping the artistic development of numerous students at Llanelli School of Art. His influence can be seen in the work of many contemporary landscape painters who continue to draw inspiration from his masterful depictions of British scenery. Bowen's paintings remain deeply evocative and emotionally resonant, offering viewers a profound connection to the beauty and tranquility of the natural world.

    A Painter of Quiet Moments

    Ultimately, John Bowen’s art is characterized by its quietness – a deliberate avoidance of grand gestures or dramatic compositions. He sought not to overwhelm the viewer with spectacle, but rather to invite them into a moment of contemplation, allowing them to experience the beauty and serenity of the landscape through his eyes. His paintings are testaments to the power of observation, sensitivity, and a deep appreciation for the simple pleasures of life.

    Les mer her

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Self Portrait

    artsdot.com/no/art/download/john-bowen-self-portrait-AS7VMP-en/

    Kildehenvisning for dette kunstverket

    MLA
    bowen, john. Self Portrait. 1938, https://artsdot.com/no/art/john-bowen-self-portrait-AS7VMP-en/
    APA
    bowen, john (1938). Self Portrait [Painting]. https://artsdot.com/no/art/john-bowen-self-portrait-AS7VMP-en/
    Chicago
    john bowen. Self Portrait. 1938. https://artsdot.com/no/art/john-bowen-self-portrait-AS7VMP-en/
    Harvard
    bowen, john (1938) Self Portrait. Available at: https://artsdot.com/no/art/john-bowen-self-portrait-AS7VMP-en/

    Se nøye etter

    Self Portrait — john bowen

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Winspit, Dorset (2008), tidligere i denne guiden. Nevn to ting den har til felles med dette verket, og én ting som er annerledes.
    4. john bowen var omtrent 24 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

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