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Manhattan

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Guy Carleton Wiggins, Manhattan (1929). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

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Kunstner
Guy Carleton Wiggins artsdot.com/no/artists/guy-carleton-wiggins/
Kunstnerens datoer
1840 – 1962
Malt
1929

I sammenheng

Manhattan — Guy Carleton Wiggins

Når ble dette malt?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920
  10. 1930
  11. 1940
  12. 1950
  13. 1960

Skyggelagt: livsløpet til Guy Carleton Wiggins (1840–1962) ▲ dette verket, 1929

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: artsdot.com/no/art/similar/guy-carleton-wiggins-manhattan-D4FEAR-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Gray #5c5f61

    Katalogisert palett

    • #5C5F61
    • #83847C
    • #D8CFBA
    • #ADA999
    Palett
    Neutrals Den dominerende fargefamilien i bildet.
    Hovedfargenavn
    Gray
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Balanced Harmony Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Om dette kunstverket

    Manhattan — Guy Carleton Wiggins

    The son and pupil of the prominent Barbizon-influenced landscape painter John Carleton Wiggins NA, Guy Wiggins was educated in England and traveled widely in his youth. After his return to America, he began four years at the schools of the National Academy of Design, where he studied drawing from the antique, as well as from the live model. Wiggins quickly won recognition for his quiet, luminous landscapes rendered in an Impressionist technique. Wiggins and his wife settled permanently in Old Lyme, Connecticut, although Wiggins continued to spend time in New York, painting his snow scenes of the city, for which he is best known.The city was a favorite subject for Wiggins, and this panorama of the Manhattan skyline seen from New Jersey emphasizes the density of buildings and contrasts the verticality of them with the horizontal areas of water and sky. Unlike Wiggins

    Kunstner og museum

    Kunstner

    Guy Carleton Wiggins

    A Winter Vision of American Impressionism

    Guy Carleton Wiggins stands as a prominent figure in the landscape painting tradition of early 20th-century America, particularly celebrated for his masterful depictions of New York City and Connecticut winters. Born on February 23, 1883, in Brooklyn, his artistic journey was deeply rooted in a familial legacy of creativity; his father, Carleton Wiggins, was an accomplished artist who provided his son with his first essential training. This early immersion in the world of color and form laid the groundwork for a career that would eventually capture the ethereal beauty of snowy vistas with remarkable accuracy and emotional resonance.

    Wiggins’s formal education was marked by prestigious associations that shaped his technical prowess. He received rigorous training at the National Academy of Design, where he studied alongside the legendary George Inness. This relationship proved formative, instilling within him a deep appreciation for tonal color palettes and expressive brushwork. Seeking to expand his horizons, Wiggins traveled to Paris, immersing himself in the heart of the burgeoning Impressionist movement. It was here that he honed the skills necessary to translate the fleeting nuances of light and atmosphere onto canvas, a pursuit that would become the hallmark of his mature style.

    The Atmosphere of the Urban Snowscape

    Upon returning to New York City, Wiggins established himself as both a respected artist and an influential teacher. He became particularly renowned for his ability to transform the bustling, often harsh urban environment into a serene, dreamlike landscape. His work frequently focused on the iconic streets of Manhattan, capturing landmarks such as Columbus Circle, Fifth Avenue, and Wall Street during the height of winter. Rather than seeking photographic precision, Wiggins utilized broad, flowing lines and rich, low-toned hues to convey the quietude that descends upon a city blanketed in snow.

    His technique was profoundly shaped by the Impressionist principles championed by masters like Claude Monet and Pierre Auguste Renoir. He embraced a method that prioritized the sensation of a moment, favoring loose brushstrokes and the delicate layering of colors to achieve luminous, shimmering effects. In his hands, the heavy textures of snow and the biting chill of the air became palpable, inviting the viewer to step into a world where the grit of the city is softened by a white, crystalline veil.

    Legacy and the Old Lyme Art Colony

    Beyond the urban landscapes of New York, Wiggins played a vital role in the American pastoral tradition. He became an influential member of the Old Lyme Art Colony, working alongside his son, Guy Carleton Wiggins Jr., to foster a vibrant artistic community dedicated to capturing the essence of rural Connecticut. This period of his life reflected a continued fascination with the natural world, often incorporating motifs such as cattle paintings, which were rendered with a sense of solidity and realism that balanced his more atmospheric Impressionist tendencies.

    The historical significance of Wiggins's contribution to American art is cemented by his many accolades and professional milestones:

    Election to the National Academy of Design: Achieving this distinction in 1906 marked his official ascent into the upper echelons of the American art establishment.

    Leadership in Fine Arts: His tenure as the president of the Connecticut Academy of Fine Arts demonstrated his commitment to the growth and sustainment of the regional art scene.

    Mastery of Mood: He successfully bridged the gap between the academic traditions of his training and the emotive, light-driven goals of Impressionism, leaving behind a body of work that remains a timeless window into the American winter.

    Today, the works of Guy Carleton Wiggins continue to resonate with collectors and art enthusiasts alike. His ability to find poetry in the frost and stillness in the city streets ensures his place as a definitive voice in the history of American landscape painting.

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    artsdot.com/no/art/download/guy-carleton-wiggins-manhattan-D4FEAR-en/

    Kildehenvisning for dette kunstverket

    MLA
    Wiggins, Guy Carleton. Manhattan. 1929, https://artsdot.com/no/art/guy-carleton-wiggins-manhattan-D4FEAR-en/
    APA
    Wiggins, Guy Carleton (1929). Manhattan [Painting]. https://artsdot.com/no/art/guy-carleton-wiggins-manhattan-D4FEAR-en/
    Chicago
    Guy Carleton Wiggins. Manhattan. 1929. https://artsdot.com/no/art/guy-carleton-wiggins-manhattan-D4FEAR-en/
    Harvard
    Wiggins, Guy Carleton (1929) Manhattan. Available at: https://artsdot.com/no/art/guy-carleton-wiggins-manhattan-D4FEAR-en/

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    Manhattan — Guy Carleton Wiggins

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    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Pleasant street, essex, connecticut, (1940), tidligere i denne guiden. Nevn to ting den har til felles med dette verket, og én ting som er annerledes.
    4. Guy Carleton Wiggins var omtrent 89 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

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