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Veiledning for studentkunst

Summer Landscape

Navn Klasse Dato

george copeland ault, Summer Landscape. Felleseie.

Fakta om verket

Kunstner
george copeland ault artsdot.com/no/artists/george-copeland-ault/
Kunstnerens datoer
1891 – 1948
Opprinnelig størrelse
41 x 77 cm

I sammenheng

Summer Landscape — george copeland ault

Hvor stor er den?

Originalen måler 41 × 77 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når kan dette ha blitt malt?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940

Skyggelagt: livsløpet til george copeland ault (1891–1948)

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: artsdot.com/no/art/similar/george-copeland-ault-summer-landscape-ARCCNH-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Phthalo Green #0b4e26

    Katalogisert palett

    • #0B4E26
    • #558542
    • #C4D5DF
    • #729BCB
    Palett
    Dark Den dominerende fargefamilien i bildet.
    Hovedfargenavn
    Phthalo Green
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Clear Color Presence Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    george copeland ault

    Født i Cleveland, United States of America

    The Lonely Geometry of Night: The Life and Vision of George Copeland Ault

    George Copeland Ault stands as a singular, haunting figure in the tapestry of American modernism, an artist whose work exists in the delicate tension between structural precision and profound emotional isolation. Born in Cleveland, Ohio, in 1891 into a family of literary distinction, Ault’s early life was shaped by the sophisticated atmosphere of London. It was within the prestigious halls of the Slade School of Art and the St John's Wood School of Art that he first honed his technical mastery. This English education instilled in him an aesthetic sensibility that some critics described as an Anglicized version of Impressionism, yet as he returned to the United States in 1911, his vision began to undergo a radical transformation. The sprawling, energetic landscapes of his youth gave way to a fascination with the starker, more skeletal rhythms of the American urban and rural experience.

    As Ault settled into the art scenes of New York and New Jersey, he found himself gravitating toward a style that would eventually align him with the Precisionist movement. Alongside contemporaries like Charles Sheeler, Ault began to explore the beauty of geometric forms, yet his approach remained deeply personal and far more atmospheric than the purely industrial focus of his peers. His paintings, such as the evocative “Bright Light at Russell's Corners”, demonstrate a masterful command of light and shadow, using a muted palette to capture the quiet, often unsettling stillness of night. Through his lens, the modern world was not merely a collection of steel and stone, but a stage for a profound, geometric loneliness.

    Tragedy and the Pursuit of Solitude

    The brilliance of Ault’s artistic development cannot be separated from the immense personal shadows that defined his later years. The 1920s brought a series of devastating familial catastrophes that fractured his spirit; the loss of his mother to mental illness and the subsequent suicides of his three brothers following the 1929 stock market crash left him adrift in a sea of grief. These traumas fueled a period of profound personal struggle, marked by alcoholism and an increasing detachment from the mainstream art market. This era of turmoil, however, also precipitated a move toward a more reclusive and authentic existence.

    In 1937, Ault relocated to Woodstock, New York, alongside his wife, Louise Jonas. Their life in the Catskills was one of intentional simplicity, centered around a modest cottage that lacked even the most basic modern comforts like electricity or indoor plumbing. This stark, unadorned lifestyle became the crucible for some of his most poignant works. In the rural landscape of Woodstock, Ault found subjects that symbolized a vanishing way of life—most notably a nearby barn which he depicted multiple times, treating it as a monument to a dying agrarian era. His work during this period bridged the gap between the modernism of the city and the preservationist themes of the American countryside, imbuing even the simplest structures with a sense of historical weight and melancholy beauty.

    Legacy of a Modernist Visionary

    Though Ault’s life ended in tragedy with his suicide in 1948, his contribution to American art remains an indelible part of the modernist canon. He succeeded in creating a visual language that was uniquely his own—one that utilized the sharp edges of Cubism and the structural clarity of Precisionism to express the intangible weight of human solitude. His ability to find a haunting, rhythmic beauty in the interplay of light on surfaces allowed him to transcend mere representation.

    The historical significance of George Copeland Ault lies in his refusal to adhere strictly to any single movement, instead forging a path that integrated:

    The Precisionist Aesthetic: Utilizing stark geometric forms and architectural clarity to define the modern landscape.

    Atmospheric Impressionism: Capturing the ephemeral qualities of light, particularly in his celebrated nocturnal scenes.

    Emotional Depth: Infusing structural subjects with a sense of psychological tension and existential longing.

    Today, collectors and historians look to Ault not just as a painter of scenes, but as a poet of space and shadow, whose works continue to resonate with the quiet, enduring power of the human spirit amidst a changing world.

    Les mer her

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Summer Landscape

    artsdot.com/no/art/download/george-copeland-ault-summer-landscape-ARCCNH-en/

    Kildehenvisning for dette kunstverket

    MLA
    ault, george copeland. Summer Landscape. n.d., https://artsdot.com/no/art/george-copeland-ault-summer-landscape-ARCCNH-en/
    APA
    ault, george copeland (n.d.). Summer Landscape [Painting]. https://artsdot.com/no/art/george-copeland-ault-summer-landscape-ARCCNH-en/
    Chicago
    george copeland ault. Summer Landscape. n.d. https://artsdot.com/no/art/george-copeland-ault-summer-landscape-ARCCNH-en/
    Harvard
    ault, george copeland (n.d.) Summer Landscape. Available at: https://artsdot.com/no/art/george-copeland-ault-summer-landscape-ARCCNH-en/

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    Summer Landscape — george copeland ault

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