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Odalisque

Navn Klasse Dato

Francesco Hayez, Odalisque (1867). Felleseie.

Fakta om verket

Kunstner
Francesco Hayez artsdot.com/no/artists/francesco-hayez_no/
Kunstnerens datoer
1791 – 1882
Malt
1867
Opprinnelig størrelse
82 x 68 cm
Bevegelse
Orientalism European pictures of North Africa and West Asia — often imagined rather than observed, and worth questioning.

I sammenheng

Odalisque — Francesco Hayez

Hvor stor er den?

Originalen måler 82 × 68 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830
  6. 1840
  7. 1850
  8. 1860
  9. 1870
  10. 1880

Skyggelagt: livsløpet til Francesco Hayez (1791–1882) ▲ dette verket, 1867

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: artsdot.com/no/art/similar/francesco-hayez-odalisque-8LHUCC-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Phthalo Green #201613

    Katalogisert palett

    • #201613
    • #DABC9B
    • #BB7439
    • #6F432E
    Palett
    Dark Den dominerende fargefamilien i bildet.
    Hovedfargenavn
    Phthalo Green
    Intensitet
    Vivid Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Clear Color Presence Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    Francesco Hayez

    Født i Venezia, Italia

    Early Life and Artistic Beginnings

    Francesco Hayez, born on February 10th, 1791, in the vibrant city of Venice, was steeped in a rich artistic heritage from his earliest days. His father, Giovanni, a man of French descent, had established himself as a successful shipowner, while his mother, Chiara Torcella, hailed from Murano, renowned for its exquisite glassmaking tradition. From a young age, Francesco displayed an innate talent for drawing – a gift nurtured by his uncle, Giovanni Binasco, who recognized and fostered this potential, apprenticing him to the role of art restorer. This early training instilled in Hayez a deep appreciation for technique, materials, and the meticulous process of preserving artistic treasures. His exposure to Venetian painting during his childhood, particularly through visits to the Galleria Farsetti, where he studied reproductions of masterpieces by Giovanni da Udine, laid the foundation for his future stylistic development. The influence of these formative years shaped Hayez’s approach to art – a blend of classical observation and a burgeoning sense of national identity.

    The Milanese Period: Romanticism Takes Root

    In 1806, Francesco enrolled in the newly established New Academy of Fine Arts in Milan, an institution that would prove pivotal to his artistic journey. There, he studied under Teodoro Matteini, a prominent Neoclassical painter who instilled in Hayez a rigorous understanding of composition and form. However, it was in 1809 that Hayez’s artistic trajectory truly took flight – winning a prestigious competition that afforded him the opportunity to spend a year at the Accademia di San Luca in Rome. This immersion in the Roman art scene exposed him to the works of masters like Raphael and Michelangelo, broadening his horizons and fueling his creative imagination. The vibrant cultural atmosphere of Milan, particularly during the mid-19th century, proved equally influential. He became part of the “Salotto Maffei” salon, hosted by Clara Maffei, a prominent figure in intellectual circles, and engaged with artists and intellectuals who championed Romantic ideals. This period marked the genesis of Hayez’s distinctive style – one characterized by dramatic emotion, vivid color palettes, and a profound engagement with historical narratives and political allegories.

    Notable Works: A Symphony of Themes

    Hayez's artistic output is remarkably diverse, encompassing grand historical paintings, poignant portraits, and evocative scenes from literature and mythology. Among his most celebrated works are “The Kiss,” a masterpiece that captures the intensity of romantic love with breathtaking beauty; "Pope Urban II preaching the first crusade in the square of Clermont," a monumental depiction of a pivotal moment in European history; and “Portrait, Matilde Juva-branca,” a stunning example of his ability to convey the inner life of his subjects. These works demonstrate Hayez’s mastery of technique, his keen eye for detail, and his capacity to imbue his paintings with profound emotional resonance. His work frequently explored themes of national identity, political upheaval, and the human condition – reflecting the turbulent times in which he lived. The painting Destruction of the Temple in Jerusalem and Marin Faliero are prime examples of this engagement with contemporary issues.

    Museums and Legacy

    Hayez’s artistic legacy is firmly established within Italy's most prestigious museums. His works are prominently featured at the Civica Galleria d’Arte Moderna in Milan, where a significant collection of his paintings resides. “Pope Urban II preaching the first crusade in the square of Clermont” (measuring 235 x 157 cm) is housed at the Fondazione Cariplo in Milan. Beyond his artistic achievements, Hayez played a crucial role in shaping the landscape of Italian art education, serving as a professor at the Brera Academy in Milan for many years. Francesco Hayez’s influence on Italian Romanticism remains undeniable; his paintings continue to inspire artists and captivate audiences with their beauty, drama, and profound emotional depth. His work stands as a testament to the power of art to reflect and shape the cultural identity of a nation.

    Key Dates

    February 10, 1791: Born in Venice, Italy 1806: Enrolled in the New Academy of Fine Arts, Milan * December 21, 1882: Passed away, leaving behind a legacy in Italian art

    Les mer her

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Odalisque

    artsdot.com/no/art/download/francesco-hayez-odalisque-8LHUCC-en/

    Kildehenvisning for dette kunstverket

    MLA
    Hayez, Francesco. Odalisque. 1867, https://artsdot.com/no/art/francesco-hayez-odalisque-8LHUCC-en/
    APA
    Hayez, Francesco (1867). Odalisque [Painting]. https://artsdot.com/no/art/francesco-hayez-odalisque-8LHUCC-en/
    Chicago
    Francesco Hayez. Odalisque. 1867. https://artsdot.com/no/art/francesco-hayez-odalisque-8LHUCC-en/
    Harvard
    Hayez, Francesco (1867) Odalisque. Available at: https://artsdot.com/no/art/francesco-hayez-odalisque-8LHUCC-en/

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    Odalisque — Francesco Hayez

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    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: women. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på The Kiss (1859), tidligere i denne guiden. Nevn to ting den har til felles med dette verket, og én ting som er annerledes.
    5. Orientalism: European pictures of North Africa and West Asia — often imagined rather than observed, and worth questioning. Hvor kan du se dette i dette verket?

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