Papir

Veiledning for studentkunst

Bathing Bathsheba

Navn Klasse Dato

Francesco Hayez, Bathing Bathsheba (1834). Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Francesco Hayez artsdot.com/no/artists/francesco-hayez_no/
Kunstnerens levetid
1791 – 1882
Malt
1834
Opprinnelig størrelse
77 x 107 cm
Bevegelse
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.

I sammenheng med

Bathing Bathsheba — Francesco Hayez

Hvor stort er det?

Originalen måler 77 × 107 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830
  6. 1840
  7. 1850
  8. 1860
  9. 1870
  10. 1880

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 91 ved død.

Malt da kunstneren var 43. Kunstneren ble 91 år gammel. 42 av de 102 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Francesco Hayez (1791–1882) ▲ dette verket, 1834 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1827 Hovedvirksomhetsår: 1827–1852 Senere verk: fra 1852

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: artsdot.com/no/art/similar/francesco-hayez-bathing-bathsheba-8XY2WM-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Quinacridone Magenta #6f504a

    Katalogisert palett

    • #6F504A
    • #A38271
    • #392727
    • #CFBAA9

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Quinacridone Magenta
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Francesco Hayez i løpet av de siste tolv månedene — totalt 32 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 49.0%
    2. 2 United States of America 16.9%
    3. 3 Italy 5.7%
    4. 4 Germany 4.6%
    5. 5 Storbritannia 2.3%
    6. 6 Singapore 2.3%
    7. 7 Spain 1.5%
    8. 8 Poland 1.5%
    9. 9 Colombia 1.1%
    10. 10 Algeria 1.1%
    11. · 22 andre land 14.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Francesco Hayez

    1. 1 Fellatio, or oral sex performed on a man 15.7%
    2. 2 Cunnilingus, or oral sex performed on a woman 13.7%
    3. 3 Sexual intercourse 6.2%
    4. 4 Destruction of Temple of Jerusalem, 1867 5.6%
    5. 5 Cunnilingus, or oral sex performed on a woman 4.2%
    6. 6 The Kiss, 1859 2.2%
    7. 7 Pope Urban II Preaching the First Crusade in the Square of Clermont 2.0%
    8. 8 Meeting of Jacob and Esau, 1844 2.0%
    9. 9 Vengeance is Sworn, 1851 2.0%
    10. 10 The Kiss, 1859 1.7%
    11. 11 The new favorite (Harem scene), 1866 1.4%
    12. 12 Portrait of a Venetian woman, 1852 1.4%
    13. 13 The Marriage of Romeo and Juliet, 1830 1.1%
    14. 14 Portrait of Princess Di Sant 'Antimo, 1842 1.1%
    15. 15 Sicilian Vespers scene 3, 1846 1.1%
    16. 16 untitled (9958) 1.1%
    17. 17 Destruction of the Temple of Jerusalem, 1867 0.8%
    18. 18 Valenza Gradenigo before the Inquisition 0.8%
    19. 19 Carolina Zucchi, 1825 0.8%
    20. 20 Bathing Bathsheba, 1834 dette maleriet 0.8%

    Sammen utgjør disse verkene 65.7% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 191 verk av denne kunstneren, hvorav 101 ble sett på minst én gang. Dette maleriet rangerer som nummer 20 av dem, med 0.8% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    Bathing Bathsheba — Francesco Hayez

    The Bathing Bathsheba by Francesco Hayez is a captivating oil on canvas painting that embodies the essence of Romanticism. Created in 1834, this artwork measures 77 x 107 cm and is a testament to Hayez's skill in capturing the beauty of the human form. The scene depicts a serene and peaceful atmosphere, with Bathsheba at the center, surrounded by two attendants.

    Artistic Context

    Hayez was a prominent figure in the Italian Romantic movement, and his works often featured historical and mythological themes. The Bathing Bathsheba is no exception, as it draws inspiration from the biblical story of Bathsheba, the wife of Uriah. This painting is not only a masterpiece of Hayez but also a representation of the artistic trends of his time. For more information on Hayez's works, visit Francesco Hayez: Bathing Bathsheba.

    Key Elements and Symbolism

    The painting features a range of elements that contribute to its captivating nature. The use of oil on canvas allows for a depth and richness of color that draws the viewer in. The scene is populated by several figures, including Bathsheba and her attendants, as well as a man kneeling in the background. Two birds are also visible, adding to the sense of tranquility. For similar works that showcase the use of oil on canvas, consider exploring the collection at AllPaintingsStore.com.

    The Musée des Beaux-Arts in Chartres, France, houses an impressive collection of paintings and sculptures that reflect the rich cultural heritage of France.

    Other notable artists, such as Eugène Delacroix, have also explored themes of beauty and tranquility in their works, like Still life with Flowers.

    Romanticism is a key element in understanding the context and significance of the Bathing Bathsheba. This artistic movement emphasized emotion, imagination, and individualism, all of which are present in Hayez's masterpiece. For more on Romanticism and its influence on art, visit Discover the Masterpieces of Musée des Beaux-Arts (Chartres, France).

    The Bathing Bathsheba by Francesco Hayez is a remarkable example of Romantic art, showcasing the artist's skill in capturing beauty and serenity. As a handmade oil painting reproduction available on AllPaintingsStore.com, it offers art enthusiasts the opportunity to own a piece of history and appreciate the allure of Bathsheba in their own homes.

    Kunstner og museum

    Kunstner

    Francesco Hayez

    Født i Venezia, Italia

    Early Life and Artistic Beginnings

    Francesco Hayez, born on February 10th, 1791, in the vibrant city of Venice, was steeped in a rich artistic heritage from his earliest days. His father, Giovanni, a man of French descent, had established himself as a successful shipowner, while his mother, Chiara Torcella, hailed from Murano, renowned for its exquisite glassmaking tradition. From a young age, Francesco displayed an innate talent for drawing – a gift nurtured by his uncle, Giovanni Binasco, who recognized and fostered this potential, apprenticing him to the role of art restorer. This early training instilled in Hayez a deep appreciation for technique, materials, and the meticulous process of preserving artistic treasures. His exposure to Venetian painting during his childhood, particularly through visits to the Galleria Farsetti, where he studied reproductions of masterpieces by Giovanni da Udine, laid the foundation for his future stylistic development. The influence of these formative years shaped Hayez’s approach to art – a blend of classical observation and a burgeoning sense of national identity.

    The Milanese Period: Romanticism Takes Root

    In 1806, Francesco enrolled in the newly established New Academy of Fine Arts in Milan, an institution that would prove pivotal to his artistic journey. There, he studied under Teodoro Matteini, a prominent Neoclassical painter who instilled in Hayez a rigorous understanding of composition and form. However, it was in 1809 that Hayez’s artistic trajectory truly took flight – winning a prestigious competition that afforded him the opportunity to spend a year at the Accademia di San Luca in Rome. This immersion in the Roman art scene exposed him to the works of masters like Raphael and Michelangelo, broadening his horizons and fueling his creative imagination. The vibrant cultural atmosphere of Milan, particularly during the mid-19th century, proved equally influential. He became part of the “Salotto Maffei” salon, hosted by Clara Maffei, a prominent figure in intellectual circles, and engaged with artists and intellectuals who championed Romantic ideals. This period marked the genesis of Hayez’s distinctive style – one characterized by dramatic emotion, vivid color palettes, and a profound engagement with historical narratives and political allegories.

    Notable Works: A Symphony of Themes

    Hayez's artistic output is remarkably diverse, encompassing grand historical paintings, poignant portraits, and evocative scenes from literature and mythology. Among his most celebrated works are “The Kiss,” a masterpiece that captures the intensity of romantic love with breathtaking beauty; "Pope Urban II preaching the first crusade in the square of Clermont," a monumental depiction of a pivotal moment in European history; and “Portrait, Matilde Juva-branca,” a stunning example of his ability to convey the inner life of his subjects. These works demonstrate Hayez’s mastery of technique, his keen eye for detail, and his capacity to imbue his paintings with profound emotional resonance. His work frequently explored themes of national identity, political upheaval, and the human condition – reflecting the turbulent times in which he lived. The painting Destruction of the Temple in Jerusalem and Marin Faliero are prime examples of this engagement with contemporary issues.

    Museums and Legacy

    Hayez’s artistic legacy is firmly established within Italy's most prestigious museums. His works are prominently featured at the Civica Galleria d’Arte Moderna in Milan, where a significant collection of his paintings resides. “Pope Urban II preaching the first crusade in the square of Clermont” (measuring 235 x 157 cm) is housed at the Fondazione Cariplo in Milan. Beyond his artistic achievements, Hayez played a crucial role in shaping the landscape of Italian art education, serving as a professor at the Brera Academy in Milan for many years. Francesco Hayez’s influence on Italian Romanticism remains undeniable; his paintings continue to inspire artists and captivate audiences with their beauty, drama, and profound emotional depth. His work stands as a testament to the power of art to reflect and shape the cultural identity of a nation.

    Key Dates

    February 10, 1791: Born in Venice, Italy 1806: Enrolled in the New Academy of Fine Arts, Milan * December 21, 1882: Passed away, leaving behind a legacy in Italian art

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Bathing Bathsheba

    artsdot.com/no/art/download/francesco-hayez-bathing-bathsheba-8XY2WM-en/

    Kildehenvisning for dette kunstverket

    MLA
    Hayez, Francesco. Bathing Bathsheba. 1834, https://artsdot.com/no/art/francesco-hayez-bathing-bathsheba-8XY2WM-en/
    APA
    Hayez, Francesco (1834). Bathing Bathsheba [Painting]. https://artsdot.com/no/art/francesco-hayez-bathing-bathsheba-8XY2WM-en/
    Chicago
    Francesco Hayez. Bathing Bathsheba. 1834. https://artsdot.com/no/art/francesco-hayez-bathing-bathsheba-8XY2WM-en/
    Harvard
    Hayez, Francesco (1834) Bathing Bathsheba. Available at: https://artsdot.com/no/art/francesco-hayez-bathing-bathsheba-8XY2WM-en/

    Se nærmere på

    Bathing Bathsheba — Francesco Hayez

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: religious, nudes, baths. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på The Kiss (1859), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Romanticism: Art that puts feeling, wildness and the power of nature above calm order and rules. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvordan forenes kunstretning og epoke i "Bathing Bathsheba" av Francesco Hayez?

    "Bathing Bathsheba" av Francesco Hayez tilhører Romanticism-retningen, innenfor skaperens tallet-epoke.

    Kan "Bathing Bathsheba" forhåndsvises i utvidet virkelighet (AR)?

    "Bathing Bathsheba" har en forhåndsvisning med utvidet virkelighet: Se i AR-siden til kunstverket viser det i ditt eget rom på en kompatibel enhet.

    Hvilken farge dominerer komposisjonen i "Bathing Bathsheba" av Francesco Hayez?

    Quinacridone Magenta (#6f504a) er den dominerende fargen i "Bathing Bathsheba" av Francesco Hayez.