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The Spinner

Navn Klasse Dato

Emile Levy, The Spinner (1875). Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Emile Levy artsdot.com/no/artists/emile-levy/
Kunstnerens levetid
1888 – 1890
Malt
1875

I sammenheng med

The Spinner — Emile Levy

Når ble dette malt?

  1. 1870
  2. 1880
  3. 1890

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 2 ved død.

Skyggelagt: livsløpet til Emile Levy (1888–1890) ▲ dette verket, 1875 hvert daterte maleri, tiår for tiår

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: artsdot.com/no/art/similar/emile-levy-the-spinner-CWZCP6-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Espresso #484632

    Katalogisert palett

    • #484632
    • #D2BC8E
    • #261F13
    • #717960

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Hovedfarge
    Espresso
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Bold Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Emile Levy i løpet av de siste tolv månedene — totalt 4 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 56.2%
    2. 2 Spain 18.8%
    3. 3 United States of America 18.8%
    4. 4 Switzerland 6.2%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 16 mest viste verkene av Emile Levy

    1. 1 Abraham Washing The Feet Of The Three Angels 17.6%
    2. 2 Death of Orpheus 5.9%
    3. 3 Young Shepherd Musician In A Park 5.9%
    4. 4 Happy Group Of Children, 1876 5.9%
    5. 5 A Girl Seated On A Low Wall (1), 1876 5.9%
    6. 6 Maternal Grandfather According To The Legend Of The Centuries By Victor Hugo 5.9%
    7. 7 Idylle 5.9%
    8. 8 Portrait Of A Woman In A Black Dress 5.9%
    9. 9 The Judgment Of Midas 5.9%
    10. 10 Young Mother Feeding Her Baby 5.9%
    11. 11 The love letter 5.9%
    12. 12 Love It And The Flowers Of The Fields 5.9%
    13. 13 The Goatherd, 1872 5.9%
    14. 14 Gypsy Girl 5.9%
    15. 15 The dizzy spell 5.9%
    16. — The Spinner, 1875 dette maleriet 0.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 41 verk av denne kunstneren, hvorav 15 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Emile Levy

    The Luminous Legacy of Émile Lévy

    In the vibrant, ever-shifting tapestry of nineteenth-century Paris, few artists captured the delicate intersection of classical grandeur and fleeting atmospheric beauty as poignantly as Émile Lévy. Born in Paris on August 29, 1826, Lévy emerged during a transformative era when the rigid structures of academic tradition began to dance with the spontaneous light of the Impressionist movement. His life, though marked by a premature departure in 1890 at the age of sixty-four, was defined by a profound ability to translate the weight of history and the lightness of a moment onto canvas. Through his mastery of both religious drama and intimate portraiture, Lévy carved out a space for himself as a painter who could command the epic scale of biblical narrative while maintaining the tender sensitivity required to document the faces of his contemporaries.

    Lévy’s artistic journey was rooted in the rigorous discipline of the École des Beaux-Arts, where he studied under the esteemed masters François-Éouard Picot and Abel de Pujol. These mentors provided him with a formidable foundation in classical technique, teaching him the importance of anatomical precision and compositional balance. However, it was his ability to infuse these academic lessons with an appreciation for atmospheric effects that truly set him apart. This synthesis of styles reached a triumphant milestone in 1854 when he was awarded the prestigious Grand Prix de Rome. This achievement not only propelled him into the upper echelons of the Parisian art scene but also allowed him to immerse himself in the classical influences of Italy, an experience that would forever enrich the depth and texture of his work.

    Mastery of Light and Narrative

    Upon his return from Italy, Lévy established himself as a versatile force within the Salon, earning critical acclaim for works that ranged from the monumental to the deeply personal. His talent for Romantic realism is perhaps most evident in his religious and mythological compositions. In pieces such as “Noah cursing Canaan” (1855) and “Supper of the Martyrs” (1859), he utilized dramatic lighting and dynamic movement to evoke a sense of divine tension and human emotion. His ability to manipulate light—creating deep shadows that recede into mystery and brilliant highlights that command attention—allowed him to breathe life into ancient stories, making them feel immediate and visceral to the nineteenth-century viewer.

    Beyond the grand narratives, Lévy’s oeuvre is celebrated for its exquisite handling of texture and color in more intimate settings. His works often feature a captivating blend of elements:

    Classical Composition: A reliance on stable, pyramidal structures that lend a sense of permanence to his subjects.

    Atmospheric Depth: The use of soft, diffused light to capture the ephemeral quality of Parisian streets and interiors.

    Emotional Resonance: A subtle brushwork that conveys tenderness in portraits, such as the delicate “The First Lilac,” or profound loss in Neoclassical works like “Zenobia.”

    A Lasting Impression on Art History

    The significance of Émile Lévy lies in his role as a bridge between eras. While his training was firmly anchored in the traditions of the past, his eye was increasingly drawn to the transient beauty of the present. This duality is visible in his celebrated “Death of Orpheus,” housed in the Luxembourg Museum, where the masterful handling of color and texture showcases a painter at the height of his technical powers. His accolades, including a first-class medal at the 1878 Salon and the prestigious Legion of Honor in 1867, serve as testament to the respect he commanded from both his peers and the public.

    As we look back upon his contributions, Lévy remains a vital figure for understanding the evolution of French painting. He did not merely document the faces and scenes of his era; he imbued them with a palpable sense of atmosphere that transcends time. Whether through the sweeping grandeur of “The Elements” or the quiet intimacy of a portrait, Lévy’s work continues to invite viewers into a world where the eternal and the ephemeral exist in perfect, breathtaking harmony.

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for The Spinner

    artsdot.com/no/art/download/emile-levy-the-spinner-CWZCP6-en/

    Kildehenvisning for dette kunstverket

    MLA
    Levy, Emile. The Spinner. 1875, https://artsdot.com/no/art/emile-levy-the-spinner-CWZCP6-en/
    APA
    Levy, Emile (1875). The Spinner [Painting]. https://artsdot.com/no/art/emile-levy-the-spinner-CWZCP6-en/
    Chicago
    Emile Levy. The Spinner. 1875. https://artsdot.com/no/art/emile-levy-the-spinner-CWZCP6-en/
    Harvard
    Levy, Emile (1875) The Spinner. Available at: https://artsdot.com/no/art/emile-levy-the-spinner-CWZCP6-en/

    Se nærmere på

    The Spinner — Emile Levy

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Hvor mange ansikter kan du finne? ____ (vår katalog teller 1 — er du enig?)
    4. Se tilbake på Idylle, tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hva er dateringen til "The Spinner" av Emile Levy?

    "The Spinner" av Emile Levy ble skapt i 1875.

    Er en høyoppløselig nedlasting av "The Spinner" tilgjengelig?

    Et digitalt bilde av "The Spinner" av Emile Levy kan kjøpes på siden for Digitalt kunstverk: nedlasting av et digitalt bilde i høy oppløsning.

    Er "The Spinner" av Emile Levy et lyst eller mørkt kunstverk?

    "The Spinner" av Emile Levy er registrert med deep_shadow, og har en luminans på Dark.