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Ellsworth Kelly, Cite (1951), San Francisco Museum of Modern Art. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

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Kunstner
Ellsworth Kelly artsdot.com/no/artists/ellsworth-kelly/
Kunstnerens datoer
1923 – 2015
Malt
1951
Medium
Oil On Board
Bevegelse
Minimalist Geometric Abstraction
Periode
Modern
Utstilles ved
San Francisco Museum of Modern Art artsdot.com/no/museums/san-francisco-museum-of-modern-art-san-francisco_no/
Artistic style
Minimalism and Geometric Abstraction
Influences
Jean Arp, John Cage
Notable elements or techniques
Randomly shuffled square panels
Subject or theme
Form, color, and chance

I sammenheng

Cite — Ellsworth Kelly

Når ble dette malt?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Skyggelagt: livsløpet til Ellsworth Kelly (1923–2015) ▲ dette verket, 1951

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: artsdot.com/no/art/similar/ellsworth-kelly-cite-D3FSUS-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Black #040404

    Katalogisert palett

    • #040404
    • #FBF6EE
    • #E5DACB
    • #746E67
    Palett
    Neutrals Den dominerende fargefamilien i bildet.
    Hovedfargenavn
    Black
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Om dette kunstverket

    Cite — Ellsworth Kelly

    Ellsworth Kelly’s Cité: A Study in Minimalism and Chance

    Ellsworth Kelly's Cité, completed in 1951, stands as an emblem of American abstract expressionism and a testament to the transformative power of serendipitous artistic process. More than just a painting; it embodies a profound exploration of form, color, and the inherent unpredictability of creativity—concepts deeply rooted in Kelly’s formative years spent observing birds with his grandmother in New Jersey. This early fascination instilled within him an unwavering dedication to distilling visual experience into its purest essence, mirroring the stylistic trajectory that would define his illustrious career.

    The genesis of Cité lies in a vivid dream experienced by Kelly during his stay at the Cité Universitaire in Paris—a vision that spurred him to conceive of “an immense mural composed of square panels on which we painted black bands with huge brushes.” This dream served as catalyst for an innovative technique: Kelly meticulously executed a preparatory sketch, transferring brushstrokes onto paper and subsequently dividing it into twenty squares. These squares were then shuffled randomly before being adhered to a wooden board, resulting in a polyptych that captures the spirit of chance—a deliberate departure from traditional compositional methods championed by artists like Jean Arp and embraced by musical innovator John Cage during this pivotal period.

    The artwork’s aesthetic is characterized by striking simplicity. Dominated by two hues – black and off-white – Cité eschews elaborate ornamentation, prioritizing geometric precision and tonal contrast to create a visually arresting effect. The interlocking rectangular shapes convey a sense of rhythm and visual complexity despite the restrained palette, reflecting Kelly's commitment to exploring fundamental artistic principles. Lines—straight and assertive—define the boundaries of these rectangles, reinforcing the painting’s overarching geometric structure.

    Beyond its formal qualities, Cité resonates with symbolic depth. The repetition of squares speaks to an underlying orderliness, mirroring the meticulous observation that characterized Kelly’s childhood encounters with nature. Simultaneously, the element of chance introduces a counterpoint—a recognition that beauty and artistic expression can emerge from unforeseen circumstances. This duality encapsulates Kelly's belief in embracing spontaneity as a means of unlocking creative potential.

    The painting’s influence extends far beyond its immediate visual impact. It exemplifies Minimalism’s core tenets – reducing art to its essential components – and aligns seamlessly with Ellsworth Kelly’s broader stylistic vision, establishing him as one of the foremost figures in 20th-century abstraction. Cité continues to inspire artists and collectors alike, serving as a timeless reminder that profound artistic expression can arise from embracing both discipline and serendipity.

    Kunstner og museum

    Kunstner

    Ellsworth Kelly

    Født i Newburgh, New York, United States of America

    Early Life and the Seeds of Abstraction

    Ellsworth Kelly, born in Newburgh, New York, in 1923, emerged as a pivotal figure in American art, renowned for his strikingly minimalist approach to painting, sculpture, and printmaking. His artistic journey wasn’t one of immediate declaration but rather a gradual unfolding, deeply rooted in the formative experiences of his childhood. Growing up in Oradell, New Jersey, Kelly developed an acute sensitivity to form and color through the simple act of birdwatching with his grandmother. This pastime instilled within him a fascination for the vibrant hues and simplified shapes found in nature – a world distilled to its essential elements. The meticulously detailed illustrations of John James Audubon proved particularly influential, shaping his aesthetic sensibilities and fostering an appreciation for precise observation and representation. Even early art classes emphasized materials and imaginative development, nurturing a budding artistic spirit. Despite initial parental reservations about pursuing a career in the arts, a supportive school teacher recognized Kelly’s potential and encouraged him to seek further training, setting him on a path that would redefine abstract art.

    From Camouflage to Color: War, Education, and Parisian Influences

    Kelly's formal artistic education began at the Pratt Institute in Brooklyn, but was soon interrupted by the exigencies of World War II. His military service proved unexpectedly formative; he served with the 603rd Engineers Camouflage Battalion – part of the aptly named “Ghost Army.” This unit utilized artistic skills to create deceptive visual aids for Allied forces, employing illusions and spatial manipulation to mislead the enemy. The experience exposed Kelly to principles of camouflage, perspective, and the power of visual deception, concepts that would later subtly inform his art. Following the war, he continued his studies at the School of the Museum of Fine Arts in Boston before embarking on a transformative period in Paris. It was within the vibrant artistic milieu of post-war Paris that Kelly’s aesthetic truly solidified. Immersing himself in the city's rich cultural resources, he encountered influential figures like Jean Arp and Constantin Brâncuși, whose commitment to simplified forms resonated deeply with his own developing vision. Visits to the studios of artists such as Alberto Magnelli, Francis Picabia, Alberto Giacometti, and Georges Vantongerloo proved equally pivotal, exposing him to diverse approaches to abstraction and challenging conventional notions of representation.

    A Language of Form and Color: Defining a Minimalist Aesthetic

    Ellsworth Kelly’s artistic style is characterized by its unwavering commitment to minimalist principles – an emphasis on line, color, and form with an almost unassuming simplicity. He became associated with hard-edge painting, color field painting, and minimalism, yet his work transcends easy categorization. His canvases often feature bold, saturated colors arranged in geometric shapes, creating a sense of spatial unity and visual harmony. Three Panels: Red Yellow Blue, I (1963) exemplifies this approach, showcasing vibrant hues across multiple panels to explore the interplay of color and form. Blue Panel II (1977), a monumental abstract work, demonstrates his mastery of layered blues and subtle textures, evoking a sense of depth and contemplation. And works like Colors for a Large Wall reveal his ability to create large-scale installations that interact dynamically with architectural spaces. Kelly’s exploration wasn't merely about aesthetics; it was an investigation into the fundamental elements of perception, seeking to distill complex ideas into essential forms. He aimed not to represent the world but to present pure visual experience, free from narrative or symbolic content.

    Recognition and Legacy: A Lasting Impact on American Art

    Throughout his prolific career, Ellsworth Kelly received widespread acclaim for his groundbreaking contributions to American art. His work was showcased in solo exhibitions at prestigious institutions such as the Museum of Modern Art and the Whitney Museum of American Art, solidifying his position within the canon of modern masters. He participated in significant group shows like “Young America 1957” at the Whitney, gaining recognition among a new generation of artists. Kelly’s innovative approach challenged conventional notions of painting and sculpture, earning him a reputation as an essential innovator and contributor to the American art movement. He received numerous accolades, including honorary doctoral degrees from several universities, the Praemium Imperiale in 2000, and the National Medal of Arts in 2012 – testaments to his enduring influence. Ellsworth Kelly’s legacy lies in his pioneering minimalist aesthetic and his profound impact on subsequent generations of artists. His emphasis on pure form, color, and spatial relationships redefined the boundaries of abstract art, influencing a wide range of artistic practices. He is remembered as a key figure in American abstraction, whose unwavering commitment to simplicity and clarity resulted in a body of work that remains both visually striking and intellectually stimulating – a testament to the power of reduction and the enduring beauty of essential forms.

    Museum

    San Francisco Museum of Modern Art

    Utstilt i San Francisco, USA

    San Francisco Museum of Modern Art: Et Kaleidoskop av Moderne Kunst

    San Francisco Museum of Modern Art (SFMOMA) er mer enn bare et kunstmuseum; det er en levende puls i San Franciscos kreative ånd, et vitnesbyrd om byens evne til å omfavne innovasjon og utfordre konvensjoner. Fra sine beskedne begynnelser i 1935, med Albert M. Benders generøse donasjoner som grunnlag, har museet vokst til en monumental institusjon som feirer det 20. og 21. århundredes kunstneriske landskap. SFMOMA er et resultat av en dristig visjon: å dedikere et helt museum til den blomstrende moderne bevegelsen, noe som skilte det fra andre museer på den tiden og la grunnlaget for dets fremtidige status som et globalt anerkjent sentrum for kunstnerisk utfoldelse.

    Museets historie er tett knyttet til arkitekturen. Den opprinnelige bygningen, designet av den sveitsiske mesteren Mario Botta og åpnet i 1995, var en provokativ manifestasjon av terracotta-farget fasade – et umiddelbart landemerke som definerte museets identitet. Men det var utvidelsen fra 2016, ledet av det norske firmaet Snøhetta, som virkelig transformerte SFMOMA. Denne ambisiøse tillegget mer enn doblet galleriplassen og skapte et åpent, innbydende rom for utforskning, og etablerte en fascinerende dialog mellom Botta’s etablerte form og Snøhetta’s moderne visjon. Museets livlige vegg, en av de største i USA, er et bemerkelsesverdig element som bringer naturen inn i byens skyline.

    En Samling Som Forteller Historier

    SFMOMA bærer på over 33 000 verk, et mangfoldig spekter som spenner fra maleri og skulptur til fotografi, arkitektur, design og mediekunst. Denne omfattende samlingen er nøye kuratert for å reflektere bredden og dybden av moderne og samtidskunstens praksis. Museet har spesielt sterke holdings innenfor abstraksjon, med ikoniske arbeider av Jackson Pollock og Mark Rothko som sentrale brikker. Pop Art er også godt representert, takket være betydelige gaver fra Harry W. “Hunk” og Mary Margaret “Moo” Anderson, som inkluderer ikoniske verk av Andy Warhol, Roy Lichtenstein og Claes Oldenburg. Ut over disse hjørnesteinene utforsker samlingen en rekke kunstneriske stemmer – latinamerikanske kunstnere, banebrytende fotografer fra Ansel Adams til moderne praktiserere, og innovative eksperimenter innen design og mediekunst. Den berømte Doris og Donald Fisher Collection, permanent utstilt på SFMOMA, legger ytterligere lag til denne rikdommen, og viser en eksepsjonell samling av kunst fra det 20. og 21. århundre.

    Fra Pollock til KAWS: En Historie om Utfoldelse

    SFMOMAs historie er preget av et kontinuerlig engasjement for å utfordre konvensjoner og fremme nye perspektiver. Museet har en lang tradisjon for å vise banebrytende kunstnere, fra tidlige utstillinger av Pollock’s ekspressive teknikker til mer nylige retrospektiver dedikert til kunstnere som KAWS – hvis “FAMILY” utstilling fengslet publikum i 2025. SFMOMA er ikke bare en utstiller; det er en aktiv bidragsyter til kunstens dialog, og arrangerer utstillinger som tar opp aktuelle sosiale og politiske spørsmål. Museets dedikasjon til nye medier og eksperimentelle former er også bemerkelsesverdig, ofte presenterer immersive installasjoner og interaktive opplevelser som utfordrer tradisjonelle forestillinger om kunstnerisk praksis. Denne villigheten til å omfavne det avantgarde har solidt etablert SFMOMA som en vital kulturell hub og en katalysator for kreativ innovasjon.

    Et Fellesskap av Kunstelskere

    SFMOMA er mer enn bare et arkiv av kunst; det er en integrert del av San Franciscos pulserende kulturliv. Museets beliggenhet i hjertet av SoMa plasserer det innenfor gangavstand fra andre gallerier, forestillingssteder og designstudioer, og fremmer en følelse av et kunstnerisk fellesskap. SFMOMA engasjerer seg aktivt med lokale skoler og organisasjoner, og tilbyr utdanningsprogrammer og initiativer som gjør kunst tilgjengelig for et mangfoldig publikum. Det er et sted hvor ideer deles, perspektiver utfordres og kreativitet blomstrer – en ekte gjenspeiling av San Franciscos ånd. Enten du er en samler på jakt etter inspirasjon, en interiørdesigner som søker banebrytende estetikk eller bare en kunstelsker som lengter etter en fordybende opplevelse, SFMOMA tilbyr en reise gjennom de definerende kunstbevegelsene i vår tid.

    Notable Artists:

    Jackson Pollock, Mark Rothko, Andy Warhol, Roy Lichtenstein

    Architectural Style:

    Botta’s terracotta facade & Snøhetta’s expansive design

    Collection Highlights:

    Diego Rivera’s The Flower Carrier, Ansel Adams Photographs

    Exhibitions Focus:

    KAWS “FAMILY” Exhibition (2025), Exploring Contemporary Social Issues

    ADDITIONAL RESEARCH:

    San Francisco Museum of Modern Art Website:

    https://www.sfmoma.org/

    Wikipedia Article:

    https://en.wikipedia.org/wiki/San_Francisco_Museum_of_Modern_Art

    Artist Profiles: Oliver Lee Jackson, Paul Wonner, Frank Lobdell

    Featured Artwork: Composition with Red, yellow, blue and black by Piet Mondrian

    SFMOMA’s Impact: Supporting Education & Community Engagement

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    QR-kode som lenker til nedlastingssiden for Cite

    artsdot.com/no/art/download/ellsworth-kelly-cite-D3FSUS-en/

    Kildehenvisning for dette kunstverket

    MLA
    Kelly, Ellsworth. Cite. 1951, San Francisco Museum of Modern Art. https://artsdot.com/no/art/ellsworth-kelly-cite-D3FSUS-en/
    APA
    Kelly, Ellsworth (1951). Cite [Painting]. San Francisco Museum of Modern Art. https://artsdot.com/no/art/ellsworth-kelly-cite-D3FSUS-en/
    Chicago
    Ellsworth Kelly. Cite. 1951. San Francisco Museum of Modern Art. https://artsdot.com/no/art/ellsworth-kelly-cite-D3FSUS-en/
    Harvard
    Kelly, Ellsworth (1951) Cite. San Francisco Museum of Modern Art. Available at: https://artsdot.com/no/art/ellsworth-kelly-cite-D3FSUS-en/

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    Cite — Ellsworth Kelly

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    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: grid pattern, color field painting, chance composition. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Blue Green Red (1963), tidligere i denne guiden. Nevn to ting den har til felles med dette verket, og én ting som er annerledes.
    5. Ellsworth Kelly var omtrent 28 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?

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    Cite — Ellsworth Kelly

    Hvor godt kjenner du dette kunstverket?

    Marker ett svar for hvert av de 5 spørsmålene nedenfor. Hvert spørsmål har nøyaktig ett riktig svar.

    1. 1. What inspired the creation of Ellsworth Kelly's 'Cité'?

      • A A landscape painting in New Jersey
      • B A vivid dream experienced in Paris
      • C The patterns found in bird feathers
    2. 2. Which two primary colors dominate the palette of this artwork?

      • A Red and Blue
      • B Black and Off-white
      • C Yellow and Black
    3. 3. What innovative technique did Kelly use to compose 'Cité'?

      • A Layering translucent glazes
      • B Shuffling twenty randomly arranged squares
      • C Using spray paint for soft edges
    4. 4. Which artistic movement is 'Cité' most closely associated with?

      • A Surrealism
      • B Minimalism and Geometric Abstraction
      • C Impressionism
    5. 5. What is the primary geometric shape used in the composition?

      • A Circles
      • B Triangles
      • C Rectangles

    Min poengsum: ____ av 5

    Fasit — til læreren

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    1A · 2A · 3A · 4A · 5B