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Dancing Skeletons

Navn Klasse Dato

Edward Burra, Dancing Skeletons (1934). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
Edward Burra artsdot.com/no/artists/edward-burra/
Kunstnerens datoer
1905 – 1976
Malt
1934

I sammenheng

Dancing Skeletons — Edward Burra

Når ble dette malt?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Skyggelagt: livsløpet til Edward Burra (1905–1976) ▲ dette verket, 1934

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: artsdot.com/no/art/similar/edward-burra-dancing-skeletons-AQSVR3-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Phthalo Green #222b2f

    Katalogisert palett

    • #222B2F
    • #784144
    • #144D8A
    • #CDC4C9
    Hovedfargenavn
    Phthalo Green
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Discordant Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    Edward Burra

    Født i South Kensington, United Kingdom

    Edward Burra: A Life in Surreal Visions

    Early Life and Education

    Born: South Kensington, United Kingdom, 1905.

    Edward Burra demonstrated artistic talent early on, particularly as a draughtsman.

    He received his formal training at the Royal College of Art from 1923 to 1925, honing his skills in drawing and painting.

    Early Travels and Influences (1920s)

    During the latter half of the 1920s, Burra travelled extensively throughout France.

    He focused on depicting detailed urban scenes, often portraying the harsh realities of life in cities like Toulon and Marseille.

    These early works reveal a keen observational eye and a sensitivity to social conditions.

    A pivotal moment came in 1927 when he met Paul Nash, who introduced him to avant-garde periodicals.

    Exposure to artists like George Grosz through these publications profoundly influenced Burra, inspiring him to experiment with collage and drawing within a Dadaist spirit.

    Artistic Development & Key Themes (1930s-1940s)

    The Jungle (1931) exemplifies Burra’s fascination with the exotic and forbidden. The painting depicts a lavish dinner party set in a fantastical tropical world, blending sensuality with premonitions of death.

    Burra was among the first British artists to embrace Surrealism, creating a distinctive universe populated by extravagantly dressed women, workers, sailors, and soldiers—often situated in imaginary locales.

    His physical health, compromised from childhood, led him to favor watercolor as his primary medium due to its relative ease of use compared to oil paints.

    He held his first solo exhibition at the Leicester Galleries in 1930.

    The impact of Picasso’s Guernica was significant, prompting a shift in Burra's artistic style.

    World War II and Later Life (1940s-1976)

    During World War II, travel restrictions led Burra to work as a stage designer for theatrical productions and ballets, achieving some recognition in this field.

    He declined an invitation to become a Royal Academician in 1963 but accepted the Order of the British Empire in 1971.

    A major retrospective of his work was organized by the Tate Gallery in 1973, solidifying his place within British art history.

    He died in Hastings on March 22, 1976, as a result of complications from a fractured iliac bone.

    Artistic Style and Historical Significance

    Burra’s style is characterized by its unsettling atmosphere, vivid colors, and distorted figures.

    He masterfully blended elements of Dadaism and Surrealism with a uniquely British sensibility.

    His work offers a critical commentary on social issues, exploring themes of alienation, decadence, and the darker aspects of human nature.

    Though not always widely recognized during his lifetime, Edward Burra is now considered a pioneering figure in 20th-century British art, influencing subsequent generations of artists with his distinctive vision.

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    QR-kode som lenker til nedlastingssiden for Dancing Skeletons

    artsdot.com/no/art/download/edward-burra-dancing-skeletons-AQSVR3-en/

    Kildehenvisning for dette kunstverket

    MLA
    Burra, Edward. Dancing Skeletons. 1934, https://artsdot.com/no/art/edward-burra-dancing-skeletons-AQSVR3-en/
    APA
    Burra, Edward (1934). Dancing Skeletons [Painting]. https://artsdot.com/no/art/edward-burra-dancing-skeletons-AQSVR3-en/
    Chicago
    Edward Burra. Dancing Skeletons. 1934. https://artsdot.com/no/art/edward-burra-dancing-skeletons-AQSVR3-en/
    Harvard
    Burra, Edward (1934) Dancing Skeletons. Available at: https://artsdot.com/no/art/edward-burra-dancing-skeletons-AQSVR3-en/

    Se nøye etter

    Dancing Skeletons — Edward Burra

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på The Band (1934), tidligere i denne guiden. Nevn to ting den har til felles med dette verket, og én ting som er annerledes.
    4. Edward Burra var omtrent 29 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

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