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Multiple Segregated Faces

Navn Klasse Dato

Charles Sekano, Multiple Segregated Faces (2003), University of Pretoria Museums. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Charles Sekano artsdot.com/no/artists/charles-sekano_no/
Kunstnerens levetid
1953 –
Malt
2003
Medium
Pastel Sticks of almost pure pigment drawn straight onto paper; the colour is bright but rubs off easily.
Opprinnelig størrelse
59 x 84 cm
Bevegelse
Contemporary Art
Periode
Contemporary
Arrangert på
University of Pretoria Museums artsdot.com/no/museums/university-of-pretoria-museums-tshwane/
Artistic style
Bohemian, multiracial influences
Notable elements or techniques
Separated faces, layered composition
Subject or theme
Identity, race, and politics

I sammenheng med

Multiple Segregated Faces — Charles Sekano

Hvor stort er det?

Originalen måler 59 × 84 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Rad over: årstallene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom, der 0 teller fra fødsel.

Malt da kunstneren var 50. 0 av de 1 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

▲ dette verket, 2003 hvert daterte maleri, tiår for tiår

Farger

Målt ut fra bilde

    Dominerende farge

    Rosy Brown #b1ada6

    Katalogisert palett

    • #B1ADA6
    • #C09348
    • #455151
    • #963D2D

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Dark Den dominerende fargefamilien i bildet.
    Hovedfarge
    Rosy Brown
    Intensitet
    Vivid Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Bold Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Discordant Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Clear Color Presence Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Om dette kunstverket

    Multiple Segregated Faces — Charles Sekano

    A Tapestry of Identity: The Fragmented Vision of Charles Sekano

    In the evocative pastel drawing Multiple Segregated Faces, created in 2003, the South African master Charles Sekano invites viewers into a profound meditation on the fractured nature of identity and the complexities of human connection. The artwork presents a mesmerizing assembly of at least thirteen distinct faces, each seemingly detached from a singular body, floating within a shared, rhythmic space. Through a masterful use of composition, Sekano creates a sense of depth where certain features press toward the viewer while others recede into a dreamlike haze. This layering of gazes and expressions does more than just create a visual puzzle; it constructs a psychological landscape that speaks to the many layers of the human experience, making it an irresistible centerpiece for collectors who value art that provokes deep contemplation.

    The technique employed in this piece is nothing short of hypnotic. Utilizing the soft, tactile medium of pastels, Sekano achieves a delicate balance between vibrant color and intimate texture. The artist’s hand is visible in the way colors bleed into one another, creating a sense of movement that mimics the improvisational flow of the jazz music he famously played during his years in Nairobi. This fluidity allows the faces to appear both separate and inextricably linked, much like the notes of a complex melody. For interior designers, the piece offers a sophisticated interplay of tones that can anchor a room, providing a focal point that is simultaneously energetic and serene.

    Historical Resonance and the Soul of Exile

    To truly appreciate Multiple Segregated Faces, one must look through the lens of Sekano’s extraordinary biography. Born in Johannesburg and shaped by the turbulent era of apartheid, Sekano’s life was defined by movement and exile. His time in Kenya served as a transformative period where the vibrant, multiracial bohemian culture of Nairobi's jazz clubs offered a stark, colorful contrast to the oppressive restrictions of his homeland. This duality—the tension between the freedom found in exile and the heavy political realities of South Africa—is woven into the very fabric of this drawing. The "segregated" nature of the faces serves as a poignant metaphor for the social and political divisions he witnessed, yet the way they coexist within the frame suggests a yearning for unity and a celebration of a shared, albeit fragmented, humanity.

    The emotional impact of the work lies in this tension between fragmentation and togetherness. There is a haunting beauty in the way the faces are positioned; some appear lost in reverie, while others confront the viewer with an unmistakable presence. It is a work that captures the essence of "carefree reverie" and "fantasy," yet it remains grounded in the historical weight of the artist's journey. For those seeking to adorn their spaces with art that carries a narrative soul, this reproduction offers a rare opportunity to possess a piece of history—a window into a world where identity is being reconstructed, one face at a time.

    Kunstner og museum

    Kunstner

    Charles Sekano

    Født i Johannesburg, Sør-Afrika

    tidlig liv og eksil

    Charles Sekano, en sørafrikansk kunstner født i 1953 i Johannesburg, har levd et liv preget av både eksil og dyp kunstnerisk uttrykkskraft. Da han var elleve år gammel, forlot Sekano Sør-Afrika og slo seg til slutt ned i Kenya i tre år. Denne perioden har hatt en betydelig innflytelse på hans utvikling, både som visuell kunstner og som jazzmusiker.

    kunstneriske temaer og stil

    Sekanos verker utforsker ofte komplekse temaer som identitet, rase og politikk i en sørafrikansk kontekst. Hans tegninger, slik som multiple segregated faces (2003), viser frem en unik blanding av bohemske og multikulturelle impulser. De myke pastellfargene og de intime scenene som skildrer bekymringsløs drømmeri, fantasi, uskyld og frihet, står som et vitnesbyrd om hans egne livserfaringer.

    noterte verk og utstillinger

    multiple segregated faces (2003), en pastelltegning, er et av Sekanos mest fremtredende verk, som på mesterlig vis viser hans unike stil og tematiske utforskning.

    Sekano har stilt ut bredt i Kenya, Nederland, Tyskland, Japan, USA, Storbritannia og Sør-Afrika. Hans verk finnes i private samlinger og på ulike museer, inkludert university of pretoria museums (Pretoria, Sør-Afrika) og völkerkunde museum (Frankfurt, Tyskland).

    Hans første utstilling i Sør-Afrika fant sted ved university of pretoria i 2008, etter at han vendte hjem til sitt fødeland i en alder av 50 år.

    kunstnerisk innflytelse og stil

    Sekanos kunstneriske uttrykk er preget av en harmonisk forening av:

    tradisjonelle afrikanske former og fargepåvirkninger

    kubisme og inspirasjon fra kunstnere som Picasso og Matisse

    ekspressive pastellstrøk kombinert med nøye gjennomtenkte komposisjoner

    opplev Charles Sekanos kunst hos AllPaintingsStore

    For å utforske mer av Charles Sekanos kunstneriske univers, inkludert multiple segregated faces (2003), kan du besøke [https://AllPaintingsStore.com/@/charles-sekano](https://AllPaintingsStore.com/@/charles-sekano). For en dypere forståelse av hans kunstneriske impulser og stil, anbefales det også å lese Wikipedia-artikkelen om sørafrikansk kunst.

    videre lesning

    For mer informasjon om Charles Sekanos liv, arbeid og utstillinger, utforsk disse lenkene:

    /en/art/show/art-d3c5zh-en/ - AllPaintingsStore's artist profile

    [https://AllPaintingsStore.com/@/charles-sekano](https://AllPaintingsStore.com/@/charles-sekano) - Charles Sekanos kunstverk hos AllPaintingsStore

    Museum

    University of Pretoria Museums

    Utstilt i Tshwane, South Africa

    A Tapestry of Pretoria’s Heritage

    Nestled within the vibrant, purple-hued embrace of the Jacaranda City, the

    University of Pretoria Museums

    stand as a profound testament to South Africa's intellectual and artistic soul. More than mere repositories for silent artifacts, these institutions function as living chronicles, weaving together a complex narrative of a nation’s journey through time. To step into these halls is to embark on an immersive voyage where academic rigor meets the evocative power of storytelling, illuminating a multifaceted past that ranges from ancient indigenous traditions to the transformative echoes of the liberation struggle. The museum serves as a vital bridge between the preservation of heritage and the pulse of contemporary artistic appreciation, offering a sanctuary for those who seek to understand the deep-seated cultural currents that shape South African identity.

    The architectural landscape of the campus itself provides a majestic stage for this collection, dominated by the venerable

    Old Arts Building

    and the

    Merensky Building

    . The Old Arts Building is a true architectural marvel, a landmark that breathes with the elegance of various eras, from the sweeping grandeur of Victorian design to the streamlined sophistication of Art Deco. Within its soaring ceilings and ornate structural details, one finds a curated dialogue between European influences and African aesthetics. This sense of structural innovation extends into the museum's unique holdings, most notably through the remarkable assemblage featuring works by

    Jean Prouvé

    . The visionary French architect’s influence brings a touch of modern functionalism to the collection, where his philosophy of prioritizing aesthetic beauty alongside structural engineering resonates powerfully against the backdrop of historical South African narratives.

    Treasures of Gold and Global Dialogue

    The true heart of the museum lies in its ability to curate moments of profound historical significance through diverse visual media. Collectors and art enthusiasts will find themselves captivated by the meticulous archives that offer unparalleled access to the figures and pivotal movements that have defined the country. A singular highlight that commands reverence is the

    Golden Rhinoceros of Mapungubwe

    , a medieval masterpiece of wood overlaid with thin sheets of gold. This delicate yet powerful artifact, discovered by archaeologists from the university, serves as a shimmering symbol of the ancient Kingdom of Mapungubwe and the sophisticated artistry of pre-colonial South Africa.

    Such treasures are complemented by recent exhibitions that have brought groundbreaking international perspectives to the local context, fostering a global dialogue through collaborations with world-class curators. What distinguishes the University of Pretoria Museums is their holistic commitment to the lifecycle of art and history. It is not merely a place for observation, but a center for active scholarly research where advanced analytical techniques are employed to reconstruct lost artistic traditions. For the interior designer or the passionate art lover, the museum offers an endless wellspring of inspiration, blending the textures of historical struggle with the elegance of architectural innovation. By integrating educational programs and postgraduate studies into its very framework, the institution ensures that the stories held within its walls continue to evolve, inspiring new generations of creators to find beauty in the enduring power of heritage.

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Multiple Segregated Faces

    artsdot.com/no/art/download/charles-sekano-multiple-segregated-faces-D736ZY-en/

    Kildehenvisning for dette kunstverket

    MLA
    Sekano, Charles. Multiple Segregated Faces. 2003, University of Pretoria Museums. https://artsdot.com/no/art/charles-sekano-multiple-segregated-faces-D736ZY-en/
    APA
    Sekano, Charles (2003). Multiple Segregated Faces [Painting]. University of Pretoria Museums. https://artsdot.com/no/art/charles-sekano-multiple-segregated-faces-D736ZY-en/
    Chicago
    Charles Sekano. Multiple Segregated Faces. 2003. University of Pretoria Museums. https://artsdot.com/no/art/charles-sekano-multiple-segregated-faces-D736ZY-en/
    Harvard
    Sekano, Charles (2003) Multiple Segregated Faces. University of Pretoria Museums. Available at: https://artsdot.com/no/art/charles-sekano-multiple-segregated-faces-D736ZY-en/

    Se nærmere på

    Multiple Segregated Faces — Charles Sekano

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: portrait, faces, identity. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Charles Sekano var omtrent 50 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Temaer som går igjen i verkene til Charles Sekano: nairobi jazz influences, apartheid political themes, identity and race exploration. Hvilke av disse ser du her?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Er fargene i "Multiple Segregated Faces" av Charles Sekano livlige eller dempede?

    Fargene i "Multiple Segregated Faces" har en metning på Clear Color Presence og en intensitet på Vivid.

    Hvor harmonisk er fargebruken i "Multiple Segregated Faces" av Charles Sekano?

    "Multiple Segregated Faces" av Charles Sekano viser en Discordant Palette fargeharmoni.

    Når ble "Multiple Segregated Faces" laget?

    "Multiple Segregated Faces" av Charles Sekano ble skapt i 2003.