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Self-portrait

Navn Klasse Dato

bartolomeo passerotti, Self-portrait (1560). Felleseie.

Fakta om verket

Kunstner
bartolomeo passerotti artsdot.com/no/artists/bartolomeo-passerotti/
Kunstnerens datoer
1529 – 1592
Malt
1560
Opprinnelig størrelse
43 x 28 cm
Bevegelse
Renaissance The brief peak when balance, depth and anatomy came together — Leonardo, Raphael, Michelangelo.

I sammenheng

Self-portrait — bartolomeo passerotti

Hvor stor er den?

Originalen måler 43 × 28 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1520
  2. 1530
  3. 1540
  4. 1550
  5. 1560
  6. 1570
  7. 1580
  8. 1590

Skyggelagt: livsløpet til bartolomeo passerotti (1529–1592) ▲ dette verket, 1560

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: artsdot.com/no/art/similar/bartolomeo-passerotti-self-portrait-D2SHES-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Espresso #3a2f18

    Katalogisert palett

    • #3A2F18
    • #14110C
    • #B7A591
    • #7A6B4F
    Palett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfargenavn
    Espresso
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Bold Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    bartolomeo passerotti

    The Bolognese Master of Mannerist Splendor

    In the vibrant, shifting landscape of the late sixteenth century, few artists captured the transition from the structured elegance of the High Renaissance to the dramatic intensity of the Baroque as skillfully as Bartolomeo Passarotti. Born in Bologna in 1529, Passarotti emerged not merely as a painter, but as a pivotal bridge between eras. His early years were defined by a profound immersion in the Roman art scene, where between 1550 and 1555, he sought the guidance of masters such as Giacomo Barozzi da Vignola and Taddeo Zuccari. This period of Roman training was transformative; it instilled in him a deep reverence for classical antiquity and the humanist principles of anatomical precision and balanced composition, even as he began to experiment with the more elongated and complex forms that would define the Mannerist movement.

    Upon his return to his native Bologna, Passarotti did not merely settle into local practice; he established a formidable artistic powerhouse. His studio became a crucible of innovation, attracting a generation of talent that would eventually reshape European art. Among his most notable pupils were Agostino Carracci, Lucio Massari, and Francesco Brizzi—artists who would carry the seeds of his stylistic experimentation into the burgeoning Baroque era. This legacy of mentorship ensured that Passarotti’s influence extended far beyond the walls of his own workshop, as his approach to light, texture, and subject matter permeated the very fabric of the Bolognese school.

    A Tapestry of Genre and Drama

    Passarotti’s oeuvre is celebrated for its remarkable versatility, ranging from the divine to the deeply terrestrial. He possessed a unique ability to navigate between grand religious altarpiements and intimate, often gritty, genre scenes. His work often features a striking use of chiaroscuro, utilizing stark contrasts between light and shadow to imbue his subjects with a sense of psychological depth and physical presence. This technique, which prefigured the dramatic lighting later perfected by Caravaggio, allowed him to breathe life into both mythological figures and everyday laborers.

    In his genre paintings, Passarotti displayed an extraordinary eye for detail and a fascination with the textures of daily existence. Works such as The Butcher's Shop (1580) serve as captivating windows into the late Renaissance world, showcasing a masterful command of warm tones and a realistic depiction of communal life. Similarly, his ability to render the divine is evident in pieces like Diane Chasseresse, where the Roman goddess of the hunt is captured with a dynamic, muscular grace that embodies the very essence of Mannerist energy. Whether depicting the quiet solitude of a Lute Player or the solemnity of religious devotion, his brushwork consistently sought to capture the fleeting tension between the ideal and the real.

    Legacy and Historical Significance

    While history sometimes overlooks Passarotti in favor of more revolutionary figures like Michelangelo, his importance to the evolution of Italian art is undeniable. He was a master of transition, an artist who understood how to honor the classical past while simultaneously preparing the ground for the emotional turbulence of the next century. His later works, influenced by Tuscan models such as Giorgio Vasari and Prospero Fontana, demonstrate a continuous evolution and an enduring curiosity about the changing tides of aesthetic taste.

    The historical significance of Bartolomeo Passarotti lies in his role as a foundational figure for the Carracci Academy and the broader Bolognese tradition. His life’s work—a blend of meticulous anatomical study, dramatic lighting, and a profound interest in the human condition—remains a testament to the enduring power of Mannerism. Through his studio, his pupils, and his evocative canvases, Passarotti ensured that the spirit of Bologna would remain at the heart of the European artistic dialogue for generations to come.

    Les mer her

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Self-portrait

    artsdot.com/no/art/download/bartolomeo-passerotti-self-portrait-D2SHES-en/

    Kildehenvisning for dette kunstverket

    MLA
    passerotti, bartolomeo. Self-portrait. 1560, https://artsdot.com/no/art/bartolomeo-passerotti-self-portrait-D2SHES-en/
    APA
    passerotti, bartolomeo (1560). Self-portrait [Painting]. https://artsdot.com/no/art/bartolomeo-passerotti-self-portrait-D2SHES-en/
    Chicago
    bartolomeo passerotti. Self-portrait. 1560. https://artsdot.com/no/art/bartolomeo-passerotti-self-portrait-D2SHES-en/
    Harvard
    passerotti, bartolomeo (1560) Self-portrait. Available at: https://artsdot.com/no/art/bartolomeo-passerotti-self-portrait-D2SHES-en/

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    Self-portrait — bartolomeo passerotti

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    4. Se tilbake på DIANE CHASSERESSE, tidligere i denne guiden. Nevn to ting den har til felles med dette verket, og én ting som er annerledes.
    5. Renaissance: The brief peak when balance, depth and anatomy came together — Leonardo, Raphael, Michelangelo. Hvor kan du se dette i dette verket?

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