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Out of the Web. Number 7

Experience Jackson Pollock's iconic drip painting, 'Out of the Web. Number 7,' a dynamic abstract expressionist masterpiece filled with intricate webs and energetic movement. Admire this unique artwork and discover its captivating story.

Jackson Pollock (1912–1956) var en amerikansk maler og pioner innen abstrakt ekspresjonisme kjent for sin «drip»-teknikk. Hans ikoniske malerier fanger energi og følelser gjennom spontane, dynamiske komposisjoner – en revolusjonerende innflytelse på moderne kunst.

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reproduction

Out of the Web. Number 7

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Kort om verket

  • Subject or theme: Trapped energy
  • Movement: Abstract Expressionism
  • Location: Staatsgalerie Stuttgart
  • Influences: Native American art
  • Artistic style: Abstract, Gestural
  • Year: 1949
  • Notable elements: Dripped paint, webs

Out of the Web. Number 7: A Descent into Pollock’s Energetic Universe

Jackson Pollock's "Out of the Web. Number 7" is not merely a painting; it’s an immersion, a visceral experience captured on canvas. Created in 1949 during his peak as a leading figure in Abstract Expressionism, this work embodies the raw energy and emotional intensity that defined Pollock’s revolutionary approach to artmaking. The painting immediately commands attention with its dense network of interwoven lines and splatters – a chaotic yet meticulously constructed web that seems to pulse with contained movement. Close inspection reveals a surprising complexity beneath the apparent randomness; irregular ovoid shapes, suggestive of a fragmented, almost trapped form, dominate the composition, hinting at a profound exploration of human experience.

The Drip Technique and Gestural Abstraction

Pollock’s technique – famously dubbed “drip painting” – was anything but accidental. He employed a sophisticated system of cans and sticks to control the flow of paint, allowing for an unprecedented level of spontaneity and direct engagement with the canvas. This wasn't about carefully planned representation; it was about channeling emotion directly through physical action. The layering of vibrant hues—deep reds, intense yellows, fiery oranges, and stark blacks—creates a dynamic tension, reflecting the artist’s own internal state. The painting’s texture is as crucial to its impact as its color palette: thick impasto areas contrast with thinner washes, inviting viewers to trace the paths of the drips and appreciate the sheer physicality of the process.

Symbolism and a Return to Form

"Out of the Web. Number 7" represents a fascinating shift in Pollock’s artistic trajectory. While his earlier works leaned heavily into pure abstraction, this piece introduces subtle yet significant references to the human form – specifically, an oversized head presented in a three-quarter view. This reintroduction of figurative elements, rendered through gestural marks rather than precise lines, suggests a grappling with themes of confinement and release, mirroring the trapped energy that permeates the entire composition. Some art historians interpret this as a reflection on the artist’s own struggles with mental health, while others see it as a broader meditation on the human condition – our attempts to break free from societal constraints.

Historical Context and Legacy

Painted in 1949, “Out of the Web. Number 7” sits firmly within the context of post-war America’s burgeoning Abstract Expressionist movement. Pollock's work challenged traditional notions of artistic representation, prioritizing subjective experience and emotional expression over objective reality. The painting’s eventual placement in the Staatsgalerie Stuttgart ensures its continued prominence as a cornerstone of modern art. It remains a powerful testament to Pollock’s innovative spirit and his enduring influence on generations of artists who followed.

  • Artist: Jackson Pollock
  • Year: 1949
  • Medium: Mixed Media on Canvas
  • Dimensions: 244 x 121.5 cm
  • Location: Staatsgalerie Stuttgart

This meticulously crafted reproduction captures the essence of Pollock’s masterpiece, offering a window into his revolutionary approach to art and inviting you to experience the raw energy and emotional depth of “Out of the Web. Number 7.”


Om kunstneren

Early Life and the Seeds of Innovation

Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark. He was the youngest of five children, born into a family struggling financially but filled with a strong work ethic and a love for art. His mother, Stella May McClure Pollock, recognized his artistic potential and fostered it through encouragement and support. Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences—the rugged beauty of the West, the traditions of Native American art, and the dramatic narratives of Benton and the murals of Mexico – laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

The Birth of Action Painting and a Revolutionary Technique

The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface. This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process. The technique was revolutionary, rejecting traditional notions of brushstrokes and composition.
  • He used a variety of materials: oil paints, house paints, inks, and even tar.
  • His movements were often described as dance-like or ecstatic.

Iconic Works and Lasting Legacy

Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction. Critics initially struggled to understand or appreciate this new approach, but over time, Pollock's work gained recognition as a groundbreaking contribution to modern art. His style transcends mere aesthetics; it’s an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies. The paintings are often interpreted as reflections of the artist’s inner turmoil and spiritual quest.

Influence and Historical Significance

Pollock's impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. He was a key figure in the rise of Abstract Expressionism, alongside artists like Mark Rothko and Willem de Kooning. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism. Despite facing initial criticism and skepticism, Pollock’s legacy has solidified over time. He is now considered one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression. His innovative techniques and expressive style continue to inspire and provoke, ensuring his enduring presence in the art world for generations to come.

Further Exploration

Key Resources:
  • Jackson Pollock - Wikipedia:
  • Smithsonian American Art Museum:
  • National Gallery of Art:
Jackson Pollock

Jackson Pollock

1912 - 1956 , USA

Kort om kunstneren

  • Artistic Movement Or Style: Abstrakt ekspresjonisme
  • Artists Or Movements Influenced By This Artist:
    • Color Field
    • Abstrakt ekspresjonisme
  • Artists Who Influenced This Artist:
    • Thomas Hart Benton
    • Diego Rivera
  • Date Of Birth: 28. januar 1912
  • Date Of Death: 11. august 1956
  • Full Name: Paul Jackson Pollock
  • Nationality: Amerikansk
  • Notable Artworks:
    • Nummer 1, 1949
    • Høstrytme, nr. 30
    • Konvergens
  • Place Of Birth: Cody, Wyoming
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