Portrett av Keisai Eisen

Møt de 13 mest kjente maleriene av Keisai Eisen

Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 13 verk av Keisai Eisen i vår katalog

Kort fortalt

Hvis du kjenner til ett maleri av Keisai Eisen, er det sannsynligvis Woman with a Veil (1790), som henger i Eremitasjen, St. Petersburg. Courtesan (1834) og The Feast of Seven Herbs (Imayo musume nanakusa) - YT - (3037) utgjør de tre verkene folk kjenner igjen umiddelbart. Vår katalog inneholder 13 verk av Keisai Eisen. Nedenfor finner du de 13 mest kjente, hver med årstall, hvor de befinner seg og hva som gjør dem spesielle.

1790 – 1848, Edo Ukiyo-e Flest verk: Saitama Prefectural Museum of History and Folklore

Start her: de 10 beste maleriene av Keisai Eisen

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Woman with a Veil (1790) av Keisai Eisen

Woman with a Veil

1790 · Woodblock Print · Eremitasjen, St. Petersburg

We are looking at Woman with a Veil, a work by the Japanese artist Keisai Eisen. This piece dates to about 1790, a period marking the beginning of the artist's life and creative presence. It is a significant example of the ukiyo-e tradition, specifically within the genre of bijin-ga, which focuses on the depiction of beautiful women.

Hand-painted oil reproduction from $175 20 × 50 cm
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Flere favoritter fra Keisai Eisen, fra 11 til 13

Hva Keisai Eisen malte mest av

De fire motivene som forekommer hyppigst i disse verkene, hver med sitt mest kjente eksempel.

Hvor du kan se maleriene til Keisai Eisen

De 6 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Keisai Eisen Malerier fra denne listen
Saitama Prefectural Museum of History and Folklore, SaitamaSaitama Prefectural Museum of History and Folklore Saitama 7 Kiso-Road, Warabi Station, Toda River Ferry Landing, Kiso Road, Okegawa Station, View of Hirohra, Kiso Road, Konosu Station, Distant View of Fukiagefuji
Eremitasjen, St. PetersburgEremitasjen St. Petersburg 1 Woman with a Veil
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Courtesan
Art Museum, SeattleArt Museum Seattle 1 Courtesan in Moonlight
Peabody Essex Museum, SalemPeabody Essex Museum Salem 1 The Oiran Michitose of the Miuraya and Her Child Attendants
Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 1 Carp ascending a waterfall

Keisai Eisen tiår for tiår: ett fremragende verk for hvert tiår

Verk per tiår

Velg et tiår for å se dets fremste verk.

Dine spørsmål om Keisai Eisens malerier

Hvilket maleri av Keisai Eisen er det mest kjente?Se svaret

Øverst på listen står Woman with a Veil (1790), Eremitasjen, St. Petersburg. Rett bak følger: Courtesan (1834) og The Feast of Seven Herbs (Imayo musume nanakusa) - YT - (3037).

Hvilke er de 10 mest kjente Keisai Eisen-maleriene?Se svaret

Woman with a Veil, Courtesan, The Feast of Seven Herbs (Imayo musume nanakusa) - YT - (3037), Courtesan in Moonlight, The Oiran Michitose of the Miuraya and Her Child Attendants, Carp ascending a waterfall, Kiso-Road, Warabi Station, Toda River Ferry Landing, Kiso Road, Okegawa Station, View of Hirohra, Kiso Road, Konosu Station, Distant View of Fukiagefuji og Kiso Road, Kumagaya Station, View of Hacchozutsumi. Du finner årstallet og museet for hvert av dem i listen ovenfor.

Hvor mange malerier har Keisai Eisen skapt?Se svaret

Vi har 13 verk av Keisai Eisen i vår katalog, datert fra 1825 til 1840.

Hvor kan du se de berømte maleriene til Keisai Eisen?Se svaret

Du finner de fleste av dem i Saitama Prefectural Museum of History and Folklore (Saitama), Eremitasjen (St. Petersburg) og Cleveland Museum of Art (Cleveland). Listen over museer gir en fullstendig oversikt.

Når malte Keisai Eisen sine mest kjente verk?Se svaret

I 1820s, mer enn på noe annet tidspunkt: 2 av de 13 verkene på denne siden stammer fra den tiden, Courtesan in Moonlight av dem.

Hvilke berømte malerier av Keisai Eisen kom først og sist?Se svaret

Det eldste verket her er The Oiran Michitose of the Miuraya and Her Child Attendants (1825); det nyeste er Carp ascending a waterfall (1840).

Hvilke motiver går igjen mest i Keisai Eisen sine malerier?Se svaret

Kimono (2), People (2) og Street (2) av 13 verk på denne siden.

Hvilke materialer brukte Keisai Eisen mest av?Se svaret

Woodblock Print, brukt i 4 av 13 verk på denne siden.

Hvilken kunstretning var Keisai Eisen en del av?Se svaret

Ukiyo-e, som du kan se i verkene på denne siden.

Hvilke verk av Keisai Eisen kan du se på Saitama Prefectural Museum of History and Folklore?Se svaret

Du kan se 7 av verkene på denne siden på Saitama Prefectural Museum of History and Folklore, Saitama, inkludert Kiso-Road, Warabi Station, Toda River Ferry Landing, Kiso Road, Okegawa Station, View of Hirohra og Kiso Road, Konosu Station, Distant View of Fukiagefuji.

Kan jeg få en reproduksjon av et maleri av Keisai Eisen?Se svaret

Ja. Alle malerier på denne siden er tilgjengelige som håndmalte oljereproduksjoner eller trykk, i den størrelsen som passer deg. Åpne maleriets side for å bestille.

Bli kjent med Keisai Eisen

The Soul of the Bunsei Era: The Life and Legacy of Keisai Eisen

In the vibrant, flickering light of 19th-century Edo, few artists captured the pulse of the "floating world" with as much evocative intensity as Keisai Eisen. Born into the prestigious Ikeda samurai clan as Ikeda Yoshinobu, his early life was a tapestry of privilege and profound hardship. The son of a respected calligrapher, Shigeharu, Eisen was raised in an environment steeped in the delicate arts of poetry and brushwork. However, the untimely loss of his parents thrust him into the life of a rōnin—a wandering samurai. This transition from the structured world of the elite to the unpredictable streets of the urban commoner did more than just alter his social standing; it infused his artistic vision with a raw, rebellious spirit and a deep empathy for the transient beauty found in the everyday.

Eisen’s artistic journey was shaped by a rigorous lineage of masters. He first sought formal training under Hakkeisai, a practitioner of the prestigious Kano school, which provided him with a foundation in classical technique and structural precision. Yet, it was his subsequent apprenticeship under Kikugawa Eizan, a titan of bijin-ga (pictures of beautiful women), that truly ignited his creative fire. While he inherited the grace of his predecessors, Eisen possessed an irrepressible urge to innovate. He moved away from the idealized, ethereal beauties of earlier eras, choosing instead to portray women with a more worldly, palpable sensuality. This shift defined the aesthetic of the Bunsei era (1818–1830), a period often characterized by its decadent and psychologically complex atmosphere.

A Master of Sensuality and Landscape

The brilliance of Eisen’s work lies in his ability to balance the intimate with the expansive. He became a master of ōkubi-e, or large-head portraits, where he utilized bold compositions and arresting gazes to convey a spectrum of human emotion—from quiet confidence to a haunting, melancholic longing. His subjects were not mere icons of beauty but characters with depth, their identities woven into the intricate patterns of their meticulously rendered kimonos. Through his brush, the fashion of the Edo period became a language of itsability and social nuance.

Beyond the intimate portraits of women, Eisen demonstrated a remarkable command over the Japanese landscape. His series documenting the Kisokaidō highway stands as a testament to his ability to capture the rhythmic movement of travel and the rugged spirit of the countryside. In works such as his depictions of Fukaya Station or Ageo Station, he transformed mere topographical records into cinematic snapshots of life in motion. He possessed a unique gift for:

  • Atmospheric Depth: Using light and shadow to create a sense of temporal presence, making the viewer feel the humidity of a summer afternoon or the chill of a mountain pass.
  • Narrative Detail: Integrating small, humanizing elements—a wandering dog, a traveler’s handbag, or a distant silhouette—to ground his landscapes in a relatable reality.
  • Collaborative Vision: Engaging in grand-scale projects, such as the joint series with Utagawa Hiroshige, which helped define the visual identity of Japan's most important travel routes.

Historical Significance and Enduring Influence

Keisai Eisen’s contribution to ukiyo-e extends far beyond the aesthetic; he was a chronicler of an era’s soul. While his contemporaries like Kunisada focused on the theatrical drama of Kabuki, and Kuniyoshi explored the heroic legends of warriors, Eisen turned his gaze toward the psychological and the atmospheric. His work bridged the gap between the classical elegance of the past and the more visceral, "decadent" realism that would characterize much of late Edo art. He was not only a printmaker but also a man of letters, contributing to the literary landscape through biographies and historical texts.

Today, Eisen is remembered as one of the most prominent masters of 19th-century Japanese woodblock prints. His ability to capture the ephemeral nature of the "floating world"—the fleeting moment, the passing traveler, the subtle glance—ensures his place in the pantheon of great artists. His legacy continues to resonate, offering modern observers a window into a vanished world where every line and color served to celebrate the profound beauty found within the transient and the everyday.