Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 97 verk av Cosimo Tura i vår katalog
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Det mest kjente maleriet av Cosimo Tura er Annunciation (1469), og du kan se det på Museo del Duomo i Ferrara. Rett etter følger The Madonna of the Zodiac (detail) (1459) og The Madonna of the Zodiac (1459). Av 97 verk av Cosimo Tura i vår katalog, er disse 93 de mest kjente. Hvert verk er oppført med årstall, museum og en kort beskrivelse av hva som gjør det unikt.
To stand before an image like Cosmè Tura’s Annunciation is to step across the threshold of time and into a moment suspended by divine grace. This masterpiece, dating from 1469, captures the pivotal instant when the Archangel Gabriel announces to the Virgin Mary that she will conceive Christ. It is not merely a depiction of a biblical event; it is an exquisitely orchestrated meditation on humility meeting the sublime. The…
To gaze upon this exquisite detail from Cosmè Tura’s The Madonna of the Zodiac is to be transported directly into the luminous, intellectual atmosphere of the Early Renaissance. This fragment, focusing intimately on a bird poised amidst ripe grapes, transcends mere depiction; it captures a moment suspended between earthly bounty and celestial mystery. The artist’s mastery is immediately apparent in the meticulous rendering of nature—the delicate sweep of the bird's…
Cosmè Tura’s “Madonna of the Zodiac,” painted in 1459, isn't merely a depiction of the Virgin Mary and Child; it’s a shimmering portal into the intellectual and artistic fervor of early Renaissance Ferrara. This exquisite tempera on panel painting, now residing within the Gallerie dell’Accademia in Venice, embodies the era’s fascination with classical antiquity, burgeoning scientific thought, and deeply personal devotion. The work immediately captivates with its serene beauty –…
To gaze upon Cosmè Tura's depiction of St George and the Princess is to step directly into the vibrant, dramatic heart of the early Renaissance. This monumental canvas, dating from 1469, is far more than a mere historical tableau; it is an epic narrative rendered in paint, capturing a moment charged with divine intervention, chivalric virtue, and profound human drama. The scene unfolds with palpable energy, centering on St George,…
Cosmè Tura’s “Madonna of the Zodiac,” painted in 1459, is more than just a devotional image; it's a window into the burgeoning artistic landscape of early Renaissance Ferrara. This intimate portrait of the Virgin Mary cradling the infant Jesus isn’t merely a depiction of motherhood; it’s a carefully constructed allegory brimming with symbolism and reflecting the intellectual currents of its time. Tura, a Ferrarese visionary often considered the founder of…
Within the hushed reverence of the Museo Correr in Venice resides a painting that transcends mere representation, becoming instead an embodiment of profound sorrow and enduring faith – Cosmè Tura’s 1460 “Pietà.” More than simply a depiction of Mary cradling her son's lifeless form, this work is a cornerstone of Early Renaissance art, a testament to the artist’s mastery of technique and his ability to infuse religious subject matter with…
Cosmè Tura’s Allegory of September, a fresco dominating the Sala dei Nove in Palazzo Schifanoia, Ferrara, is not merely a decorative panel; it's a meticulously crafted microcosm of Late Medieval and Early Renaissance thought. Painted between 1476 and 1478 for the court of Borso d’Este, Duke of Ferrara, this monumental work offers a rare glimpse into the intellectual and artistic climate of a burgeoning city-state—a testament to Tura's exceptional skill…
The painting depicts a seated female figure positioned in profile, her body turned slightly toward the viewer. She sits within an architectural setting characterized by a heavy, carved wooden chair. Her gaze is directed downwards and inwards, away from the external world. A crimson underdress is visible beneath a deep blue outer garment, which is fastened at the chest with small buttons or clasps. The fabric of her clothing displays…
The painting Saints Maurelius and Paul with Niccolò Roverella by Cosimo Tura emerges from the shadows of history as a vital fragment of a much larger whole. This work exists as the right-hand panel of the expansive Roverella Altarpiece, a grand composition that once filled a sacred space. The Roverella family commissioned this piece, seeking to leave a lasting mark of their devotion and lineage within the religious landscape of…
![The Annunciation with Saint Francis and Saint Louis of Toulouse [four panels] (1475) av Cosimo Tura](/media/artworks/images-full/57/af/57af65f65f6e0a06e885503e9e5e1f46.jpg)
The Annunciation with Saint Francis and Saint Louis of Toulouse [four panels] is a religious work by the Ferrarese painter Cosimo Tura. This polyptych is divided into four distinct vertical segments. Each panel holds a single holy figure, creating a rhythmic sequence of sacred presence. The figures emerge from a deep, lapis-like blue background, set against a landscape of dark, jagged hills.
English Allegory of June Triumph of Mercury1484 · Palazzo Schifanoia
Saint Lucy and Saint Eutychia at the Shrine of Saint Agatha1484 · Isabella Stewart Gardner Museum
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Adoration of the Magi (from the predella of the Roverella Polyptych)1474
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Allegory of September (detail)1476 · Palazzo Schifanoia
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Allegory of August: Triumph of Ceres (detail)1476 · Palazzo Schifanoia
St George (fragment av et panel fra Roverella Polyptychen)1474 · Fine Arts Gallery
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Manuscript Illumination with All Saints in an Initial V, from an Antiphonary1450
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Manuscript Illumination with the Presentation in the Temple in an Initial S, from a Gradual1450
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Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary1450
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Manuscript Illumination with the Presentation in the Templ in an Initial S, from a Gradual1450
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Manuscript Illumination with All Saints in an Initial V, from an Antiphonary1450
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Manuscript Illumination with the Assumption of the Virgin in an Initial G, from a Gradual1450
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Flight to Egypt (from the predella of the Roverella Polyptych)1474 · Metropolitan Museum of Art
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Deutsch Porträt eines Mannes English Portrait of a prince from Este family1452
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![The Virgin Annunciate [middle right panel] (1480) av Cosimo Tura](/media/artworks/images-thumb/9d/96/9d96d5db2bf77643b1e25a081a6cc15d.jpg)
The Virgin Annunciate [middle right panel]1480 · National Gallery of Art
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English Allegory of August Triumph of Ceres (detail)1484 · Palazzo Schifanoia
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Allegory of August: Triumph of Ceres (detail)1476 · Palazzo Schifanoia
St Francis of Assisi and Announcing Angel (panels of a polyptych)1475
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Circumcision (from the predella of the Roverella Polyptych)1474 · Isabella Stewart Gardner Museum
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Allegory of September (detail)1476 · Palazzo Schifanoia
English Allegory of July Triumph of Jupiter (detail)1484 · Palazzo Schifanoia
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Deutsch Hl. Antonius von Padua Italiano Sant'Antonio da Padova1484 · Galleria Estense
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Madonna with the Child Enthroned (panel from the Roverella Polyptych)1474 · National Gallery
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Deutsch Gekreuzigter Christus Italiano Cristo crocifisso1474 · Pinacoteca di Brera
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Deutsch Altarretabel des Hl. Maurelius, Szene Martyrium des Hl. Maurelius, Tondo1475 · Palazzo dei Diamanti
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De fire motivene som forekommer hyppigst i disse verkene, hver med sitt mest kjente eksempel.
De 8 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Cosimo Tura | Malerier fra denne listen |
|---|---|---|---|
 Palazzo Schifanoia |
Ferrara | 10 | Allegory of September (detail), English Allegory of June Triumph of Mercury, View of the Salone dei Mesi |
 National Gallery |
London | 6 | The Virgin Annunciate, A Muse (detail), Madonna with the Child Enthroned (detail) |
 National Gallery of Art |
Washington | 6 | The Annunciation with Saint Francis and Saint Louis of Toulouse [four panels], The Virgin Annunciate [middle right panel], Deutsch Hl. Franz von Assisi |
 Metropolitan Museum of Art |
New York | 5 | Portrait of a Young Man, Saint Louis of Toulouse, Flight to Egypt (from the predella of the Roverella Polyptych) |
 Gallerie dell'Accademia di Venezia |
Venezia | 4 | The Madonna of the Zodiac (detail), The Madonna of the Zodiac, The Madonna of the Zodiac |
 Museo del Duomo |
Ferrara | 3 | Annunciation, St George and the Princess, Annunciation (detail) |
 Louvre |
Paris | 3 | St Anthony of Padua Reading, Pietà (panel from the Roverella Polyptych), Pietà (panel from the Roverella Polyptych) |
 Museo Correr |
Venezia | 2 | Pietà, Italiano Pietà |
Velg et tiår for å se dets fremste verk.
To gaze upon this exquisite detail from Cosmè Tura’s The Madonna of the Zodiac is to be transported directly into the luminous, intellectual atmosphere of the Early Renaissance. This fragment, focusing intimately on a bird poised amidst ripe grapes, transcends mere depiction; it captures a moment suspended between earthly bounty and celestial mystery. The artist’s mastery is immediately apparent in the meticulous rendering of nature—the delicate sweep of the bird's…
To stand before an image like Cosmè Tura’s Annunciation is to step across the threshold of time and into a moment suspended by divine grace. This masterpiece, dating from 1469, captures the pivotal instant when the Archangel Gabriel announces to the Virgin Mary that she will conceive Christ. It is not merely a depiction of a biblical event; it is an exquisitely orchestrated meditation on humility meeting the sublime. The…
The painting depicts a seated female figure positioned in profile, her body turned slightly toward the viewer. She sits within an architectural setting characterized by a heavy, carved wooden chair. Her gaze is directed downwards and inwards, away from the external world. A crimson underdress is visible beneath a deep blue outer garment, which is fastened at the chest with small buttons or clasps. The fabric of her clothing displays…
Cosmè Tura’s Allegory of September, a fresco dominating the Sala dei Nove in Palazzo Schifanoia, Ferrara, is not merely a decorative panel; it's a meticulously crafted microcosm of Late Medieval and Early Renaissance thought. Painted between 1476 and 1478 for the court of Borso d’Este, Duke of Ferrara, this monumental work offers a rare glimpse into the intellectual and artistic climate of a burgeoning city-state—a testament to Tura's exceptional skill…
Øverst på listen står Annunciation (1469), Museo del Duomo, Ferrara. Rett bak følger: The Madonna of the Zodiac (detail) (1459) og The Madonna of the Zodiac (1459).
39 år gammel. Cosimo Tura ble født i 1430, og Annunciation er fra 1469.
Annunciation, The Madonna of the Zodiac (detail), The Madonna of the Zodiac, St George and the Princess, The Madonna of the Zodiac, Pietà, Allegory of September (detail), The Virgin Annunciate, Saints Maurelius and Paul with Niccolò Roverella og The Annunciation with Saint Francis and Saint Louis of Toulouse [four panels]. Du finner årstallet og museet for hvert av dem i listen ovenfor.
Vi har 97 verk av Cosimo Tura i vår katalog, datert fra 1450 til 1484.
Du finner de fleste av dem i Palazzo Schifanoia (Ferrara), National Gallery (London) og National Gallery of Art (Washington). Listen over museer gir en fullstendig oversikt.
I 1470s, mer enn på noe annet tidspunkt: 44 av de 93 verkene på denne siden stammer fra den tiden, The Virgin Annunciate av dem.
Det eldste verket her er Portrait of a Young Man (1450); det nyeste er Allegory of September (detail) (1484).
Virgin mary (13), Allegory (10) og Ferrara (7) av 93 verk på denne siden.
Tempera On Panel, brukt i 13 av 93 verk på denne siden.
Early renaissance, som du kan se i verkene på denne siden.
Du kan se 10 av verkene på denne siden på Palazzo Schifanoia, Ferrara, inkludert Allegory of September (detail), English Allegory of June Triumph of Mercury og View of the Salone dei Mesi.
Ja. Alle malerier på denne siden er tilgjengelige som håndmalte oljereproduksjoner eller trykk, i den størrelsen som passer deg. Åpne maleriets side for å bestille.
![The Annunciation with Saint Francis and Saint Louis of Toulouse [four panels] (1475), Cosimo Tura](/media/artworks/images-thumb/9a/8f/9a8fba870d5ce99984661d2c29de6d67.jpg)
