Portret van Max Klinger

De beroemdste schilderijen van Max Klinger: Alle 100, gerangschikt

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 281 werken van Max Klinger in onze catalogus

Kortom

Het Max Klinger schilderij dat de meeste mensen kennen is The death peeing. Direct daarna volgen The Isle of the Dead en Presa. Van de 281 werken van Max Klinger in onze catalogus zijn dit de 100 bekendste. Elk werk wordt voorzien van het jaartal, het museum en een korte toelichting over wat het werk zo bijzonder maakt.

1857 – 1920, Leipzig Symbolism Meeste werken: Bayerische Staatsgemäldesammlungen

Top 10 van Max Klinger: de werken die iedereen kent

1
The death peeing door Max Klinger

The death peeing

Painting

The air hangs heavy near the riverbank where a skeletal figure stands, stripped of the terrifying dignity often assigned to the Grim Reaper. This figure, a personification of death, occupies the shoreline with a startlingly mundane presence. He stands with legs apart, facing the water, engaged in the most basic of biological functions. The act of urination into the stream demystifies the specter, pulling the concept of mortality away from…

2
The Isle of the Dead door Max Klinger

The Isle of the Dead

Painting

The Isle of the Dead emerges from the vision of Max Klinger, a German artist who leaves a profound mark on the landscape of late 19th-century thought. Born in Leipzig in 1857, Klinger moves through a world of shifting aesthetics, eventually passing away in 1920. In this specific work, titled The Isle of the Dead, he captures a moment that feels suspended in a quiet, heavy stillness.

3
Presa door Max Klinger

Presa

Lithograph

The artwork presents a monochrome scene rendered in grayscale, utilizing a range of black, white, and gray tones. At the bottom center of the frame, a reclining nude female figure is positioned as the primary focal point. Above her, a large group of men in formal attire occupies the upper portion of the composition. These figures are partially obscured by shadow, creating a sense of depth through overlapping forms. The…

4
Y sin embargo! door Max Klinger

Y sin embargo!

Graphite

Max Klinger, born in Leipzig in 1857, produced Y sin embargo! as part of a career that bridged the transition from Realism to Symbolism. The artist, who died in 1920, was a significant figure in German art, known for his ability to move beyond mere visual representation to explore the psychological and the subconscious. This specific work reflects his interest in the intersection of the human form and the natural…

Blijf ontdekken Max Klinger: 11 tot 100

11At the Beach (1890) door Max KlingerAt the Beach1890 · Bayerische Staatsgemäldesammlungen 12Portrait of a Roman Woman on a Flat Roof in Rome (1891) door Max KlingerPortrait of a Roman Woman on a Flat Roof in Rome1891 · Städel Museum 13Christ in Olympus (1897) door Max KlingerChrist in Olympus1897 14Female Nude (1910) door Max KlingerFemale Nude1910 15Bathing Women (1912) door Max KlingerBathing Women1912 16A legation door Max KlingerA legation 17Plague door Max KlingerPlague 18Workers at a House Construction (1889) door Max KlingerWorkers at a House Construction1889 19Seaside Idyl door Max KlingerSeaside IdylBayerische Staatsgemäldesammlungen 20Female Study Head door Max KlingerFemale Study Head 21Portrait of a Gentleman door Max KlingerPortrait of a Gentleman 22Cupid door Max KlingerCupid 23Salvation door Max KlingerSalvation 24The source door Max KlingerThe source 25An Max Klinger door Max KlingerAn Max Klinger 26untitled (336) door Max Klingeruntitled (336) 27untitled (1870) door Max Klingeruntitled (1870) 28untitled (5707) door Max Klingeruntitled (5707) 29untitled (7927) door Max Klingeruntitled (7927) 30untitled (4077) door Max Klingeruntitled (4077) 31untitled (5205) door Max Klingeruntitled (5205) 32untitled (4640) door Max Klingeruntitled (4640) 33untitled (1790) door Max Klingeruntitled (1790) 34untitled (7957) door Max Klingeruntitled (7957) 35untitled (1515) door Max Klingeruntitled (1515) 36untitled (1160) door Max Klingeruntitled (1160) 37untitled (5386) door Max Klingeruntitled (5386) 38untitled (5714) door Max Klingeruntitled (5714) 39untitled (9844) door Max Klingeruntitled (9844) 40untitled (3585) door Max Klingeruntitled (3585) 41untitled (5586) door Max Klingeruntitled (5586) 42untitled (3254) door Max Klingeruntitled (3254) 43untitled (4823) door Max Klingeruntitled (4823) 44untitled (5191) door Max Klingeruntitled (5191) 45untitled (1133) door Max Klingeruntitled (1133) 46Venus in the sea door Max KlingerVenus in the sea 47Cupido door Max KlingerCupido 48untitled (3590) door Max Klingeruntitled (3590) 49untitled (7159) door Max Klingeruntitled (7159) 50Angustias door Max KlingerAngustias 51Old love. initial stamps door Max KlingerOld love. initial stamps 52untitled (5140) door Max Klingeruntitled (5140) 53Scene door Max KlingerScene 54Venus and Mercury door Max KlingerVenus and Mercury 55psyche bathing door Max Klingerpsyche bathing 56Phriam And Thisbe I door Max KlingerPhriam And Thisbe I 57untitled (2692) door Max Klingeruntitled (2692) 58Abduction door Max KlingerAbduction 59Venus and Psyche door Max KlingerVenus and Psyche 60Zephyr carrying his sisters door Max KlingerZephyr carrying his sisters 61The wedding party of Psyche door Max KlingerThe wedding party of Psyche 62Sister jumping from a rock door Max KlingerSister jumping from a rock 63Psyche and Ceres door Max KlingerPsyche and Ceres 64Love, death and extramundos door Max KlingerLove, death and extramundos 65untitled (9745) door Max Klingeruntitled (9745) 66Mother I door Max KlingerMother I 67Pan comforting Psyche door Max KlingerPan comforting Psyche 68untitled (4174) door Max Klingeruntitled (4174) 69Psyche crossing the Acheron door Max KlingerPsyche crossing the Acheron 70Desire door Max KlingerDesire 71Psyche on a rock door Max KlingerPsyche on a rock 72Jupiter and Venus door Max KlingerJupiter and Venus 73Psyche and Arundo door Max KlingerPsyche and Arundo 74Farmer planting misery door Max KlingerFarmer planting misery 75The childhood of Amor door Max KlingerThe childhood of Amor 76Satire door Max KlingerSatire 77Intermezzo 1 door Max KlingerIntermezzo 1 78Phriam And Thisbe II door Max KlingerPhriam And Thisbe II 79Charon door Max KlingerCharon 80untitled (1999) door Max Klingeruntitled (1999) 81Time and glory door Max KlingerTime and glory 82Psyche on the road to Tartarus door Max KlingerPsyche on the road to Tartarus 83Venus presents Psyche the Love door Max KlingerVenus presents Psyche the Love 84Titan door Max KlingerTitan 85Psyche venerated by the people door Max KlingerPsyche venerated by the people 86Psyche and Venus door Max KlingerPsyche and Venus 87Parade door Max KlingerParade 88Death knight door Max KlingerDeath knight 89The priestesses of Venus door Max KlingerThe priestesses of Venus 90untitled (8812) door Max Klingeruntitled (8812) 91Rockfall door Max KlingerRockfall 92Naked woman under a tree door Max KlingerNaked woman under a tree 93Cold Hand door Max KlingerCold Hand 94Captive door Max KlingerCaptive 95violation door Max Klingerviolation 96The great goddess door Max KlingerThe great goddess 97untitled (547) door Max Klingeruntitled (547) 98Psyche and Juno door Max KlingerPsyche and Juno 99Night 1 door Max KlingerNight 1 100untitled (2269) door Max Klingeruntitled (2269)

Schilderijen van Max Klinger, periode voor periode

Wat Max Klinger het meest schilderde

De vier onderwerpen die het vaakst voorkomen in deze werken, elk met zijn bekendste voorbeeld.

Waar u de schilderijen van Max Klinger kunt bekijken

De 4 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Max Klinger Schilderijen uit deze lijst
Bayerische Staatsgemäldesammlungen, MünchenBayerische Staatsgemäldesammlungen München 2 At the Beach, Seaside Idyl
Alte Nationalgalerie, BerlijnAlte Nationalgalerie Berlijn 3 Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz
National Gallery Prague, PraagNational Gallery Prague Praag 1 Evening
Städel Museum, FrankfurtStädel Museum Frankfurt 1 Portrait of a Roman Woman on a Flat Roof in Rome

Eén beroemd werk van Max Klinger voor elk decennium

Werken per decennium

Kies een decennium om het meesterwerk te bekijken.

Schilderijen van Max Klinger: wat mensen willen weten

Waar is Max Klinger het meest bekend om?Bekijk het antwoord

De lijst wordt aangevoerd door The death peeing. Direct daarna volgen The Isle of the Dead en Presa.

Welke 10 schilderijen van Max Klinger zijn het meest beroemd?Bekijk het antwoord

The death peeing, The Isle of the Dead, Presa, Y sin embargo!, Rescue, Mermaid holding a shell up, the philosopher, Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz, Evening en Play in the meadow. U vindt het jaar en het museum van elk werk in de bovenstaande lijst.

Hoeveel werken van Max Klinger zijn er?Bekijk het antwoord

We hebben 281 werken van Max Klinger in onze catalogus, gedateerd van 1879 tot 1912.

In welke musea bevinden zich de bekendste schilderijen van Max Klinger?Bekijk het antwoord

U vindt de meeste van deze werken in Bayerische Staatsgemäldesammlungen (München), Alte Nationalgalerie (Berlijn) en National Gallery Prague (Praag). De bovenstaande museumlijst geeft een volledig overzicht.

Wanneer zijn de beroemdste werken van Max Klinger geschilderd?Bekijk het antwoord

In 1880s, meer dan op welk ander moment dan ook: 3 van de 100 werken op deze pagina dateren uit die tijd, waarvan Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz een specifiek werk.

Wat zijn de oudste en nieuwste beroemde schilderijen van Max Klinger?Bekijk het antwoord

Het oudste werk hier is Evening (1879); het meest recente is Bathing Women (1912).

Wat schilderde Max Klinger het meest?Bekijk het antwoord

Gods (7), Symbolic imagery (6) en Landscape (4), van de 100 werken op deze pagina.

Waar schilderde Max Klinger meestal mee?Bekijk het antwoord

Painting, gebruikt in 2 van de 100 werken op deze pagina.

Bij welke kunststroming hoort Max Klinger?Bekijk het antwoord

Symbolism, zoals u kunt zien aan de werken op deze pagina.

Wat kun je zien van Max Klinger in het Bayerische Staatsgemäldesammlungen?Bekijk het antwoord

U kunt 2 van de werken op deze pagina zien in het Bayerische Staatsgemäldesammlungen, München, waaronder At the Beach en Seaside Idyl.

Kan ik een Max Klinger reproductie bestellen voor in mijn huis?Bekijk het antwoord

Ja. Elk schilderij op deze pagina is verkrijgbaar als handgeschilderde olieverfreproductie of als print, in de maat die bij u past. Open simpelweg de pagina van het schilderij om te bestellen.

Maak kennis met Max Klinger

The Shadowed World of Max Klinger: A Pioneer of Symbolism

Max Klinger, born in Leipzig in 1857, emerged as a pivotal figure bridging the gap between Realism and the burgeoning world of Symbolism. His artistic journey wasn’t one of immediate recognition but rather a gradual unfolding of a unique vision—a descent into the psychological depths that would profoundly influence modern art. Klinger's early training at the Academy of Fine Arts in Karlsruhe, under Karl Gussow, provided him with a solid foundation in traditional techniques, yet it was his fascination with the etchings of artists like Menzel and Goya that truly ignited his imagination. These masters demonstrated the power of printmaking to convey not merely visual representation but also narrative complexity and emotional intensity—qualities Klinger would masterfully employ throughout his career. He wasn’t content simply to depict the world as it appeared; he sought to unveil its hidden currents, its anxieties, and its dreams.

From Realism's Embrace to Symbolic Depths

Klinger’s artistic evolution was marked by a deliberate shift away from straightforward realism towards a more subjective and symbolic language. Initially, his work reflected the prevailing aesthetic of the time—detailed depictions of everyday life. However, this phase proved merely a stepping stone. The turning point came with his series of etchings, Paraphrase on the Finding of a Glove (1881). This ambitious project, comprising ten plates, wasn’t a literal illustration of an event but rather a fragmented, dreamlike exploration of desire, loss, and the complexities of human relationships. The glove itself became a potent symbol—a relic imbued with memory and longing. This series established Klinger as a leading voice in the Symbolist movement, demonstrating his ability to transform ordinary objects into vehicles for profound psychological insight. He wasn’t interested in simply showing what things looked like; he wanted to convey what they *felt* like, what they represented on a deeper, more subconscious level. The plates depict a series of increasingly bizarre and unsettling events surrounding the discovery of the glove—a lost love, a fleeting encounter, and ultimately, an ambiguous sense of longing.

Sculpture, Printmaking and the Exploration of Myth

Klinger's artistic output was remarkably diverse, encompassing painting, sculpture, and printmaking—though it’s arguably in the realm of graphic arts that he achieved his most enduring legacy. His prints are characterized by their meticulous technique, dramatic use of light and shadow, and haunting imagery. He wasn’t afraid to tackle challenging themes—mortality, sexuality, and the darker aspects of the human psyche. Beyond Paraphrase on the Finding of a Glove, works like his depictions of Faustian bargains and mythological scenes reveal a fascination with archetypal narratives and universal human struggles. His sculptural work, though less prolific than his prints, was equally ambitious. A prime example is his monumental installation in homage to Beethoven at the Vienna Secession in 1902—a powerful testament to the composer’s genius and a bold statement of artistic innovation. The sculpture depicts Beethoven as a Greek god on a large alabaster throne, surrounded by musical instruments and symbols of triumph. Klinger's sculptures were often deliberately unsettling, challenging conventional notions of beauty and form.

Influences and Artistic Development

Klinger’s artistic development was shaped by a complex interplay of influences. His early training in Karlsruhe instilled in him a respect for traditional techniques, but it was his exposure to the works of Menzel and Goya that awakened his interest in printmaking as a means of conveying psychological depth and narrative complexity. He also drew inspiration from Japanese woodblock prints, which he studied during his time in Paris. Furthermore, Klinger’s intellectual life was profoundly influenced by thinkers such as Arthur Schopenhauer and Friedrich Nietzsche, whose ideas about pessimism, the will to power, and the nature of reality resonated deeply with his artistic vision. The artist's exploration of dreamlike states and subconscious desires anticipated the work of later Surrealists like Salvador Dalí and René Magritte.

Legacy and Influence: A Bridge to Modernity

Max Klinger’s influence extended far beyond his own lifetime. He paved the way for Expressionism, Surrealism, and other avant-garde movements that sought to explore the inner world of human experience. His emphasis on symbolism, psychological depth, and subjective interpretation resonated with artists grappling with the anxieties and uncertainties of the modern age. The artist’s exploration of dreamlike states and subconscious desires resonated with audiences worldwide. In 1991, the Moscow art collective Inspection Medical Hermeneutics created “Klinger’s Boxes,” an installation directly inspired by his work—a testament to the enduring power of his vision. He remains a crucial figure in understanding the transition from 19th-century academic traditions to the radical experimentation of the 20th century. His art invites us to confront our own shadows, to delve into the mysteries of the human psyche, and to recognize the profound beauty that can be found even in the darkest corners of existence.

Notable Works & Continued Relevance

Beyond the celebrated Paraphrase on the Finding of a Glove, Klinger’s oeuvre boasts numerous significant pieces. Paintings like “Karl Haberstock,” showcasing his influence on fellow artists, and works reflected in collections at Kunstsammlungen und Museen Augsburg demonstrate his broad impact. His monochrome photographs, such as "Days Of March III," with their intriguing UFO sightings, reveal a willingness to embrace the unconventional and explore the boundaries of perception. Klinger’s art isn't merely historical; it remains strikingly relevant today. In an era defined by uncertainty and rapid change, his exploration of psychological themes—anxiety, alienation, and the search for meaning—continues to resonate with audiences worldwide. His legacy is a reminder that true artistic innovation lies not in simply replicating reality but in revealing its hidden depths and challenging our preconceived notions about the world around us.

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