Portrait of George Henry

Your Guide to the 55 Most Famous George Henry Paintings

Updated oktober 2026 · ranked by our popularity score (searches, visits and orders for each work) · 55 works by George Henry in our catalogue

In short

George Henry's best-known piece is Japanese Lady with a Fan (1894). Next on the list are A Galloway Landscape (1889) and The Druids Bringing in the Mistletoe (1890). We have 55 works by George Henry in our catalogue; this guide picks out the 55 best known, with the year, the museum and the story of each piece.

1828 – 1895 Impressionism Most works: Scottish National Gallery

The 10 George Henry paintings to know first

1
Japanese Lady with a Fan (1894) by George Henry

Japanese Lady with a Fan

1894 · Oil On Canvas

The oil painting presents a close-up portrait of a woman dressed in traditional Japanese attire. The subject is positioned vertically, with the focus centered on her headwear, face, and upper body. She holds a fan, which is integrated into the arrangement of her robes and posture. The color palette relies on warm browns, ochres, and muted purples, accented by touches of red and gold. A sense of depth is achieved…

Numbers 11 to 55: more George Henry paintings

George Henry's paintings, period by period

Late Medieval

1889 – 1894 · 3 works in this list

What George Henry painted most

The four subjects that come up most often in these pieces, each with its best-known example.

Where you can see George Henry's paintings

The 7 museums that hold the most of the paintings on this page.

Museum City Works by George Henry Paintings from this list
Scottish National Gallery, EdinburghScottish National Gallery Edinburgh 2 Geisha Girl, East and West
Sheffield City Art Galleries, SheffieldSheffield City Art Galleries Sheffield 1 Hikers at Goodwood Downs, West Sussex
Mcmanus: Dundee's Art Galleries And Museums, DundeeMcmanus: Dundee's Art Galleries And Museums Dundee 1 The Feather Boa
The Royal Conservatoire of Scotland, EdinburghThe Royal Conservatoire of Scotland Edinburgh 1 The Grey Hat
Laing Art Gallery, New South WalesLaing Art Gallery New South Wales 1 Lady Margaret Sackville
Atkinson Art Gallery Collection, SouthportAtkinson Art Gallery Collection Southport 1 The Lark
Manchester Art Gallery, ManchesterManchester Art Gallery Manchester 1 Landscape with Rainbow

Year by year: the best-known George Henry pieces

George Henry's dated pieces here cover 14 years, from 1882 to 1895. Go through them year by year.

Works per year

Pick a year to see its pieces.

George Henry: quick answers about the paintings

What is George Henry's best-known painting?See the answer

Top of the list is Japanese Lady with a Fan (1894). Right behind it: A Galloway Landscape (1889) and The Druids Bringing in the Mistletoe (1890).

What age was George Henry when creating Japanese Lady with a Fan?See the answer

66 years old. George Henry was born in 1828, and Japanese Lady with a Fan dates from 1894.

What are George Henry's top 10 paintings?See the answer

Japanese Lady with a Fan, A Galloway Landscape, The Druids Bringing in the Mistletoe, The Hedgecutter, Marion N. Parker, Lieutenant Colonel Sir Cecil Bingham Levita, Hikers at Goodwood Downs, West Sussex, The Geisha Girl, Head of the Holy Loch and Eyemouth. You'll find the year and the museum of each in the list above.

How many works by George Henry are in your catalogue?See the answer

We have 55 works by George Henry in our catalogue, dated 1882 to 1895.

In which museums can you see George Henry's famous works?See the answer

You'll find most of them in Scottish National Gallery (Edinburgh), Sheffield City Art Galleries (Sheffield) and Mcmanus: Dundee's Art Galleries And Museums (Dundee). The museum list above has the full breakdown.

When did George Henry make the most famous pieces?See the answer

In 1894, more than any other time: 7 of the 55 pieces on this page date from then, Japanese Lady with a Fan among them.

What are George Henry's first and last famous pieces?See the answer

The earliest piece here is Head of the Holy Loch (1882); the most recent is In a Tokyo Garden (1895).

Which subjects did George Henry paint most often?See the answer

Elegant woman (4), Portraiture (2) and 19th century art (2), out of the 55 pieces on this page.

What style or movement is George Henry known for?See the answer

Impressionism and Post-impressionism, as you can see in the pieces on this page.

Which famous George Henry paintings are at the Scottish National Gallery?See the answer

You can see 2 of the pieces on this page at the Scottish National Gallery, Edinburgh, including Geisha Girl and East and West.

Where can I order a George Henry reproduction?See the answer

Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.

George Henry's story

The Visionary of the Glasgow Style

George Henry stands as a luminous figure in the annals of British art, a painter whose brush captured the shifting light and soulful atmosphere of the late nineteenth century. Born in Irvine, Scotland, in 1858, Henry became a cornerstone of the influential Glasgow Boys movement, a group of rebellious young artists who sought to break free from the stifling constraints of academic realism. His journey was one of profound transformation, moving away from traditionalist rigidity toward a more emotive, sensory experience of the world. Through his work, the rugged beauty of the Ayrshire landscape and the quiet dignity of his subjects were elevated into something much more poetic and enduring.

The foundations of Henry’s aesthetic were laid during his formative years at the Glasgow School of Art. It was here that he forged deep connections with contemporaries such as John Singer Sargent, creating a shared intellectual space where new ideas could flourish. His training was not merely technical but deeply philosophical, as he began to absorb the revolutionary currents of Impressionism and the delicate, flattened perspectives of Japonisme. This fascination with Japanese art prints introduced a decorative elegance to his compositions, allowing him to balance the raw energy of light with a structured, almost rhythmic sense of design.

A Symphony of Light and Color

Henry’s mastery lay in his ability to translate the ephemeral qualities of nature into permanent pigment. His landscapes are far more than mere topographical records; they are psychological evocations of place. He utilized loose, expressive brushstrokes and a vibrant palette to capture the fleeting moments of the day, from the golden warmth of afternoon sun to the melancholic descent of dusk. One of his most evocative triumphs, "Gloamin'" (1889), serves as a masterclass in atmosphere, where the artist uses color and texture to invite the viewer into a state of quiet contemplation and intimacy.

Beyond the sweeping vistas of the Scottish countryside, Henry’s portraiture revealed a different facet of his genius. In his depictions of individuals, he moved beyond simple likeness to capture an inner essence. His portraits are characterized by:

  • A sensitive approach to light that softens the features and emphasizes mood.
  • An empathetic gaze that honors the psychological depth of his subjects.
  • A seamless integration of subject and setting, often using decorative elements to frame the sitter.
This duality—the ability to be both a bold experimentalist and a meticulous observer—is what defines his unique contribution to the Glasgow Style.

Legacy and Historical Significance

While George Henry may have experienced periods of relative obscurity during his lifetime, the historical significance of his work has undergone a profound resurgence. He is now recognized not just as a regional painter, but as a pioneer who helped bridge the gap between traditional Scottish painting and the modern European avant-garde. His ability to fuse the ruggedness of his native landscape with the sophisticated decorative motifs of international trends created a visual language that was entirely his own.

Today, the legacy of George Henry lives on through the enduring charm of his canvases, which continue to resonate with modern audiences seeking beauty, emotion, and a connection to the natural world. His life’s work remains a testament to the power of artistic rebellion—a reminder that by challenging the conventions of the past, one can illuminate the path toward a new and breathtaking way of seeing.

All 55 works by George Henry →