Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 189 werken van George Caleb Bingham in onze catalogus
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Het George Caleb Bingham schilderij dat de meeste mensen kennen is The Squatters (1850), en u kunt het bekijken in het Museum of Fine Arts, Boston. Direct daarna volgen Country Politician (1849) en Trappers' Return (1851). Van de 189 werken van George Caleb Bingham in onze catalogus zijn dit de 100 bekendste. Elk werk wordt voorzien van het jaartal, het museum en een korte toelichting over wat het werk zo bijzonder maakt.
To gaze upon "The Squatters" is to be transported across time, standing at the threshold of a bygone American era. This painting captures more than just a scene; it encapsulates an entire ethos—the raw, tenacious spirit of early settlement in the vast American West during the mid-nineteenth century. The composition centers on two figures and their loyal dog, positioned before a humble, roughly constructed log cabin. It is a tableau…
Step closer and observe the quiet intensity within this dimly lit interior. We find ourselves in a rural Missouri tavern, a space where the air feels heavy with the weight of local discourse. The scene is centered upon a small group of men, their faces illuminated by a soft, diffused light that seems to emanate from a nearby stove. One man, likely a politician, leans forward in an attempt to…
In the quietude of George Caleb Bingham’s 1851 masterpiece, Trappers' Return, we are transported to the untamed heart of the nineteenth-century American Midwest. This evocative oil on canvas serves as a profound window into the era of westward expansion, capturing a moment of serene triumph along the winding Missouri River. The scene centers upon two rugged men navigating a canoe through the gentle currents, their journey marked by the presence…
The scene unfolds within the frame of The Mill Boy: The Boonville Juvenile Clay Club Banner. This work, painted by George Caleb Bingham, captures a specific moment of life from about 1844. The artist, George Caleb Bingham, focuses his attention on a single figure, presenting a portrait of a young man that feels immediate and present.
Bingham’s background profoundly shaped his artistic vision. Born in Augusta County, Virginia, he witnessed firsthand the challenges and opportunities presented by westward expansion – a theme that permeates much of his work. This experience instilled within him an understanding of the American spirit: resilience, determination, and a belief in self-governance. Washington himself becomes more than just a military commander; he transforms into an archetype of American virtue, representing the values…
This bust-length oil portrait is organized around a central subject who faces slightly toward the viewer's left. The composition is formal and somber, focusing the viewer's attention on the facial features and the character of the elderly man. A chiaroscuro-like lighting technique is employed, where light falls directly onto the subject's forehead, cheek, and collar. This directional light creates a sense of three-dimensional volume against the surrounding shadows. The background…
The room is dim, held in a soft, amber-hued stillness that seems to swallow the sounds of the outside world. An elderly woman sits at the center of this private universe, her body forming a steady, triangular shape that anchors the composition. She is lost in the pages of a large book, her gaze fixed upon the text with a focus that suggests a deep, internal dialogue. A single, unseen…
In this 1835 oil painting, we find ourselves drawn into a nocturnal classroom, a space defined by the heavy presence of shadow and the soft, localized glow of candlelight. The composition relies heavily on a chiaroscuro technique, where the darkness of the room is interrupted by the warm, directional light emanating from a central shaded lamp and small candles. This light directs our attention toward the figures at the heart…
The George Caleb Bingham Self-Portrait is a small-scale portrait painted by George Gillis Haanen. This intimate work, dated 1850, captures a quiet moment of presence. It offers a direct encounter with the subject through its modest dimensions.
A Moment of Quiet Contemplation Old Man in his Study presents us with an intimate glimpse into a private world. The scene is centered on an elderly man, seated and lost in deep thought or perhaps succumbing to the weight of fatigue. He sits within a dimly lit room, where heavy, dark drapery frames the right and top edges of the composition, creating a sense of enclosure that pulls the…
Mrs. Henry Lewis (Elizabeth Morton Woodson)1838 · Saint Louis Art Museum
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Fiddler (study for the Jolly Flatboatmen)1846 · The Nelson-Atkins Museum of Art
Bestel dit werk from $175 →
The Checker Players (also known as Playing Checkers)1850 · Detroit Institute of Arts
Maak het van u from $225 →
Captain William Johnston (1776-1850)1850 · Minneapolis Institute of Art
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Portrait of Mrs. George Caleb Bingham (nee. Eliza K. Thomas)1849
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Mrs. George Caleb Bingham (Sarah Elizabeth Hutchinson) and Son Newton1842
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De vier onderwerpen die het vaakst voorkomen in deze werken, elk met zijn bekendste voorbeeld.
De 8 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van George Caleb Bingham | Schilderijen uit deze lijst |
|---|---|---|---|
 Saint Louis Art Museum |
Saint Louis | 15 | Mrs. Henry Lewis (Elizabeth Morton Woodson), The Student (Dr. Oscar Fitzland Potter), Judge Henry Lewis |
 Detroit Institute of Arts |
Detroit | 4 | Trappers' Return, John Quincy Adams, The Checker Players (also known as Playing Checkers) |
 Rijksmuseum |
Amsterdam | 3 | Old Woman Reading, Night School, Old Man in his Study |
 Amon Carter Museum of American Art |
Fort Worth | 3 | View of Pike's Peak, Wood-Boatmen on a River |
 Nelson-Atkins Museum of Art |
Kansas City | 3 | Self Portrait, Canvassing for a Vote |
 National Gallery of Art |
Washington | 3 | Cottage Scene, Mississippi Boatman |
 Museum of Fine Arts |
Boston | 2 | The Squatters, Landscape with Waterwheel and Boy Fishing |
 The Nelson-Atkins Museum of Art |
Kansas City | 2 | Fiddler (study for the Jolly Flatboatmen), Mary Frances Ward |
Kies een decennium om het meesterwerk te bekijken.
The room is dim, held in a soft, amber-hued stillness that seems to swallow the sounds of the outside world. An elderly woman sits at the center of this private universe, her body forming a steady, triangular shape that anchors the composition. She is lost in the pages of a large book, her gaze fixed upon the text with a focus that suggests a deep, internal dialogue. A single, unseen…
Step closer and observe the quiet intensity within this dimly lit interior. We find ourselves in a rural Missouri tavern, a space where the air feels heavy with the weight of local discourse. The scene is centered upon a small group of men, their faces illuminated by a soft, diffused light that seems to emanate from a nearby stove. One man, likely a politician, leans forward in an attempt to…
To gaze upon "The Squatters" is to be transported across time, standing at the threshold of a bygone American era. This painting captures more than just a scene; it encapsulates an entire ethos—the raw, tenacious spirit of early settlement in the vast American West during the mid-nineteenth century. The composition centers on two figures and their loyal dog, positioned before a humble, roughly constructed log cabin. It is a tableau…
A frontier home stands as the silent witness to a sudden upheaval. Under a heavy sky, a group of men, women, and children gather in the dust, their faces etched with the quiet weight of uncertainty. The domestic peace of the house is broken by the presence of horses and a carriage, signaling a departure that feels both sudden and inevitable. There is a rhythmic balance to the figures, a…
De lijst wordt aangevoerd door The Squatters (1850), Museum of Fine Arts, Boston. Direct daarna volgen: Country Politician (1849) en Trappers' Return (1851).
39 jaar oud. George Caleb Bingham werd geboren in 1811, en The Squatters dateert uit 1850.
The Squatters, Country Politician, Trappers' Return, The Mill Boy: The Boonville Juvenile Clay Club Banner, Washington Crossing the Delaware, John Quincy Adams, Old Woman Reading, Night School, George Caleb Bingham Self-Portrait en Old Man in his Study. U vindt het jaar en het museum van elk werk in de bovenstaande lijst.
We hebben 189 werken van George Caleb Bingham in onze catalogus, gedateerd van 1833 tot 1877.
U vindt de meeste van deze werken in Saint Louis Art Museum (Saint Louis), Detroit Institute of Arts (Detroit) en Rijksmuseum (Amsterdam). De bovenstaande museumlijst geeft een volledig overzicht.
In 1850s, meer dan op welk ander moment dan ook: 27 van de 100 werken op deze pagina dateren uit die tijd, waarvan The Squatters een specifiek werk.
Het oudste werk hier is Old Man in his Study (1833); het meest recente is Self Portrait (1877).
Portrait (13), 19th century (11) en Man (8), van de 100 werken op deze pagina.
Oil On Canvas, gebruikt in 19 van de 100 werken op deze pagina.
American realism, zoals u kunt zien aan de werken op deze pagina.
U kunt 11 van de werken op deze pagina zien in het Saint Louis Art Museum, Saint Louis, waaronder Mrs. Henry Lewis (Elizabeth Morton Woodson), The Student (Dr. Oscar Fitzland Potter) en Judge Henry Lewis.
Ja. Elk schilderij op deze pagina is verkrijgbaar als handgeschilderde olieverfreproductie of als print, in de maat die bij u past. Open simpelweg de pagina van het schilderij om te bestellen.
