Portret van Félicien Rops

De beroemdste schilderijen van Félicien Rops: Alle 46, gerangschikt

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 46 werken van Félicien Rops in onze catalogus

Kortom

Het Félicien Rops schilderij dat de meeste mensen kennen is The Entrance to the Ball (1858), en u kunt het bekijken in het musée provincial Félicien Rops, Namur. Direct daarna volgen Satanic Self-Portrait (1860) en Head of an Old Antwerp Woman (1873). Van de 46 werken van Félicien Rops in onze catalogus zijn dit de 46 bekendste. Elk werk wordt voorzien van het jaartal, het museum en een korte toelichting over wat het werk zo bijzonder maakt.

1833 – 1898, Namen Symbolism Meeste werken: musée provincial Félicien Rops

Top 10 van Félicien Rops: de werken die iedereen kent

Blijf ontdekken Félicien Rops: 11 tot 46

11The Sphinx (1882) door Félicien RopsThe Sphinx1882 12The Slag (1882) door Félicien RopsThe Slag1882 · musée provincial Félicien Rops 13The Temptation of Saint Anthony door Félicien RopsThe Temptation of Saint Anthony 14A Gentleman and a Lady (Aurelien Scholl and Marie Colombier) (1891) door Félicien RopsA Gentleman and a Lady (Aurelien Scholl and Marie Colombier)1891 15Tranformism door Félicien RopsTranformism 16Death at the Ball door Félicien RopsDeath at the BallKröller-Müller Museum 17Untitled (868) door Félicien RopsUntitled (868) 18The Werewolf (1868) door Félicien RopsThe Werewolf1868 19The Hanged Man (1868) door Félicien RopsThe Hanged Man1868 20Landscape in Sweden (1871) door Félicien RopsLandscape in Sweden1871 · Museum voor Schone Kunsten Gent 21Cupid with a Tambourine door Félicien RopsCupid with a TambourineHammer Museum 22Landscape in the Ardennes (1882) door Félicien RopsLandscape in the Ardennes1882 · Koninklijk Museum voor Schone Kunsten Antwerpen 23Pears and Apple on a Plate (1882) door Félicien RopsPears and Apple on a Plate1882 · musée provincial Félicien Rops 24Heyst, 1881 (1881) door Félicien RopsHeyst, 18811881 25The Satanic. Removal (1882) door Félicien RopsThe Satanic. Removal1882 26The Sacrifice, from The Satanic Ones (1882) door Félicien RopsThe Sacrifice, from The Satanic Ones1882 27'The Hidden Side of a Whist Party', illustration from 'Les Diaboliques' by Jules Amedee Barbey d'Aurevilly (1808-89) 1886 (engraving) (b/w photo) (1886) door Félicien Rops'The Hidden Side of a Whist Party', illustration from 'Les Diaboliques' by Jules Amedee Barbey d'Aurevilly (1808-89) 1886 (engraving) (b/w photo)1886 28Snow at Thozée (1898) door Félicien RopsSnow at Thozée1898 29The Physician of Fevers door Félicien RopsThe Physician of Fevers 30The Man with the Wild Woman door Félicien RopsThe Man with the Wild Woman 31A Nude door Félicien RopsA Nude 32Louis Namêche door Félicien RopsLouis Namêche 33Coquette in front of a mirror door Félicien RopsCoquette in front of a mirror 34Study For The Temptation Of St. Anthony door Félicien RopsStudy For The Temptation Of St. Anthony 35The Dance of Death door Félicien RopsThe Dance of Death 36The Social Revolution door Félicien RopsThe Social Revolutionmusée provincial Félicien Rops 37Beach door Félicien RopsBeachKoninklijk Museum voor Schone Kunsten Antwerpen 38Bridge over the River Lesse door Félicien RopsBridge over the River LesseKoninklijk Museum voor Schone Kunsten Antwerpen 39Barges in Dinant door Félicien RopsBarges in DinantKoninklijk Museum voor Schone Kunsten Antwerpen 40The Fishing Port of Blankenberge door Félicien RopsThe Fishing Port of BlankenbergeKoninklijk Museum voor Schone Kunsten Antwerpen 41After Midnight (The Return to Love the Lack of It) door Félicien RopsAfter Midnight (The Return to Love the Lack of It) 42Woman With A Trapeze door Félicien RopsWoman With A Trapeze 43The Row door Félicien RopsThe Row 44Poster For An Exhibition door Félicien RopsPoster For An Exhibition 45Woman With A Mask door Félicien RopsWoman With A Mask 46The lady with the puppet (1885) door Félicien RopsThe lady with the puppet1885 · musée provincial Félicien Rops

Wat Félicien Rops het meest schilderde

De vier onderwerpen die het vaakst voorkomen in deze werken, elk met zijn bekendste voorbeeld.

Waar u de schilderijen van Félicien Rops kunt bekijken

De 5 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Félicien Rops Schilderijen uit deze lijst
musée provincial Félicien Rops, Namurmusée provincial Félicien Rops Namur 11 The Entrance to the Ball, Head of an Old Antwerp Woman, The Lady with the Puppet and the Fan
Koninklijk Museum voor Schone Kunsten Antwerpen, AntwerpenKoninklijk Museum voor Schone Kunsten Antwerpen Antwerpen 5 Landscape in the Ardennes, Beach, Bridge over the River Lesse
Kröller-Müller Museum, OtterloKröller-Müller Museum Otterlo 1 Death at the Ball
Museum voor Schone Kunsten Gent, GentMuseum voor Schone Kunsten Gent Gent 1 Landscape in Sweden
Hammer Museum, Los AngelesHammer Museum Los Angeles 1 Cupid with a Tambourine

Eén beroemd werk van Félicien Rops voor elk decennium

Werken per decennium

Kies een decennium om het meesterwerk te bekijken.

Schilderijen van Félicien Rops: wat mensen willen weten

Waar is Félicien Rops het meest bekend om?Bekijk het antwoord

De lijst wordt aangevoerd door The Entrance to the Ball (1858), musée provincial Félicien Rops, Namur. Direct daarna volgen: Satanic Self-Portrait (1860) en Head of an Old Antwerp Woman (1873).

Hoe oud was Félicien Rops op het moment van The Entrance to the Ball?Bekijk het antwoord

25 jaar oud. Félicien Rops werd geboren in 1833, en The Entrance to the Ball dateert uit 1858.

Welke 10 schilderijen van Félicien Rops zijn het meest beroemd?Bekijk het antwoord

The Entrance to the Ball, Satanic Self-Portrait, Head of an Old Antwerp Woman, The Lady with the Puppet and the Fan, In the Wings, The incantation, The Lady with the Puppet, Eggnog, The Farewells of Madness - Better to Bear Laughter Than Tears en Cherubim's Song. U vindt het jaar en het museum van elk werk in de bovenstaande lijst.

Hoeveel werken van Félicien Rops zijn er?Bekijk het antwoord

We hebben 46 werken van Félicien Rops in onze catalogus, gedateerd van 1858 tot 1898.

In welke musea bevinden zich de bekendste schilderijen van Félicien Rops?Bekijk het antwoord

U vindt de meeste van deze werken in musée provincial Félicien Rops (Namur), Koninklijk Museum voor Schone Kunsten Antwerpen (Antwerpen) en Kröller-Müller Museum (Otterlo). De bovenstaande museumlijst geeft een volledig overzicht.

Wanneer zijn de beroemdste werken van Félicien Rops geschilderd?Bekijk het antwoord

In 1880s, meer dan op welk ander moment dan ook: 10 van de 46 werken op deze pagina dateren uit die tijd, waarvan The Lady with the Puppet een specifiek werk.

Wat zijn de oudste en nieuwste beroemde schilderijen van Félicien Rops?Bekijk het antwoord

Het oudste werk hier is The Entrance to the Ball (1858); het meest recente is Snow at Thozée (1898).

Wat schilderde Félicien Rops het meest?Bekijk het antwoord

Melancholy (3), Dark art (2) en Mythology (2), van de 46 werken op deze pagina.

Bij welke kunststroming hoort Félicien Rops?Bekijk het antwoord

Symbolism, zoals u kunt zien aan de werken op deze pagina.

Wat kun je zien van Félicien Rops in het musée provincial Félicien Rops?Bekijk het antwoord

U kunt 11 van de werken op deze pagina zien in het musée provincial Félicien Rops, Namur, waaronder The Entrance to the Ball, Head of an Old Antwerp Woman en The Lady with the Puppet and the Fan.

Kan ik een Félicien Rops reproductie bestellen voor in mijn huis?Bekijk het antwoord

Ja. Elk schilderij op deze pagina is verkrijgbaar als handgeschilderde olieverfreproductie of als print, in de maat die bij u past. Open simpelweg de pagina van het schilderij om te bestellen.

Maak kennis met Félicien Rops

A Shadowy Visionary: The Life and Art of Félicien Rops

Félicien Victor Joseph Rops, born in 1833 in Namur, Belgium, emerged as a pivotal figure bridging the gap between Realism, Symbolism, and the burgeoning world of modern graphic storytelling. His life, steeped in both bourgeois comfort – his father was a prosperous textile manufacturer – and a restless artistic spirit, unfolded against a backdrop of rapid social and intellectual change. Early training at local academies provided a foundation, but it was his move to Brussels at twenty that truly ignited his creative trajectory. Though briefly enrolled at the Université Libre de Bruxelles, Rops found himself drawn inexorably towards the Académie de Saint-Luc, where he honed his skills not just in painting and drawing, but also in the art of satire through lithography. His early work quickly gained recognition in student magazines like *Le Crocodile* and *L'Uylenspiegel*, establishing him as a gifted caricaturist with a keen eye for societal foibles. These formative years weren’t merely about developing technical proficiency; they were about finding his voice, a voice that would soon become synonymous with challenging conventions and exploring the darker recesses of the human psyche.

Early Years and Artistic Foundations

Rops's childhood was marked by privilege—a secure upbringing fostered by his father’s textile business—yet it was also imbued with an innate curiosity for the world beyond his immediate surroundings. He received excellent schooling in both visual and literary arts through private tutoring and attendance at Notre Dame de la Paix de Namur, the Athénée Royal de Namur, and the Académie de Namur. These formative experiences instilled in him a lifelong appreciation for observation and detail—qualities that would become central to his artistic practice. Recognizing his talent early on, Rops’s family encouraged his pursuit of artistic endeavors, providing him with resources unavailable to many aspiring artists of his time. His initial training encompassed drawing and painting techniques, equipping him with the fundamental tools necessary for mastering various mediums. Simultaneously, he cultivated a passion for literature and intellectual discourse—interests that would inform his worldview and contribute to his distinctive artistic vision.

Parisian Encounters and Artistic Transformation

The year 1862 proved decisive in shaping Rops’s artistic path when he relocated to Paris, a city brimming with artistic innovation and intellectual ferment. This move coincided with the arrival of Félix Bracquemond and Jules Ferdinand Jacquemart—influential printmakers who profoundly impacted his experimentation with intaglio techniques – etching and aquatint. Recognizing the limitations of lithography as a medium for conveying complex psychological states, Rops largely abandoned it around 1865, dedicating himself to mastering these more nuanced methods of printmaking. It was during this Parisian period that he encountered Charles Baudelaire—a meeting that would resonate deeply with his artistic sensibilities and propel him toward exploring themes of beauty within decay and transgression. Baudelaire’s poetic vision captivated Rops's imagination, inspiring him to delve into the darker corners of human experience—a preoccupation that would characterize much of his subsequent oeuvre. This encounter solidified Rops’s commitment to Symbolism as an artistic movement, aligning him with fellow artists who sought to express inner emotions and psychological complexities through evocative imagery.

The Symbolist Aesthetic: Darkness and Beauty

Rops's artistic style is immediately recognizable for its meticulous detail, dramatic chiaroscuro—the interplay of light and shadow—and a haunting atmosphere that permeates his work. He wasn’t simply depicting scenes; he was conveying psychological states, emotional intensities often veiled in ambiguity. His prints and drawings exemplify the Symbolist aesthetic—characterized by an obsession with dreamlike imagery, mythological references, and explorations of subconscious desires. Unlike Impressionists who captured fleeting moments of sensory experience, Rops aimed to penetrate beneath the surface of reality, revealing hidden truths about human nature and confronting taboo subjects. He skillfully employed soft-ground etching, a technique rarely utilized by his contemporaries, combining it with mezzotint or aquatint—sometimes adding hand-coloring to further enhance the mood and texture of his plates. This masterful manipulation of printmaking techniques allowed him to achieve unparalleled expressive power—a hallmark of his artistic legacy.

Notable Works and Legacy

Rops’s oeuvre encompasses a remarkable range of subjects—from erotic fantasies to satirical critiques of societal institutions—demonstrating his unwavering commitment to challenging conventions and pushing creative boundaries. His iconic prints, such as “Pornokratès” (1878)—a powerfully unsettling depiction of female power and transgression—and “Satan Sowing Seeds” (from *Les Sataniques*, 1882)—capture the anxieties of a fin de siècle obsessed with decadence and moral decay. Illustrations for Jules Barbey d’Aurevilly's *Les Diaboliques* exemplify his fascination with psychological darkness—a preoccupation that would define much of his artistic output. Beyond these celebrated images, Rops also produced text comics—making him one of the first modern printmakers to pioneer this emerging art form. His contributions to Belgian student magazines showcased his ability to blend humor and social commentary—reflecting a broader engagement with intellectual currents of his time. Furthermore, Rops’s unwavering dedication to Symbolism cemented his place as a pivotal figure in artistic history—inspiring subsequent generations of artists to explore the complexities of human psychology and confront societal prejudices. His legacy continues to resonate today—a testament to his visionary artistry and enduring influence on the visual arts.
  • Key Prints: Pornokratès, Satan Sowing Seeds
  • Illustrator Collaborations: Baudelaire, Barbey d’Aurevilly
  • Printmaking Technique: Soft-ground etching
  • Artistic Movement: Symbolism
Félicien Rops's art remains a haunting reminder of the power of imagination and the importance of confronting uncomfortable truths—a testament to his enduring artistic vision.

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