Portret van Barnaba Da Modena

Maak kennis met de 9 beroemdste schilderijen van Barnaba Da Modena

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 9 werken van Barnaba Da Modena in onze catalogus

Kortom

Als u één schilderij van Barnaba Da Modena kent, is dat waarschijnlijk The Virgin and Child between Saint John the Baptist and Saint Michael (1350), dat in het Musée du Petit Palais in Avignon hangt. Madonna and Child (1367) en Pentecost (1371) maken de drie werken compleet die mensen direct herkennen. Onze catalogus bevat 9 werken van Barnaba Da Modena. Hieronder vindt u de 9 bekendste werken, elk met het jaartal, de locatie en wat het werk zo bijzonder maakt.

1328 – 1386, Modena Meeste werken: National Gallery

Begin hier: de top 10 schilderijen van Barnaba Da Modena

5
Virgin and Child (1370) door Barnaba Da Modena

Virgin and Child

1370 · Oil On Canvas · Louvre, Parijs

To gaze upon this depiction of the Virgin and Child is to step directly into the devotional heart of fourteenth-century Italy. The scene unfolds with an almost palpable intimacy; the Virgin Mary, adorned in rich blue robes and crowned with regal grace, cradles her infant son close to her breast. It is a moment suspended in time—a tender communion that speaks volumes of maternal love intertwined with divine mystery. Barnaba…

7
Virgin and Child (1360) door Barnaba Da Modena

Virgin and Child

1360 · Tempera On Panel · Museum of Fine Arts, Boston

In the quiet intimacy of Barnaba da Modena’s Virgin and Child, we are invited into a sacred moment that transcends the centuries. Created around 1360, this masterpiece serves as a profound window into the spiritual heart of the Trecento period. The painting captures a deeply human connection between the Virgin Mary and her infant son, presenting a scene where divine majesty meets maternal tenderness. As she cradles the young boy,…

9
Crucifixion (1375) door Barnaba Da Modena

Crucifixion

1375 · Tempera On Panel · Museum of Art, Indianapolis

In the quiet sanctity of the Museum of Art in Indianapolis, there exists a window into the fourteenth century that transcends the mere passage of time. The Crucifixion by Barnaba da Modena, executed around 1375, is not merely a painting but a profound spiritual encounter. As one gazes upon this tempera on wooden panel, the viewer is immediately enveloped by the solemnity of the late medieval period. The composition centers…

Wat Barnaba Da Modena het meest schilderde

De vier onderwerpen die het vaakst voorkomen in deze werken, elk met zijn bekendste voorbeeld.

Waar u de schilderijen van Barnaba Da Modena kunt bekijken

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Barnaba Da Modena Schilderijen uit deze lijst
National Gallery, LondenNational Gallery Londen 2 Pentecost, Scenes of the Virgin; The Trinity; The Crucifixion
Musée du Petit Palais, AvignonMusée du Petit Palais Avignon 1 The Virgin and Child between Saint John the Baptist and Saint Michael
Städel Museum, FrankfurtStädel Museum Frankfurt 1 Madonna and Child
Gemäldegalerie, BerlijnGemäldegalerie Berlijn 1 Madona and Child
Louvre, ParijsLouvre Parijs 1 Virgin and Child
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 1 Mourning Virgin
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 1 Virgin and Child
Museum of Art, IndianapolisMuseum of Art Indianapolis 1 Crucifixion

Barnaba Da Modena decennium voor decennium: elk een meesterwerk

Werken per decennium

Kies een decennium om het meesterwerk te bekijken.

Uw vragen over de schilderijen van Barnaba Da Modena

Welk schilderij van Barnaba Da Modena is het meest bekend?Bekijk het antwoord

De lijst wordt aangevoerd door The Virgin and Child between Saint John the Baptist and Saint Michael (1350), Musée du Petit Palais, Avignon. Direct daarna volgen: Madonna and Child (1367) en Pentecost (1371).

Hoe oud was Barnaba Da Modena toen The Virgin and Child between Saint John the Baptist and Saint Michael werd gemaakt?Bekijk het antwoord

22 jaar oud. Barnaba Da Modena werd geboren in 1328, en The Virgin and Child between Saint John the Baptist and Saint Michael dateert uit 1350.

Hoeveel schilderijen heeft Barnaba Da Modena gemaakt?Bekijk het antwoord

We hebben 9 werken van Barnaba Da Modena in onze catalogus, gedateerd van 1350 tot 1375.

Waar kun je de beroemde schilderijen van Barnaba Da Modena bekijken?Bekijk het antwoord

U vindt de meeste van deze werken in National Gallery (Londen), Musée du Petit Palais (Avignon) en Städel Museum (Frankfurt). De bovenstaande museumlijst geeft een volledig overzicht.

Wanneer schilderde Barnaba Da Modena de bekendste werken?Bekijk het antwoord

In 1370s, meer dan op welk ander moment dan ook: 4 van de 9 werken op deze pagina dateren uit die tijd, waarvan Pentecost een specifiek werk.

Welke beroemde schilderijen van Barnaba Da Modena kwamen als eerste en als laatste?Bekijk het antwoord

Het oudste werk hier is The Virgin and Child between Saint John the Baptist and Saint Michael (1350); het meest recente is Crucifixion (1375).

Welke onderwerpen komen het meest voor in de schilderijen van Barnaba Da Modena?Bekijk het antwoord

Byzantine style (3), Virgin mary (2) en Madonna and child (2), van de 9 werken op deze pagina.

Met welke materialen schilderde Barnaba Da Modena het meest?Bekijk het antwoord

Tempera On Panel, gebruikt in 2 van de 9 werken op deze pagina.

Welke werken van Barnaba Da Modena zijn te zien in het National Gallery?Bekijk het antwoord

U kunt 2 van de werken op deze pagina zien in het National Gallery, Londen, waaronder Pentecost en Scenes of the Virgin; The Trinity; The Crucifixion.

Kan ik een reproductie krijgen van een schilderij van Barnaba Da Modena?Bekijk het antwoord

Ja. Elk schilderij op deze pagina is verkrijgbaar als handgeschilderde olieverfreproductie of als print, in de maat die bij u past. Open simpelweg de pagina van het schilderij om te bestellen.

Maak kennis met Barnaba Da Modena

Barnaba da Modena (c. 1328 – c. 1386): A Byzantine Echo in Lombard Painting

Barnaba da Modena stands as a singular figure in the artistic landscape of fourteenth-century Italy—a pioneer who bravely championed a stylistic tradition largely abandoned by his contemporaries, firmly rooted in the grandeur and spirituality of Byzantium. Born around 1328 in Modena (Emilia), he emerged from obscurity to become arguably the first Lombard painter of considerable renown, leaving behind an impressive oeuvre that testifies to his unwavering devotion to this venerable artistic heritage. His activity spanned Lombardy, Piedmont, and Pisa in Tuscany, establishing him as a pivotal artist within the burgeoning cultural dynamism of the era.
  • Early Life & Training: Precise biographical details surrounding Barnaba’s formative years remain elusive. Records indicate he was active in Genoa from approximately 1364, where he secured patronage and honed his craft amidst a vibrant artistic milieu. This Genoese engagement undoubtedly exposed him to the prevailing stylistic currents of the time—a stark contrast to the increasingly naturalistic tendencies gaining traction elsewhere in Italy.
  • Byzantine Influence: Barnaba’s distinctive style is undeniably indebted to Byzantine painting, particularly its use of gold leaf and shimmering backgrounds. He meticulously replicated techniques perfected centuries earlier, prioritizing luminous color palettes and compositional schemes that emphasized symbolic grandeur rather than realistic representation. This commitment to tradition speaks volumes about his artistic sensibilities and reflects a profound understanding of the visual language of religious art.
  • Notable Works & Patronage: Barnaba’s prolific output encompassed around fifty paintings—a remarkable achievement considering the period—primarily focused on depictions of the Virgin Mary and Christ, often framed within elaborate architectural settings reminiscent of Byzantine churches. His commissions included prominent roles in Genoa’s Palazzo Ducale and contributed significantly to the artistic embellishment of ecclesiastical spaces throughout Lombardy.
  • Technique & Innovation: Despite adhering to Byzantine conventions, Barnaba demonstrated considerable technical skill—a testament to his meticulous attention to detail and masterful manipulation of pigment. His paintings exhibit a remarkable level of refinement, achieved through painstaking layering of glazes and incorporating subtle gradations of color that imbue the images with an ethereal quality.
  • Legacy & Influence: Barnaba’s artistic vision profoundly impacted subsequent generations of Lombard painters. Notably, Nicolò da Voltri continued his stylistic trajectory in Liguria until circa 1420, perpetuating Barnaba's Byzantine aesthetic and solidifying his position as a foundational figure in the development of Lombard painting. His enduring legacy resides not merely in his individual masterpieces but also in his contribution to shaping the artistic landscape of his time—a beacon of spiritual contemplation amidst the burgeoning complexities of the Renaissance.

Major Achievements & Artistic Style

Barnaba’s most celebrated achievements lie in his masterful execution of monumental frescoes adorning churches throughout Lombardy and Genoa. These works exemplify the pinnacle of Byzantine influence, characterized by:
  • Gold Leaf Backgrounds: Extensive use of gold leaf created radiant surfaces that evoked the splendor of imperial cathedrals—a deliberate stylistic choice reflecting Barnaba’s reverence for Byzantine iconography.
  • Symbolic Composition: Paintings prioritized conveying theological concepts through carefully orchestrated visual narratives, emphasizing spiritual significance over mere aesthetic beauty.
  • Luminous Color Palette: Barnaba skillfully employed vibrant hues—particularly blues and reds—to illuminate biblical scenes and imbue them with emotional intensity.

Connections & Artistic Context

Barnaba’s artistic milieu was shaped by the prevailing stylistic trends of his time, yet he steadfastly resisted the emerging naturalism championed by artists like Giotto di Bondone. He remained firmly committed to Byzantine principles—a conscious decision that distinguished him from many of his contemporaries and cemented his reputation as a champion of tradition. His work stands apart as an exceptional example of artistic integrity—a testament to his unwavering devotion to conveying spiritual truths through visual art.

Further Exploration

For deeper insights into Barnaba da Modena’s life and oeuvre, consult the following resources:
  • tiraboschi, Giuseppe Maria.Storia della letteratura lombarda dal secolo IX al XVI. Milano: Boccaveri Editore, 1867.

Alle 9 werken van Barnaba Da Modena →