Portret van John Mare

Uw gids voor de 3 beroemdste schilderijen van John Mare

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 3 werken van John Mare in onze catalogus

Kortom

Het bekendste werk van John Mare is Dr. Benjamin Youngs Prime (1733-1791) (1774). U vindt het in het New York Historical Society in New York City. De volgende op de lijst zijn John Keteltas (1739-1766) (1767) en Jeremiah Platt (1767). We hebben 3 werken van John Mare in onze catalogus; deze gids selecteert de 3 bekendste, inclusief het jaar, het museum en het verhaal achter elk stuk.

1739 – 1803, New York City Meeste werken: New York Historical Society

De 10 belangrijkste schilderijen van John Mare die u moet kennen

1
Dr. Benjamin Youngs Prime (1733-1791) (1774) door John Mare

Dr. Benjamin Youngs Prime (1733-1791)

1774 · Oil · New York Historical Society, New York City

The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

Handgeschilderde olieverfreproductie vanaf $175 27 × 37 cm
Maak het van u Maak kennis met dit werk
2
John Keteltas (1739-1766) (1767) door John Mare

John Keteltas (1739-1766)

1767 · Oil On Canvas · New York Historical Society, New York City

A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

Handgeschilderde olieverfreproductie vanaf $175 29 × 35 cm
Laat het handbeschilderen Lees het verhaal
3
Jeremiah Platt (1767) door John Mare

Jeremiah Platt

1767 · Metropolitan Museum of Art, New York

Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

Handgeschilderde olieverfreproductie vanaf $175 28 × 36 cm Zelfde formaat als het origineel $499 98 × 123 cm Bestel in de originele afmetingen →
Maak het van u Maak kennis met dit werk

Wat John Mare het meest schilderde

De vier onderwerpen die het vaakst voorkomen in deze werken, elk met zijn bekendste voorbeeld.

Waar u de schilderijen van John Mare kunt bekijken

De 2 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van John Mare Schilderijen uit deze lijst
New York Historical Society, New York CityNew York Historical Society New York City 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Jeremiah Platt

Jaar voor jaar: de bekendste werken van John Mare

Hier is een decennium van John Mare, min of meer: 8 jaar van 1767 tot 1774, jaar voor jaar getoond aan de hand van de bekendste werken.

Werken per jaar

Selecteer een jaar om de werken te bekijken.

John Mare: veelgestelde vragen over de schilderijen

Wat is het bekendste schilderij van John Mare?Bekijk het antwoord

De lijst wordt aangevoerd door Dr. Benjamin Youngs Prime (1733-1791) (1774), New York Historical Society, New York City. Direct daarna volgen: John Keteltas (1739-1766) (1767) en Jeremiah Platt (1767).

Hoe oud was John Mare bij het creëren van Dr. Benjamin Youngs Prime (1733-1791)?Bekijk het antwoord

35 jaar oud. John Mare werd geboren in 1739, en Dr. Benjamin Youngs Prime (1733-1791) dateert uit 1774.

Hoeveel werken van John Mare staan er in uw catalogus?Bekijk het antwoord

We hebben 3 werken van John Mare in onze catalogus, gedateerd van 1767 tot 1774.

In welke musea kunt u de beroemde werken van John Mare bewonderen?Bekijk het antwoord

U vindt de meeste van deze werken in New York Historical Society (New York City) en Metropolitan Museum of Art (New York). De bovenstaande museumlijst geeft een volledig overzicht.

Wanneer maakte John Mare de beroemdste werken?Bekijk het antwoord

In 1767, meer dan op welk ander moment dan ook: 2 van de 3 werken op deze pagina dateren uit die tijd, waarvan John Keteltas (1739-1766) een specifiek werk.

Wat zijn de eerste en laatste beroemde werken van John Mare?Bekijk het antwoord

Het oudste werk hier is John Keteltas (1739-1766) (1767); het meest recente is Dr. Benjamin Youngs Prime (1733-1791) (1774).

Welke onderwerpen schilderde John Mare het vaakst?Bekijk het antwoord

Man (2), Wig (2) en Cravat (2), van de 3 werken op deze pagina.

Welke beroemde schilderijen van John Mare zijn te zien in het New York Historical Society?Bekijk het antwoord

U kunt 2 van de werken op deze pagina zien in het New York Historical Society, New York City, waaronder Dr. Benjamin Youngs Prime (1733-1791) en John Keteltas (1739-1766).

Waar kan ik een John Mare reproductie bestellen?Bekijk het antwoord

Ja. Elk schilderij op deze pagina is verkrijgbaar als handgeschilderde olieverfreproductie of als print, in de maat die bij u past. Open simpelweg de pagina van het schilderij om te bestellen.

Het verhaal van John Mare

The Enigmatic Visions of John Mare

John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

A Journey Through Form and Color

Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

Themes of Memory and Transformation

At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

Influences and Artistic Dialogue

While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

Historical Significance and Legacy

Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.