Portret van John Dee

Maak kennis met de 4 beroemdste schilderijen van John Dee

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 4 werken van John Dee in onze catalogus

Kortom

Als u één schilderij van John Dee kent, is het waarschijnlijk Obsidian Mirror (1400). Four Castles Gold Disk (1560) en Sigillum Dei, Wax Disks (1582) maken de drie werken compleet die mensen direct herkennen. Onze catalogus bevat 4 werken van John Dee. Hieronder vindt u de 4 bekendste werken, elk met het jaartal, de locatie en wat het werk zo bijzonder maakt.

1527 – 1608

Begin hier: de top 10 schilderijen van John Dee

John Dee jaar voor jaar: de meest opvallende werken

De gedateerde werken van John Dee beslaan hier een periode van 23 jaar, van 1560 tot 1582. Blader jaar voor jaar door de collectie, met de bekendste werken van elk jaar.

Werken per jaar

Selecteer een jaar om de werken te bekijken.

Uw vragen over de schilderijen van John Dee

Welk schilderij van John Dee is het meest bekend?Bekijk het antwoord

De lijst wordt aangevoerd door Obsidian Mirror (1400). Direct daarna volgen Four Castles Gold Disk (1560) en Sigillum Dei, Wax Disks (1582).

Hoeveel schilderijen heeft John Dee gemaakt?Bekijk het antwoord

We hebben 4 werken van John Dee in onze catalogus, gedateerd van 1560 tot 1582.

Wanneer schilderde John Dee de bekendste werken?Bekijk het antwoord

In 1582, meer dan op welk ander moment dan ook: 2 van de 4 werken op deze pagina dateren uit die tijd, waarvan Sigillum Dei, Wax Disks een specifiek werk.

Welke beroemde schilderijen van John Dee kwamen als eerste en als laatste?Bekijk het antwoord

Het oudste werk hier is Four Castles Gold Disk (1560); het meest recente is Sigillum Dei, Wax Disks (1582).

Kan ik een reproductie krijgen van een schilderij van John Dee?Bekijk het antwoord

Ja. Elk schilderij op deze pagina is verkrijgbaar als handgeschilderde olieverfreproductie of als print, in de maat die bij u past. Open simpelweg de pagina van het schilderij om te bestellen.

Maak kennis met John Dee

The Life and Family of John Dee

John Dee was an English polymath and occultist, a man whose intellectual reach extended far beyond the boundaries of traditional scholarship. Born on 13 July 1527, he occupied a space between rigorous science and the esoteric. His lineage began with his father, Rowland Dee, providing the foundation for a life defined by the pursuit of hidden knowledge. He was not a painter or a visual creator, but a thinker whose influence was felt through his vast intellectual inquiries and his involvement in the occult sciences of the sixteenth century.

Family life for Dee was marked by specific, documented connections that anchored his complex existence. His son, Arthur Dee, was born on 13 July 1579. This lineage continued through a life spent largely in Mortlake, London, where he maintained his residence and his extensive collections. The weight of his intellectual pursuits often intersected with his personal associations, creating a life that was as much about human relationships as it was about the study of the unknown.

The end of his life remains a matter of slight historical debate, with records suggesting he died in 1608 or 1609. Regardless of the exact year, the impact of his work remains a concrete part of the history of English intellectualism. He left behind a legacy of manuscripts and tracts, including the Cotton Vitellius C. VII, which serves as a primary record of his own life and thoughts. His existence was defined by this tension between the documented word and the unseen forces he sought to understand.

Travels and Connections in Europe

John Dee was an English polymath and occultist whose influence relied heavily on his ability to navigate the complex social and intellectual circles of the European continent. His movements were not mere sightseeing; they were strategic engagements with the power structures of the era. He was a visitor to the court of Rudolf II, a connection that placed him at the center of significant intellectual exchange. This relationship was solidified during his time in Prague, where he visited the court of Rudolf II between 1584 and 1585. These interactions demonstrate a man deeply embedded in the high-stakes political and esoteric currents of the late sixteenth century.

His social network was as diverse as it was specialized. He maintained a close friendship with Edward Kelley, a relationship that likely defined much of his later intellectual pursuits. Beyond these personal ties, Dee moved through a web of associates and acquaintances that spanned various social strata. He was connected to William of Rosenberg and Nicholas Starkie, figures who represent the breadth of his professional and social reach. These were not casual acquaintances but part of a structured existence defined by proximity to power and the exchange of specialized knowledge. His presence in Prague and his ties to the court of Rudolf II confirm that his work was never isolated to a single locale, but was instead part of a broader, continental dialogue.