Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 3 werken van Johan Per (Per) Sodermark in onze catalogus
Kortom
Het Johan Per (Per) Sodermark schilderij dat de meeste mensen kennen is Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), en u kunt het bekijken in het Nationalmuseum, Stockholm. Direct daarna volgen Portrait of Werner Holmberg (1853) en Christoffer Eichhorn (1837-1889), librarian, art historian (1889). Van de 3 werken van Johan Per (Per) Sodermark in onze catalogus zijn dit de 3 bekendste. Elk werk wordt voorzien van het jaartal, het museum en een korte toelichting over wat het werk zo bijzonder maakt.
De 2 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Johan Per (Per) Sodermark | Schilderijen uit deze lijst |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 2 | Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery, Christoffer Eichhorn (1837-1889), librarian, art historian |
 Finnish National Gallery |
Helsinki | 1 | Portrait of Werner Holmberg |
Kies een decennium om het meesterwerk te bekijken.
De lijst wordt aangevoerd door Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), Nationalmuseum, Stockholm. Direct daarna volgen: Portrait of Werner Holmberg (1853) en Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
26 jaar oud. Johan Per (Per) Sodermark werd geboren in 1822, en Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery dateert uit 1848.
We hebben 3 werken van Johan Per (Per) Sodermark in onze catalogus, gedateerd van 1848 tot 1889.
U vindt de meeste van deze werken in Nationalmuseum (Stockholm) en Finnish National Gallery (Helsinki). De bovenstaande museumlijst geeft een volledig overzicht.
Het oudste werk hier is Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848); het meest recente is Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
U kunt 2 van de werken op deze pagina zien in het Nationalmuseum, Stockholm, waaronder Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery en Christoffer Eichhorn (1837-1889), librarian, art historian.
Ja. Elk schilderij op deze pagina is verkrijgbaar als handgeschilderde olieverfreproductie of als print, in de maat die bij u past. Open simpelweg de pagina van het schilderij om te bestellen.
Johan Per Södermark stands at a crossroads between military duty and the fine arts. Born in Mossebro, Karlsborg Municipality, on 5 June 1822, his early life follows the disciplined path of his father, Olof Johan Södermark. He enters the military as an Underlöjtnant in 1843, a role that demands precision and observation. The rigidity of service defines his youth, yet the brush remains present. His training begins under his father's guidance before moving to the Royal Swedish Academy of Fine Arts, where he achieves the status of agré in 1848.
The year 1848 brings a sudden shift. He resigns from active military service. The death of his father leaves him with more than just a memory; he inherits a studio. At first, Södermark sustains himself through the labor of copying his father's existing works. This period of imitation acts as a bridge, transitioning him from a man of arms to a man of lithography and paint.
Movement defines his artistic development. He moves through the cultural landscapes of Europe, seeking new light and form. His path takes him to France and Italy, followed by stays in Düsseldorf between 1852 and 1854. In Paris, from 1855 to 1856, he studies under Thomas Couture. These travels expand his repertoire beyond the portraits of his early years.
His work begins to diversify into new territories:
By 1874, Södermark reaches a professional peak as a full member of the Swedish Academy. His presence is felt in major exhibitions, from Copenhagen's Charlottenborg Palace in 1851 to various Nordic Art exhibitions held between 1872 and 1888. He leaves behind a tangible contribution to Swedish collections, having donated his original lithographs to the Nationalmuseum in 1868.
His life concludes in Stockholm on 16 November 1889. While he did not pursue the same level of realistic clarity as his father, his ability to navigate between the roles of officer and artist remains a distinct chapter in Swedish art history. His works remain accessible today through institutions such as the Academy's art gallery, Waldemarsudde, and the Nordic Museum.
