Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 1 werken van James Smith in onze catalogus
Kortom
Als u één schilderij van James Smith kent, is dat waarschijnlijk Benjamin West (1770), dat in het National Portrait Gallery in Washington, D.C. hangt. Onze catalogus bevat 1 werken van James Smith. Hieronder vindt u de 1 bekendste werken, elk met het jaartal, de locatie en wat het werk zo bijzonder maakt.
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van James Smith | Schilderijen uit deze lijst |
|---|---|---|---|
 National Portrait Gallery |
Washington, D.C. | 1 | Benjamin West |
Bovenaan de lijst staat Benjamin West (1770).
We hebben 1 werken van James Smith in onze catalogus.
U vindt de meeste van deze werken in National Portrait Gallery (Washington, D.C.). De bovenstaande museumlijst geeft een volledig overzicht.
Ja. Elk schilderij op deze pagina is verkrijgbaar als handgeschilderde olieverfreproductie of als print, in de maat die bij u past. Open simpelweg de pagina van het schilderij om te bestellen.
Born in 1890, James Smith lived through a period of profound change, yet his own artistic footprint remains a subtle one. He was a painter who focused his attention on the human form and the quiet dignity of portraiture. His life, which spanned until 1948, was marked by a commitment to the craft of capturing a likeness, often working in ways that sought to find the essence of his subjects through paint.
His work suggests a man deeply interested in the individual. Rather than chasing grand movements, he seemed content to observe the people around him, translating their presence onto canvas with a steady hand. This dedication to the portrait is reflected in the surviving records of his output, which highlight his ability to engage with the character of those who sat for him.
The surviving evidence of his career points to a specific interest in the portraiture of gentlemen. His ability to render a subject is preserved in collections that hold his contributions to the history of painting. His work is noted in the following contexts:
One of his notable subjects, An Unknown Gentleman, serves as a window into his approach to the genre. In such works, the focus remains on the sitter, using light and shadow to define the features of a man lost to time but preserved through Smith's brush.
Smith's career was defined by the steady application of pigment and the patience required to master the portrait. He did not seek to overshadow his contemporaries but instead focused on the fundamental task of the painter: to see and to record. By the time of his death in 1948, he had left behind a body of work that remains a part of the public record, offering a glimpse into the visual language of his era.