Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 1 werken van Andreas Göding in onze catalogus
Kortom
Het Andreas Göding schilderij dat de meeste mensen kennen is Actaeon Watching Diana and Her Nymphs Bathing (1607), en u kunt het bekijken in het Museum Boijmans Van Beuningen, Rotterdam. Van de 1 werken van Andreas Göding in onze catalogus zijn dit de 1 bekendste. Elk werk wordt voorzien van het jaartal, het museum en een korte toelichting over wat het werk zo bijzonder maakt.
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Andreas Göding | Schilderijen uit deze lijst |
|---|---|---|---|
 Museum Boijmans Van Beuningen |
Rotterdam | 1 | Actaeon Watching Diana and Her Nymphs Bathing |
1607 is het jaar waarin elk gedateerd werk van Andreas Göding op deze pagina is gemaakt. Hier zijn ze, de bekendste eerst.
Selecteer een jaar om de werken te bekijken.
Bovenaan de lijst staat Actaeon Watching Diana and Her Nymphs Bathing (1607).
37 jaar oud. Andreas Göding werd geboren in 1570, en Actaeon Watching Diana and Her Nymphs Bathing dateert uit 1607.
We hebben 1 werken van Andreas Göding in onze catalogus.
U vindt de meeste van deze werken in Museum Boijmans Van Beuningen (Rotterdam). De bovenstaande museumlijst geeft een volledig overzicht.
Ja. Elk schilderij op deze pagina is verkrijgbaar als handgeschilderde olieverfreproductie of als print, in de maat die bij u past. Open simpelweg de pagina van het schilderij om te bestellen.
The life of Andreas Göding is rooted in the city of Dresden, where he lived during the turn of the seventeenth century. Born around 1570, he spent his formative years and his later life within this German urban center. His presence in the historical record is marked by a quiet, steady hand, leaving behind works that reflect the specific tastes and religious sensibilities of his era. He passed away in Dresden around 1625, leaving a legacy of small-scale works that have survived through the centuries in various collections.
Göding worked during a period when precision was a hallmark of many painters. His technique often involved working on copper, a surface that allows for a smooth, luminous finish. This choice of material suggests a preference for clarity and fine detail, as the metal provides a hard, non-absorbent base for oil paints. One can see this approach in his 1619 work, Marriage at Cana, which bears his monogram and date. His ability to handle small formats allowed him to capture intimate scenes with a level of focus that larger canvases might not permit.
His subject matter drew from both the sacred and the mythological. His hands were skilled at translating complex narratives into compact, visual stories. Some of his known works include:
Though his name may not carry the weight of the most famous giants of the Baroque, Göding’s work remains part of the permanent record of European art. His paintings have found their way into significant institutions, such as the Metropolitan Museum of Art and the Museum Boijmans Van Beuningen. These pieces offer a window into the artistic production of Dresden, showing how painters of his time approached both biblical events and classical myths. His work survives in storage and in public view, a quiet part of the history of the Old Masters.