Portret van Adèle Romany

Uw gids voor de 37 beroemdste schilderijen van Adèle Romany

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 39 werken van Adèle Romany in onze catalogus

Kortom

Het bekendste werk van Adèle Romany is Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795). U vindt het in het National Museum of Women in the Arts in Washington, D.C.. De volgende op de lijst zijn Madame Coury, Duhamel Widow (1811) en Portrait of a Young Woman (1804). We hebben 39 werken van Adèle Romany in onze catalogus; deze gids selecteert de 37 bekendste, inclusief het jaar, het museum en het verhaal achter elk stuk.

1769 – 1846, Paris Neoclassicism Meeste werken: Library-museum of the Comédie-Française

De 10 belangrijkste schilderijen van Adèle Romany die u moet kennen

1
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) door Adèle Romany

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

1795 · Oil · National Museum of Women in the Arts, Washington, D.C.

The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

Handgeschilderde olieverfreproductie vanaf $175 27 × 36 cm Zelfde formaat als het origineel $508 97 × 128 cm Bestel in de originele afmetingen →
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2
Madame Coury, Duhamel Widow (1811) door Adèle Romany

Madame Coury, Duhamel Widow

1811 · Oil On Canvas · Nationalmuseum, Stockholm

In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

Handgeschilderde olieverfreproductie vanaf $175 28 × 36 cm Zelfde formaat als het origineel $455 90 × 117 cm Bestel in de originele afmetingen →
Bestel dit werk Meer over dit werk
3
Portrait of a Young Woman (1804) door Adèle Romany

Portrait of a Young Woman

1804 · Oil On Canvas · Musée Marmottan Monet, Parijs

The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

Handgeschilderde olieverfreproductie vanaf $175 29 × 35 cm Zelfde formaat als het origineel $237 51 × 61 cm Bestel in de originele afmetingen →
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4
Portrait of Julie Candeille (1791) door Adèle Romany

Portrait of Julie Candeille

1791 · Oil On Canvas

In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

Handgeschilderde olieverfreproductie vanaf $175 29 × 34 cm
Laat het handbeschilderen Lees het verhaal
5
Portrait of a Young Harpist (1795) door Adèle Romany

Portrait of a Young Harpist

1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Lille

The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

Handgeschilderde olieverfreproductie vanaf $175 28 × 35 cm Zelfde formaat als het origineel $342 73 × 92 cm Bestel in de originele afmetingen →
Bestel dit werk Meer over dit werk
6
Portrait of a woman (1795) door Adèle Romany

Portrait of a woman

1795 · Oil On Canvas · Musée Jacquemart-André, Parijs

The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

Handgeschilderde olieverfreproductie vanaf $175 29 × 35 cm Zelfde formaat als het origineel $285 62 × 76 cm Bestel in de originele afmetingen →
Maak het van u Maak kennis met dit werk
7
Portrait of Amélie-Justine Pontois (1795) door Adèle Romany

Portrait of Amélie-Justine Pontois

1795 · Oil

In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

Handgeschilderde olieverfreproductie vanaf $175 28 × 36 cm Zelfde formaat als het origineel $235 49 × 61 cm Bestel in de originele afmetingen →
Bestel dit werk Meer over dit werk
8
Charles-Antoine d'Artenay (1792) door Adèle Romany

Charles-Antoine d'Artenay

1792 · Oil On Canvas · Château de Versailles, Versailles

The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

Handgeschilderde olieverfreproductie vanaf $175 29 × 35 cm Zelfde formaat als het origineel $247 53 × 65 cm Bestel in de originele afmetingen →
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9
Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) door Adèle Romany

Portrait of Amélie-Justine and Charles-Édouard Pontois

1800 · Oil

The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

Handgeschilderde olieverfreproductie vanaf $200 28 × 35 cm Zelfde formaat als het origineel $368 73 × 92 cm Bestel in de originele afmetingen →
Maak het van u Maak kennis met dit werk
10
A young person hesitating to play the piano in front of her family (1804) door Adèle Romany

A young person hesitating to play the piano in front of her family

1804 · Oil On Canvas · Frances Lehman Loeb Art Center

The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

Handgeschilderde olieverfreproductie vanaf $275 36 × 28 cm Zelfde formaat als het origineel $728 146 × 113 cm Bestel in de originele afmetingen →
Laat het handbeschilderen Lees het verhaal

Nummers 11 tot en met 37: meer schilderijen van Adèle Romany

11Presumed self-portrait (1799) door Adèle RomanyPresumed self-portrait1799 · Musée des Beaux-Arts de Rouen Bestel dit werk vanaf $200 →
12Young lovers playing the lyre (1802) door Adèle RomanyYoung lovers playing the lyre1802 Maak het van u vanaf $200 →
13Portrait of Jeanne-Marie Mercier, the artist's mother (1799) door Adèle RomanyPortrait of Jeanne-Marie Mercier, the artist's mother1799 · Musee Baron Martin Maak het van u vanaf $175 →
14Portrait of Justine-Louise Mercier, aunt of the artist (1798) door Adèle RomanyPortrait of Justine-Louise Mercier, aunt of the artist1798 Bestel dit werk vanaf $175 →
15Louis Jean-Baptiste Étienne Vigée (1800) door Adèle RomanyLouis Jean-Baptiste Étienne Vigée1800 Maak het van u vanaf $175 →
16Portrait de Mme Thénard (1800) door Adèle RomanyPortrait de Mme Thénard1800 · Musée Carnavalet Laat het handbeschilderen vanaf $175 →
17Full-length Portrait of a Young Lady Seated in a Landscape (1805) door Adèle RomanyFull-length Portrait of a Young Lady Seated in a Landscape1805 · Musée Grobet-Labadié Laat het handbeschilderen vanaf $175 →
18Portrait of a Lady at a Pianoforte (1808) door Adèle RomanyPortrait of a Lady at a Pianoforte1808 · Museum of Fine Arts Maak het van u vanaf $175 →
19portrait of Pierre-Marie-Nicolas Michelot (1807) door Adèle Romanyportrait of Pierre-Marie-Nicolas Michelot1807 Maak het van u vanaf $175 →
20Joseph-Dominique Fabry Garat Playing a Lyre Guitar (1808) door Adèle RomanyJoseph-Dominique Fabry Garat Playing a Lyre Guitar1808 · Museum of Fine Arts Bestel dit werk vanaf $175 →
21Portrait of Emilie Leverd (1808) door Adèle RomanyPortrait of Emilie Leverd1808 · Library-museum of the Comédie-Française Laat het handbeschilderen vanaf $175 →
22Mlle Raucourt as Agrippine (1812) door Adèle RomanyMlle Raucourt as Agrippine1812 · Library-museum of the Comédie-Française Bestel dit werk vanaf $175 →
23Portrait of Joseph Souberbielle (1814) door Adèle RomanyPortrait of Joseph Souberbielle1814 Maak het van u vanaf $200 →
24Portrait of mademoiselle A.P. (1806) door Adèle RomanyPortrait of mademoiselle A.P.1806 · Musée de la Chartreuse de Douai Laat het handbeschilderen vanaf $175 →
25Portrait of Antoine Valedau (1809) door Adèle RomanyPortrait of Antoine Valedau1809 · Musée Fabre Laat het handbeschilderen vanaf $175 →
26Portrait of Alphonse de Chavanges (1812) door Adèle RomanyPortrait of Alphonse de Chavanges1812 Laat het handbeschilderen vanaf $175 →
27Portrait of Michael Kelly (1810) door Adèle RomanyPortrait of Michael Kelly1810 Laat het handbeschilderen vanaf $175 →
28Portrait of Fleury (1818) door Adèle RomanyPortrait of Fleury1818 · Library-museum of the Comédie-Française Maak het van u vanaf $175 →
29The Marquis de Romance Mesmon's snack (1815) door Adèle RomanyThe Marquis de Romance Mesmon's snack1815 · Château de Versailles Maak het van u vanaf $175 →
30Portrait of Aglaé-Constance Boudard in red velvet dress (1815) door Adèle RomanyPortrait of Aglaé-Constance Boudard in red velvet dress1815 Maak het van u vanaf $175 →
31Portrait of Amélie-Justine Laidin de la Bouterie (1818) door Adèle RomanyPortrait of Amélie-Justine Laidin de la Bouterie1818 Maak het van u vanaf $175 →
32Portrait de Zoé Prévost, de l'Opéra-Comique (1830) door Adèle RomanyPortrait de Zoé Prévost, de l'Opéra-Comique1830 · Musée Magnin Bestel dit werk vanaf $175 →
33Mlle Prévost de l’Opéra Comique (1830) door Adèle RomanyMlle Prévost de l’Opéra Comique1830 Laat het handbeschilderen vanaf $175 →
34The Flight from the Village Fire (1833) door Adèle RomanyThe Flight from the Village Fire1833 Bestel dit werk vanaf $225 →
35Portrait of Voltaire (1836) door Adèle RomanyPortrait of Voltaire1836 · Library-museum of the Comédie-Française Maak het van u vanaf $175 →
36Baptiste cadet (1832) door Adèle RomanyBaptiste cadet1832 · Library-museum of the Comédie-Française Maak het van u vanaf $175 →
37Portrait of Auguste Vestris (1793) door Adèle RomanyPortrait of Auguste Vestris1793 · Rhode Island School of Design Museum of Art Laat het handbeschilderen vanaf $175 →

Schilderijen van Adèle Romany, periode voor periode

Wat Adèle Romany het meest schilderde

De vier onderwerpen die het vaakst voorkomen in deze werken, elk met zijn bekendste voorbeeld.

Waar u de schilderijen van Adèle Romany kunt bekijken

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Adèle Romany Schilderijen uit deze lijst
Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
Château de Versailles, VersaillesChâteau de Versailles Versailles 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
Nationalmuseum, StockholmNationalmuseum Stockholm 1 Madame Coury, Duhamel Widow
Musée Marmottan Monet, ParijsMusée Marmottan Monet Parijs 1 Portrait of a Young Woman
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Portrait of a Young Harpist
Musée Jacquemart-André, ParijsMusée Jacquemart-André Parijs 1 Portrait of a woman

Decennium voor decennium: het bekendste werk van elke Adèle Romany

Werken per decennium

Kies een decennium om het meesterwerk te bekijken.

Adèle Romany: veelgestelde vragen over de schilderijen

Wat is het bekendste schilderij van Adèle Romany?Bekijk het antwoord

De lijst wordt aangevoerd door Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Washington, D.C.. Direct daarna volgen: Madame Coury, Duhamel Widow (1811) en Portrait of a Young Woman (1804).

Hoe oud was Adèle Romany bij het creëren van Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou?Bekijk het antwoord

26 jaar oud. Adèle Romany werd geboren in 1769, en Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou dateert uit 1795.

Wat zijn de top 10 schilderijen van Adèle Romany?Bekijk het antwoord

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois en A young person hesitating to play the piano in front of her family. U vindt het jaar en het museum van elk werk in de bovenstaande lijst.

Hoeveel werken van Adèle Romany staan er in uw catalogus?Bekijk het antwoord

We hebben 39 werken van Adèle Romany in onze catalogus, gedateerd van 1791 tot 1836.

In welke musea kunt u de beroemde werken van Adèle Romany bewonderen?Bekijk het antwoord

U vindt de meeste van deze werken in Library-museum of the Comédie-Française (Paris), Château de Versailles (Versailles) en Museum of Fine Arts (Boston). De bovenstaande museumlijst geeft een volledig overzicht.

Wanneer maakte Adèle Romany de beroemdste werken?Bekijk het antwoord

In 1800s, meer dan op welk ander moment dan ook: 13 van de 37 werken op deze pagina dateren uit die tijd, waarvan Portrait of a Young Woman een specifiek werk.

Wat zijn de eerste en laatste beroemde werken van Adèle Romany?Bekijk het antwoord

Het oudste werk hier is Portrait of Julie Candeille (1791); het meest recente is Portrait of Voltaire (1836).

Welke onderwerpen schilderde Adèle Romany het vaakst?Bekijk het antwoord

Woman (24), Man (14) en White dress (6), van de 37 werken op deze pagina.

Welk medium komt het meest voor in de schilderijen van Adèle Romany?Bekijk het antwoord

Oil On Canvas, gebruikt in 29 van de 37 werken op deze pagina.

Waar staat Adèle Romany om bekend qua stijl of stroming?Bekijk het antwoord

Neoclassicism, zoals u kunt zien aan de werken op deze pagina.

Welke beroemde schilderijen van Adèle Romany zijn te zien in het Library-museum of the Comédie-Française?Bekijk het antwoord

U kunt 5 van de werken op deze pagina zien in het Library-museum of the Comédie-Française, Paris, waaronder Portrait of Emilie Leverd, Mlle Raucourt as Agrippine en Portrait of Fleury.

Waar kan ik een Adèle Romany reproductie bestellen?Bekijk het antwoord

Ja. Elk schilderij op deze pagina is verkrijgbaar als handgeschilderde olieverfreproductie of als print, in de maat die bij u past. Open simpelweg de pagina van het schilderij om te bestellen.

Het verhaal van Adèle Romany

Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

Early Life and Artistic Training

  • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
  • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
  • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

Artistic Style and Notable Works

  • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
  • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
  • Notable Works:
    • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
    • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
    • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
  • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

Recognition and Historical Significance

  • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
  • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
  • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
  • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

Legacy and Rediscovery

Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.