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Gids voor studentenkunst

Selecting Calves

Naam Klas Datum

william patrick roberts, Selecting Calves (1950). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
william patrick roberts artsdot.com/nl/artists/william-patrick-roberts/
Geboortedatum en -overlijden kunstenaar
1895 – 1980
Geschilderd
1950
Afmetingen origineel werk
33 x 43 cm

In context

Selecting Calves — william patrick roberts

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 33 × 43 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Shaded: het leven van william patrick roberts (1895–1980) ▲ dit werk, 1950

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/william-patrick-roberts-selecting-calves-AQULS7-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Phthalo Green #27241b

    Gecatalogiseerd palet

    • #27241B
    • #7A6C4E
    • #B09F7D
    • #52422E
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Phthalo Green
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Gentle De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    william patrick roberts

    The Architect of Fragmented Reality: The Life of William Patrick Roberts

    In the turbulent landscape of early twentieth-century British art, few figures navigated the tension between tradition and the avant-garde as uniquely as William Patrick Roberts. Born in London in 1895, Roberts emerged during a period of profound aesthetic upheaval, where the stability of Victorian realism was being dismantled by the rapid pulse of modernity. As an artist often categorized as an English Cubist, he did not merely adopt a style; he forged a visual language that captured the fractured, energetic essence of a world in transition. His journey was one of constant movement, reflecting the very dynamism he sought to portray on canvas.

    Roberts’ formative years were deeply shaped by his time at the Slade School of Fine Art, an institution that provided him with a rigorous foundation even as he began to push against academic constraints. It was here that he encountered the burgeoning influences of Vorticism and Futurism—movements characterized by their obsession with machine-age energy, geometric precision, and the violent beauty of motion. Through his association with the Vorticist circle, particularly under the influence of figures like Wyndham Lewis, Roberts learned to utilize sharp angles and interlocking planes to deconstruct his subjects, transforming ordinary scenes into rhythmic, structural compositions.

    A Vision of Modernity and War

    The evolution of Roberts’ work is inextricably linked to the historical tremors of his era. The experience of war left an indelible mark on his psyche and his palette, leading him to document the industrial grit and human endurance of the period. His paintings often serve as windows into the mechanical heart of the twentieth century, where the boundaries between man and machine begin to blur. In works such as Munitions Factory, one can witness his mastery of the Cubist technique applied to the heavy, rhythmic atmosphere of wartime production, using geometric forms to convey the relentless momentum of industry.

    Beyond the industrial, Roberts possessed a profound ability to find poetic resonance in the everyday. His explorations of human connection and social landscapes are marked by an unflinching honesty. Whether depicting the quiet intimacy of a portrait, such as Sarah, or the bustling, structured chaos of street scenes like Les Routiers, he maintained a commitment to emotional depth. He utilized color not just for descriptive accuracy, but as a symbolic tool to evoke the psychological weight of his subjects, often bathing his compositions in a light that felt both modern and strangely primordial.

    Legacy and Artistic Significance

    The significance of William Patrick Roberts lies in his ability to synthesize the radical abstractions of Continental Europe with a distinctly British sensibility. While he embraced the fractured perspectives of Cubism, he never abandoned the figurative essence that allowed him to communicate the human condition. His work stands as a bridge between the classical traditions of the past and the experimental fervor of the modern age.

    Throughout his long career, which spanned until 1980, Roberts earned prestigious recognition, including frequent exhibitions at the Royal Academy. His ability to capture the "vortex" of modern life ensured that his work remained relevant even as art movements shifted toward total abstraction. Today, he is remembered not just as a follower of a movement, but as a pioneer who helped define the visual identity of a generation caught between the old world and the new.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Selecting Calves

    artsdot.com/nl/art/download/william-patrick-roberts-selecting-calves-AQULS7-en/

    Bronvermelding voor dit kunstwerk

    MLA
    roberts, william patrick. Selecting Calves. 1950, https://artsdot.com/nl/art/william-patrick-roberts-selecting-calves-AQULS7-en/
    APA
    roberts, william patrick (1950). Selecting Calves [Painting]. https://artsdot.com/nl/art/william-patrick-roberts-selecting-calves-AQULS7-en/
    Chicago
    william patrick roberts. Selecting Calves. 1950. https://artsdot.com/nl/art/william-patrick-roberts-selecting-calves-AQULS7-en/
    Harvard
    roberts, william patrick (1950) Selecting Calves. Available at: https://artsdot.com/nl/art/william-patrick-roberts-selecting-calves-AQULS7-en/

    Kijk goed naar

    Selecting Calves — william patrick roberts

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Munitions Factory (1940), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. william patrick roberts was ongeveer 55 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

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