Papier

Gids voor studentenkunst

Noah Robinson

Naam Groep Datum

William Herbert Johnston, Noah Robinson (1882), Salford Museum - Art Gallery. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
William Herbert Johnston artsdot.com/nl/artists/william-herbert-johnston/
Levensdata kunstenaar
1848 – 1897
Geschilderd
1882
Afmetingen origineel werk
125 x 99 cm
Gehouden in
Salford Museum - Art Gallery artsdot.com/nl/museums/salford-museum-art-gallery-greater-manchester_nl/

In context

Noah Robinson — William Herbert Johnston

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 125 × 99 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 49 bij het overlijden.

Geschilderd toen de kunstenaar 34 jaar oud was. De kunstenaar werd 49 jaar oud. 1 van de 4 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van William Herbert Johnston (1848–1897) ▲ dit werk, 1882 elk gedateerd schilderij, decennium voor decennium

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/william-herbert-johnston-noah-robinson-AR24GG-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #3c3228

    Gecatalogiseerd palet

    • #3C3228
    • #2A2721
    • #714A32
    • #2F2D28

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Monochrome De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Espresso
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Serene De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van William Herbert Johnston over de afgelopen twaalf maanden — in totaal 1 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 100,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 3 meest bekeken werken van William Herbert Johnston

    1. 1 George Sheffield (1839–1892) 50,0%
    2. 2 Mrs George Edward Hardman 50,0%
    3. — Noah Robinson, 1882 dit schilderij 0,0%

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 13 werken van deze kunstenaar, waarvan 2 minstens één keer zijn bekeken. Dit schilderij heeft in die periode nog geen weergaven — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    William Herbert Johnston

    A Chronicler of Northern Lives: The Portraits of William Herbert Johnston

    William Herbert Johnston, a name perhaps less celebrated than his contemporaries yet deeply resonant within the artistic history of Victorian England, dedicated his life to capturing the likenesses – and, crucially, the character – of the prominent citizens of Lancashire and beyond. Born in 1848, Johnston emerged during a period of burgeoning industrial growth and social change, a time when the newly affluent middle class sought tangible representations of their status and achievements. He became their chronicler, meticulously rendering mayors, industrialists, local dignitaries, and families with a realism that speaks volumes about both his technical skill and his keen observational eye. While biographical details remain somewhat sparse, the sheer volume and quality of his surviving work paint a compelling picture of an artist deeply embedded in the fabric of Northern English society.

    Early Life and Artistic Training

    Information regarding Johnston’s formal artistic training is limited; however, it's reasonable to assume he received instruction at one of the many art schools springing up across England during the Victorian era. The influence of established portrait painters – artists like Frank Holl and John Everett Millais – can be detected in his early works, particularly in their attention to detail and psychological depth. He quickly gravitated towards a style that eschewed flamboyant romanticism in favor of a more direct, almost photographic approach. This was not merely a matter of technical preference; it reflected a broader cultural shift toward verisimilitude and the desire for portraits that accurately documented the appearance – and by extension, the values – of their sitters. Johnston’s early career likely involved commissions from local families in Oldham, where he established his primary base of operations, gradually building a reputation for producing high-quality, affordable portraits.

    The Rise of a Regional Portraitist

    Johnston's success stemmed from his ability to cater to the specific needs and desires of his clientele. Unlike artists who focused on grand historical narratives or allegorical subjects, Johnston specialized in portraiture that celebrated local achievement and civic pride. He painted numerous mayors of Oldham, Bolton, and Blackburn, often depicting them in their official regalia, emphasizing their authority and public service. These portraits weren’t simply likenesses; they were statements of social standing, intended to be displayed prominently in town halls, private residences, and public buildings. His technique was characterized by a meticulous attention to detail – the texture of fabrics, the gleam of jewelry, the subtle nuances of facial expression. He employed a restrained palette, favoring earth tones and muted colors that lent his portraits an air of dignity and gravitas. His work is notable for its lack of idealization; he presented his sitters as they were, with all their individual quirks and imperfections.

    Technique and Style: Realism and Psychological Insight

    Johnston’s artistic style can be firmly placed within the realist tradition. He prioritized accurate representation over stylistic flourishes, focusing on capturing the physical appearance and psychological character of his sitters. His brushwork is precise and controlled, creating a smooth, polished surface that enhances the sense of realism. However, his portraits are not merely technical exercises; they reveal a deep understanding of human psychology. He had an uncanny ability to convey personality through subtle details – a slight smile, a furrowed brow, the way the eyes meet the viewer’s gaze. This psychological insight is perhaps the most compelling aspect of his work, elevating his portraits beyond mere documentation and transforming them into intimate studies of individual character. He often utilized chiaroscuro—the dramatic contrast between light and shadow—to emphasize certain features and create a sense of depth and volume. The lighting in his portraits is typically soft and diffused, lending his sitters an air of warmth and accessibility.

    Legacy and Historical Significance

    William Herbert Johnston died in 1897, leaving behind a substantial body of work that provides invaluable insight into the social and cultural landscape of Victorian Northern England. While he may not be a household name, his portraits offer a unique window into the lives of those who shaped the region during a period of rapid industrialization and social change. His paintings are more than just historical artifacts; they are compelling human stories, rendered with skill, sensitivity, and an unwavering commitment to realism.

    His work serves as a valuable resource for historians studying Victorian society.

    The portraits offer a glimpse into the fashion, customs, and values of the period.

    Johnston’s emphasis on local achievement reflects the growing sense of civic pride in Northern England.

    His paintings continue to be admired for their technical skill and psychological depth.

    Today, his works are increasingly sought after by collectors and institutions seeking to preserve and celebrate the artistic heritage of Victorian Britain. He remains a testament to the power of portraiture to capture not just likenesses, but the very essence of a bygone era.

    Museum

    Salford Museum - Art Gallery

    Te zien in Greater Manchester, United Kingdom

    A Victorian Legacy Preserved: Exploring Salford Museum & Art Gallery

    Salford Museum & Art Gallery stands as a testament to both artistic heritage and local identity, nestled in the heart of Greater Manchester. Founded in 1850 as Britain’s first free public library—a bold vision for its time—the museum resides within Lark Hill House, a magnificent mansion constructed in 1790 that now serves as an evocative backdrop to its remarkable collections. More than just bricks and mortar, Lark Hill embodies the spirit of Victorian ambition and philanthropy, mirroring the values underpinning the institution’s enduring mission.

    Architectural Significance:

    The mansion's Georgian façade speaks volumes about the era’s aesthetic sensibilities—symmetry, grandeur, and meticulous craftsmanship are hallmarks of its design. Its interior spaces have been thoughtfully preserved, allowing visitors to step back in time and experience the atmosphere of Victorian society.

    A Journey Through Time:

    Lark Hill Place, a meticulously recreated Victorian streetscape, isn’t merely decorative; it's an immersive educational tool. Visitors can wander amongst period shops and residences, gaining firsthand insight into daily life during the 1890s—a fascinating contrast to the modern cityscape surrounding it.

    Celebrating Artistic Diversity: The Museum’s Collection Highlights

    Salford’s artistic treasures span centuries, reflecting influences from across Europe and beyond. The Paintings Gallery houses masterpieces by artists ranging from Romantic painters like John Constable to Impressionists experimenting with light and color. Examining these canvases reveals not only stylistic evolution but also the cultural preoccupations of their respective times—themes of landscape, portraiture, and mythology are recurring motifs.

    Ceramic Excellence:

    The Ceramics Collection showcases a stunning progression in pottery techniques and artistic expression. From Staffordshire porcelain to Wedgwood stoneware, each piece tells a story about industrial innovation and decorative artistry.

    Decorative Arts Showcase:

    Explore exquisitely crafted furniture pieces—Victorian sofas upholstered in velvet and mahogany tables adorned with inlaid marquetry—alongside textiles featuring intricate floral patterns and vibrant hues. These objects illuminate the tastes of Victorian elites and demonstrate the skill of artisans working at the forefront of their craft.

    More Than Just Exhibits: Engaging Experiences

    Salford Museum & Art Gallery distinguishes itself through its commitment to fostering connections between art and community. Regular events, including artist talks and workshops, provide opportunities for visitors to engage directly with artistic ideas and practices. Furthermore, the ‘Relax with Art’ sessions offer a tranquil space for contemplation and reflection—a welcome respite from the bustle of urban life.

    Accessibility & Community Focus:

    Admission is free, reflecting the museum's dedication to inclusivity and ensuring that art appreciation remains accessible to all.

    Supporting Local Talent:

    The Museum’s Shop offers a curated selection of gifts inspired by Salford’s artistic heritage—a tangible reminder of the museum’s mission to celebrate creativity.

    A Destination for Inspiration

    Whether you're an art historian researching Victorian aesthetics, an interior designer seeking inspiration for elegant spaces, or simply someone captivated by history and beauty, Salford Museum & Art Gallery promises a rewarding experience. Its unique blend of architectural grandeur, artistic diversity, and community engagement makes it a truly exceptional cultural institution.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Noah Robinson

    artsdot.com/nl/art/download/william-herbert-johnston-noah-robinson-AR24GG-en/

    Citeer dit kunstwerk

    MLA
    Johnston, William Herbert. Noah Robinson. 1882, Salford Museum - Art Gallery. https://artsdot.com/nl/art/william-herbert-johnston-noah-robinson-AR24GG-en/
    APA
    Johnston, William Herbert (1882). Noah Robinson [Painting]. Salford Museum - Art Gallery. https://artsdot.com/nl/art/william-herbert-johnston-noah-robinson-AR24GG-en/
    Chicago
    William Herbert Johnston. Noah Robinson. 1882. Salford Museum - Art Gallery. https://artsdot.com/nl/art/william-herbert-johnston-noah-robinson-AR24GG-en/
    Harvard
    Johnston, William Herbert (1882) Noah Robinson. Salford Museum - Art Gallery. Available at: https://artsdot.com/nl/art/william-herbert-johnston-noah-robinson-AR24GG-en/

    Bekijk het van dichtbij

    Noah Robinson — William Herbert Johnston

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Mrs. Jacob Hurd and Child (1762), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. William Herbert Johnston was ongeveer 34 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Is "Noah Robinson" verkrijgbaar als fine art print?

    "Noah Robinson" is verkrijgbaar als een fine art print op katoenen canvas of archiefwaardig canvaspapier. U kunt uw bestelling plaatsen op de Fine Art Print pagina, in de afmeting naar keuze.

    Toont "Noah Robinson" sterke licht-donkercontrasten?

    Het licht-donkercontrast van "Noah Robinson" wordt weergegeven als Serene. Contrast beschrijft hoe sterk de lichte en donkere vlakken van elkaar verschillen.

    Hoe brengt "Noah Robinson" licht en donker in evenwicht?

    "Noah Robinson" heeft een algehele helderheid van deep_shadow en een luminantie van Dark.