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William Blake, Ciampolo tormented by devils 1. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

De feiten

Kunstenaar
William Blake artsdot.com/nl/artists/william-blake_nl/
Geboortedatum en -overlijden kunstenaar
1757 – 1827
Beweging
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Artistic style
Visionary Art
Influences
Blake's Mythology
Notable elements or techniques
Detailed linework, hatching & crosshatching
Subject or theme
Religious Conflict

In context

Ciampolo tormented by devils 1 — William Blake

Wanneer zou dit geschilderd kunnen zijn?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810
  8. 1820

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 70 bij het overlijden.

Shaded: het leven van William Blake (1757–1827) elk gedateerd schilderij, decennium voor decennium

Eerste werken: tot 1800 Belangrijkste werkjaren: 1800–1820 Late werken: vanaf 1820

Deze drie periodes verdelen de werken in deze catalogus in een eerste kwart, een middelste helft en een laatste kwart. Ze vormen niet het volledige oeuvre van de kunstenaar: een dunne periode kan duiden op een hiaat in de verslaglegging in plaats van op een rustige fase. Dezelfde jaren, waarin het leven van de kunstenaar is verweven

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/william-blake-ciampolo-tormented-by-devils-1-8EWSAB-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Gray #898989

    Gecatalogiseerd palet

    • #898989
    • #F2F2F2
    • #C4C4C4
    • #414141

    Deze kleuren binnen het volledige palet van de kunstenaar Vind andere schilderijen op kleur

    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Gray
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Balanced De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van William Blake over de afgelopen twaalf maanden — in totaal 48 landen. Waar deze cijfers vandaan komen

    De tien belangrijkste landen

    1. 1 China 41,9%
    2. 2 Verenigde Staten van Amerika 9,9%
    3. 3 Roemenië 8,9%
    4. 4 Singapore 5,3%
    5. 5 Hongkong 4,2%
    6. 6 Italië 3,3%
    7. 7 Spanje 3,2%
    8. 8 Brazilië 2,3%
    9. 9 Frankrijk 2,3%
    10. 10 Mexico 1,6%
    11. · 38 andere landen 17,1%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van William Blake

    1. 1 Het Oude Koninkrijk, 1794 10,6%
    2. 2 De Grote Rode Draak en de Vrouw gekleed in Zon, 1806 4,4%
    3. 3 El gran dragón rojo y la mujer vestida de sol 3,2%
    4. 4 The Body of Abel Found by Adam and Eve 2,5%
    5. 5 De Grote Draak en de vrouw gekleed in het zonlicht, 1805 2,3%
    6. 6 Satan Exulting over Eve, 1795 2,2%
    7. 7 Newton 2,0%
    8. 8 The Great Red Dragon and the Woman Clothed with Sun 2,0%
    9. 9 Hecate 1,6%
    10. 10 Isaac Newton, 1795 1,5%
    11. 11 Liederen van Onschuld (Titelpagina), 1825 1,4%
    12. 12 Elohim Creëert Adam, 1795 1,3%
    13. 13 De Olijfboom 1,3%
    14. 14 Jacob's Ladder, 1806 1,2%
    15. 15 Whirlwind of Lovers 1,2%
    16. 16 Christus Op de Kruisgenagelde In Het Derde Uur, 1803 1,0%
    17. 17 Antaeus setting down Dante and Virgil in the last circle of hell, 1827 1,0%
    18. 18 Nebuchadnezzar, 1795 1,0%
    19. 19 The Lovers' Whirlwind, Francesca da Rimini and Paolo Malatesta, 1824 0,9%
    20. — Ciampolo tormented by devils 1 dit schilderij 0,0%

    Samen maken deze werken 42,6% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 283 werken van deze kunstenaar, waarvan 204 minstens één keer zijn bekeken. Dit schilderij is in die periode nog niet bekeken — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Ciampolo tormented by devils 1 — William Blake

    A Descent into Darkness: Analyzing William Blake’s “Ciampolo Tormented by Devils”

    William Blake's "Ciampolo Tormented by Devils" stands as a haunting testament to the Romantic preoccupation with spiritual struggle and visionary experience. Executed in stark monochrome etching, this artwork transcends mere depiction; it plunges viewers into a realm of psychological torment and symbolic confrontation—a characteristic hallmark of Blake’s oeuvre. Created around 1817-1818 during his prolific period of artistic output, the print reflects Blake's fascination with biblical narratives and explores themes of innocence corrupted by evil forces.

    Composition and Technique: A Dynamic Struggle for Survival

    The image presents a powerfully unsettling scene centered on Ciampolo—a figure whose identity remains deliberately ambiguous—facing off against demonic entities. Blake employs a dynamic compositional strategy, utilizing diagonal lines to propel the eye across the canvas and conveying an overwhelming sense of instability. Overlapping planes create depth without resorting to conventional perspective, emphasizing the claustrophobic atmosphere of this internal battle. Thick and thin hatching techniques meticulously build up tonal values, capturing the textures of fiery landscapes and Ciampolo’s tormented flesh—a masterful demonstration of etching's ability to achieve remarkable detail and expressive nuance. The artist’s deliberate use of cross-hatching further amplifies the dramatic impact, mirroring the turbulent emotions conveyed by the subject matter.

    Symbolism and Emotional Resonance: Confronting Inner Demons

    Blake’s symbolism is layered and profound. The demonic figures represent primal forces of evil—a direct allusion to biblical interpretations of Lucifer and Satan—while Ciampolo embodies vulnerability and innocence battling against overwhelming oppression. The fiery landscape serves as a potent metaphor for Hell itself, symbolizing the inescapable torment of spiritual conflict. Blake's masterful manipulation of light and shadow intensifies the emotional impact, highlighting Ciampolo’s anguish and conveying the palpable fear associated with confronting one’s deepest anxieties. This artwork isn't merely visually arresting; it compels contemplation on themes of faith, doubt, and the eternal struggle between good and evil—resonances that continue to captivate audiences today.

    Historical Context: Romantic Visionary Art

    “Ciampolo Tormented by Devils” firmly establishes itself within the broader context of Romantic art – a movement characterized by an emphasis on emotion, imagination, and individualism. Blake’s artistic vision aligns seamlessly with the Romantic spirit's rejection of Enlightenment rationalism and embrace of subjective experience. Influenced by thinkers like Rousseau and Coleridge, Blake sought to express profound spiritual truths through unconventional mediums—particularly illuminated printing—a technique he pioneered that combined etching with hand-coloring to create stunning visual narratives imbued with symbolic meaning.

    Concluding Thoughts: An Enduring Legacy

    William Blake’s “Ciampolo Tormented by Devils” remains an enduring masterpiece of Romantic art, demonstrating the artist's unparalleled ability to translate psychological turmoil into visually arresting imagery. Its meticulous technique, evocative symbolism, and profound emotional resonance continue to inspire artists and collectors alike—a testament to Blake’s unwavering commitment to exploring the darkest recesses of human consciousness and conveying timeless truths about faith and morality.

    Kunstenaar en museum

    Kunstenaar

    William Blake

    Geboren in Londen, Verenigd Koninkrijk

    A Visionary’s Journey: The Life and Art of William Blake

    William Blake, born in London on November 28, 1757, was a figure perpetually out of step with his time, yet destined to become one of the most celebrated artists and poets of the Romantic Age. His life unfolded against the backdrop of a rapidly changing England—a world grappling with industrialization, political upheaval, and shifting spiritual beliefs. From humble beginnings as the son of a hosier, Blake’s early years were marked by an intensely vivid imagination and a propensity for visionary experiences that would profoundly shape his artistic trajectory. Though largely self-taught in formal academics, he received drawing instruction at a young age, quickly revealing a talent that hinted at the extraordinary path ahead. His apprenticeship with engraver James Basire proved pivotal, providing him not only with technical mastery but also an understanding of printmaking techniques he would later revolutionize. These early influences—the Gothic grandeur of Westminster Abbey, the classical forms of Raphael and Michelangelo—served as foundational elements in his developing aesthetic, though Blake was never one to remain bound by convention.

    The Illuminated World: Technique and Innovation

    Blake’s artistic innovation wasn't merely about subject matter; it resided fundamentally in how he created. Dissatisfied with conventional engraving methods, he developed a unique process known as “illuminated printing.” This involved etching both text and illustrations onto copper plates, then hand-coloring the resulting prints—a laborious but deeply personal approach that allowed for complete artistic control. This wasn’t simply illustration accompanying poetry; it was an integrated art form where image and verse were inextricably linked, each enhancing the meaning of the other. His relief etching technique, born from a claimed visionary experience following his brother's death, further distinguished his work, granting it

    A distinctive textural quality

    Greater artistic freedom than traditional methods

    Beyond printmaking, Blake also worked with watercolors and tempera paints, often depicting biblical scenes or fantastical subjects imbued with symbolic weight. A key characteristic of his style was a deliberate rejection of linear perspective in favor of a more emotive, symbolic representation—a flattening of space that drew the viewer into the heart of his visionary world. He believed that true artistic expression demanded an abandonment of rational constraints and embraced instead the realm of dreams and intuition.

    Themes of Innocence, Experience, and Rebellion

    The core of Blake’s artistic output lies in its exploration of profound themes: the duality of innocence and experience, the constraints of reason versus the liberating power of imagination, and a fierce critique of societal norms.

    Songs of Innocence and of Experience (1794), perhaps his most accessible work, presents a contrasting vision of childhood—one idyllic and untainted, the other marked by hardship and corruption.

    The Marriage of Heaven & Hell (1793) is a provocative prose poem that challenges conventional morality, celebrating energy, desire, and rebellion against restrictive doctrines.

    His illustrations for Dante’s Divine Comedy showcase his dramatic vision and ability to translate complex narratives into powerful visual imagery.

    Blake's symbolism is intensely personal yet universally resonant. The tiger, in his famous poem, embodies both the awe-inspiring beauty and terrifying power of creation. Jerusalem, a sprawling epic poem that occupied him for years, reflects his spiritual and political beliefs—a vision of a renewed Albion (ancient name for Britain) free from oppression. He wasn’t merely depicting stories; he was constructing an entire mythology, populated with archetypal figures representing states of mind, forces of nature, and the eternal struggle between good and evil.

    A Legacy Rediscovered: Blake's Enduring Influence

    During his lifetime, William Blake remained largely marginalized, misunderstood by many of his contemporaries. His work was often dismissed as eccentric or even mad. He struggled financially throughout much of his life, relying on commissions and the support of a small circle of patrons like Thomas Butts. However, in the decades following his death on August 12, 1827, Blake’s reputation began to grow steadily. The Pre-Raphaelites, captivated by his visionary style and symbolic imagery, embraced him as a kindred spirit. Later movements—Symbolism and Modernism—found resonance in his emphasis on imagination, subjective experience, and spiritual themes. Blake's influence extends far beyond the realm of art; he inspired writers like Dylan Thomas and poets such as Ted Hughes. Today, William Blake is recognized as a pivotal figure in the Romantic movement, an artist whose work continues to provoke contemplation and inspire creativity—a testament to the enduring power of visionary imagination in confronting societal conventions and exploring the deepest recesses of human consciousness. His unwavering commitment to artistic freedom cemented his place as one of the most original voices of his era.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Ciampolo tormented by devils 1

    artsdot.com/nl/art/download/william-blake-ciampolo-tormented-by-devils-1-8EWSAB-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Blake, William. Ciampolo tormented by devils 1. n.d., https://artsdot.com/nl/art/william-blake-ciampolo-tormented-by-devils-1-8EWSAB-en/
    APA
    Blake, William (n.d.). Ciampolo tormented by devils 1 [Painting]. https://artsdot.com/nl/art/william-blake-ciampolo-tormented-by-devils-1-8EWSAB-en/
    Chicago
    William Blake. Ciampolo tormented by devils 1. n.d. https://artsdot.com/nl/art/william-blake-ciampolo-tormented-by-devils-1-8EWSAB-en/
    Harvard
    Blake, William (n.d.) Ciampolo tormented by devils 1. Available at: https://artsdot.com/nl/art/william-blake-ciampolo-tormented-by-devils-1-8EWSAB-en/

    Bekijk het van dichtbij

    Ciampolo tormented by devils 1 — William Blake

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 5 — ben je het ermee eens?)
    4. In onze catalogus is dit werk geclassificeerd onder: torture, demons, mythology. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    5. Kijk nog eens naar Newton, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Vragen & Antwoorden

    Is "Ciampolo tormented by devils 1" een van de meest populaire werken van William Blake?

    Het populariteitsniveau dat is vastgelegd voor "Ciampolo tormented by devils 1" door William Blake is Iconic.

    Welke kleuren overheersen in "Ciampolo tormented by devils 1" door William Blake?

    De kleuridentiteit van "Ciampolo tormented by devils 1" door William Blake: een Neutrals palet, gedomineerd door Gray (#898989).

    Zijn de kleuren van "Ciampolo tormented by devils 1" door William Blake levendig of gedempt?

    "Ciampolo tormented by devils 1" door William Blake is vastgelegd met een Muted verzadiging en een Monochromatic intensiteit.