Papier

Gids voor studentenkunst

Tree

Naam Groep Datum

Robert Robinson, Tree, Henley-on-thames Town Hall. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Robert Robinson artsdot.com/nl/artists/robert-robinson/
Levensdata kunstenaar
1886 – 1952
Afmetingen origineel werk
110 x 33 cm
Gehouden in
Henley-on-thames Town Hall artsdot.com/nl/museums/henley-on-thames-town-hall-thames/

In context

Tree — Robert Robinson

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 110 × 33 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer zou dit geschilderd kunnen zijn?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 66 bij het overlijden.

Shaded: het leven van Robert Robinson (1886–1952) elk gedateerd schilderij, decennium voor decennium

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/robert-robinson-tree-AQU4HQ-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Quinacridone Magenta #8a5e3b

    Gecatalogiseerd palet

    • #8A5E3B
    • #E0CFBA
    • #BB956F
    • #5A351C

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Quinacridone Magenta
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Bright Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Robert Robinson over de afgelopen twaalf maanden — in totaal 2 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 60,0%
    2. 2 Singapore 40,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 3 meest bekeken werken van Robert Robinson

    1. 1 Tree dit schilderij 60,0%
    2. 2 Hunting by the River 20,0%
    3. 3 Fishing Scene 20,0%

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 17 werken van deze kunstenaar, waarvan 3 minstens één keer zijn bekeken. Dit schilderij staat op de 1 plaats, met 60,0% van die aandacht. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    Robert Robinson

    The Alchemist of Canvas and Chemistry

    In the grand tapestry of twentieth-century intellectual history, few figures loom as uniquely as Sir Robert Robinson. To the scientific community, he was a titan of organic chemistry, a Nobel laureate whose mastery over molecular structures redefined our understanding of life's very building blocks. Yet, beneath the rigorous precision of the laboratory bench beat the heart of a visionary painter, an artist capable of translating the complexities of the natural world into evocative, dreamlike landscapes. This rare duality—the marriage of scientific exactitude and artistic imagination—allowed Robinson to approach the canvas with a singular perspective, where the structural logic of chemistry met the fluid beauty of the sublime.

    Born on September 13th, 1886, at Rufford House Farm near Chesterfield, Derbyshire, Robinson’s early life was steeped in an environment that nurtured both inquiry and observation. The son of James Bradbury Robinson, a skilled maker of surgical dressings, he was raised amidst the scents and certainties of science. His academic journey through Chesterfield Grammar School and the University of Manchester provided the foundational discipline that would later characterize his groundbreaking research into alkaloids and plant dyestuffs. However, it was this very foundation of structural analysis that perhaps most profoundly influenced his artistic eye; he did not merely see a landscape, but understood the intricate, interconnected systems that composed it.

    A Visionary Synthesis of Style and Subject

    As his scientific career ascended—marked by prestigious appointments at the University of Sydney, Liverpool, and ultimately Oxford—Robinson’s artistic voice began to emerge with increasing distinctiveness. His work often transcends the boundaries of traditional landscape painting, venturing into realms that blend Orientalist influences with a profound sense of fantasy. One might encounter his canvases and find themselves lost in scenes such as "A Chinese Dignitary Riding a Fish," where the boundaries between reality and myth dissolve into vibrant, symbolic detail. This ability to weave classical Chinese motifs with a Western painterly technique creates a tension that is both captivating and deeply unsettling in its beauty.

    His landscapes are rarely mere topographical records; instead, they serve as windows into an imagined topography. In works like "Travellers Resting in a Mountainous Landscape," Robinson utilizes a style reminiscent of the Baroque and Romantic traditions to evoke a sense of atmospheric depth and human connection. He possesses a remarkable talent for capturing the quietude of nature—the stillness of a river valley or the heavy mist clinging to a peak—while simultaneously imbuing these scenes with an underlying sense of wonder. His brushwork often balances a meticulous attention to texture and light with a more fluid, imaginative embellishment that suggests a world governed by different, perhaps more magical, physical laws.

    Legacy of a Dual Master

    The historical significance of Robert Robinson lies in his refusal to be confined by the boundaries of a single discipline. While his invention of the curly arrow notation revolutionized how chemists visualize electron movement, his paintings revolutionized how we might perceive the intersection of the real and the imagined. He proved that the analytical mind does not preclude the poetic soul; rather, they can exist in a symbiotic state, where the study of a molecule and the study of a sunset are both quests for fundamental truth.

    Today, his body of work stands as a testament to a life lived in pursuit of discovery. Whether examining the molecular architecture of morphine or painting the lush greenery of "Hunting by the River," Robinson remained eternally attuned to the intricate patterns of existence. His legacy is found not only in the textbooks of organic chemistry but in the enduring, evocative power of his canvases, which continue to invite viewers into a world where science and art are one.

    Museum

    Henley-on-thames Town Hall

    Te zien in Thames, New Zealand

    A Monument of Civic Elegance

    Standing as a stately sentinel in the heart of Market Square, the Henley-on-Thames Town Hall is far more than a mere municipal landmark; it is a profound architectural expression of

    civic pride

    and historical continuity. Designed by the visionary Henry Hare in 1796, the structure embodies the grandeur of the Baroque and Neoclassical traditions, presenting a facade of red brick meticulously accented with stone dressings. As one approaches the grand portico, the building’s symmetrical proportions command respect, whispering tales of an era when architecture was used to declare the permanence and dignity of local governance. Inside, the atmosphere shifts from the public square to a realm of ethereal beauty, where soaring ceilings and intricate woodwork create a sense of monumental scale, and magnificent stained glass windows bathe the halls in a soft, transformative light that dances across the historic surfaces.

    The Living Chronicle of the Thames

    Beyond its impressive exterior, the Town Hall serves as a curated vessel for the very soul of Oxfordshire. The collection housed within these walls is not a static display of the past but a breathing narrative of a community shaped by the rhythmic flow of the River Thames. Visitors are invited to traverse through time, encountering artifacts that trace Henley’s evolution from a vital staging post for royal processions to a bustling participant in the Industrial Revolution. The exhibits offer a profound look into the social fabric of the region:

    Victorian Photography:

    Capturing the burgeoning industrial landscape and the changing face of the town.

    Cartographic Treasures:

    Intricate maps that chart the expansion of Henley along the vital Thames corridor.

    Local Heritage Artifacts:

    Objects that illuminate the trades, families, and traditions of the local residents.

    Every piece serves as a window into the daily lives of those who built this landscape, creating a rich, multi-layered experience for the curious observer and historian alike.

    A Sanctuary for Artistic and Cultural Expression

    For the art lover and the discerning collector, the Town Hall offers a unique intersection of heritage and contemporary cultural vitality. The venue has long been a focal point for artistic endeavors, most notably through exhibitions that celebrate the enduring connection between Henley and its riverine landscape. The annual highlights surrounding the

    Henley Royal Regatta

    bring a specialized focus to the halls, showcasing artworks inspired by the grace of rowing culture and the serene beauty of the Thames. This dedication to the arts extends into the very fabric of the building’s use, as the Committee Room transforms into a stage for theatrical performances and musical concerts. For interior designers seeking inspiration, the Town Hall represents the ultimate study in

    timelessness

    —a place where the weight of history meets the lightness of creative innovation, making it an essential destination for anyone captivated by the enduring power of cultural legacy.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Tree

    artsdot.com/nl/art/download/robert-robinson-tree-AQU4HQ-en/

    Citeer dit kunstwerk

    MLA
    Robinson, Robert. Tree. n.d., Henley-on-thames Town Hall. https://artsdot.com/nl/art/robert-robinson-tree-AQU4HQ-en/
    APA
    Robinson, Robert (n.d.). Tree [Painting]. Henley-on-thames Town Hall. https://artsdot.com/nl/art/robert-robinson-tree-AQU4HQ-en/
    Chicago
    Robert Robinson. Tree. n.d. Henley-on-thames Town Hall. https://artsdot.com/nl/art/robert-robinson-tree-AQU4HQ-en/
    Harvard
    Robinson, Robert (n.d.) Tree. Henley-on-thames Town Hall. Available at: https://artsdot.com/nl/art/robert-robinson-tree-AQU4HQ-en/

    Bekijk het van dichtbij

    Tree — Robert Robinson

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Capriccio of an Imaginary Formal Garden and House, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Wat zou de kunstenaar u willen laten voelen?
    5. Als u de kunstenaar één vraag over dit werk zou kunnen stellen, wat zou dat dan zijn?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Wie is de kunstenaar achter "Tree"?

    "Tree" is gemaakt door Robert Robinson. De informatie op deze pagina beschrijft het originele werk van Robert Robinson.

    Hoe kan ik kunstwerken ontdekken die lijken op "Tree" door Robert Robinson?

    Op de Vergelijkbare werken-pagina van dit kunstwerk vindt u vergelijkbare werken als "Tree" door Robert Robinson.

    Wat is de dominante kleur van "Tree"?

    "Tree" neigt naar een Golden Yellow Range tint.