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Gids voor studentenkunst

Study for Figure

Naam Klas Datum

peter kinley, Study for Figure (1956). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
peter kinley artsdot.com/nl/artists/peter-kinley/
Geboortedatum en -overlijden kunstenaar
1926 – 1988
Geschilderd
1956
Afmetingen origineel werk
33 x 20 cm

In context

Study for Figure — peter kinley

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 33 × 20 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980

Shaded: het leven van peter kinley (1926–1988) ▲ dit werk, 1956

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/peter-kinley-study-for-figure-AR2GVQ-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Putty #efe6d3

    Gecatalogiseerd palet

    • #EFE6D3
    • #F5351A
    • #6D6D71
    • #D9B695
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Putty
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Clear Color Presence Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Over dit kunstwerk

    Study for Figure — peter kinley

    The Study for Figure painting by Peter Kinley is a remarkable piece of art that showcases the artist's exceptional skill in capturing the human form. Created in 1956, this oil on paper painting measures 33 x 20 cm and is currently housed at the Smithsonian American Art Museum in the United States.

    Artistic Style and Technique

    The painting features a person wearing red clothing, standing in front of a window with their back turned towards the viewer. The use of warm colors, including orange and pink, gives the subject a vibrant appearance. The artist's technique is evident in the way the light falls on the subject, creating a sense of depth and dimensionality. Key Features of the painting include:

    The use of bold brushstrokes to capture the texture of the subject's clothing

    The subtle play of light on the subject's face and body

    The effective use of negative space to create a sense of simplicity and elegance

    Artist Background

    Peter Kinley was a talented artist known for his figurative paintings. His work is characterized by a deep understanding of the human form and a unique ability to capture the subtleties of light and shadow. For more information on Peter Kinley and his works, visit https://AllPaintingsStore.com. Other notable artists whose works can be found on https://AllPaintingsStore.com include James Prestini, Richard Wilson, and Albert Edward Sterner. Their paintings, such as Platter, White Monk, and Furbelows, showcase a range of styles and techniques that are sure to captivate art enthusiasts.

    For those interested in learning more about the Smithsonian American Art Museum and its collection, visit https://AllPaintingsStore.com or check out the Wikipedia page on the museum.

    Kunstenaar en museum

    Kunstenaar

    peter kinley

    Peter Kinley: A Quiet Master of Figure and Landscape

    Peter Kinley (1926 – 1988) was a British painter whose distinctive style blended meticulous observation with lyrical sensitivity, resulting in captivating depictions of human figures and tranquil landscapes. Though largely unrecognized during his lifetime, Kinley’s work has garnered renewed appreciation for its understated elegance and profound exploration of light and texture—qualities that resonate deeply within the broader context of 20th-century British art.

    Kinley's artistic journey began in Oxford, where he studied at St Peter’s College, fostering an early connection with humanist ideals and a fascination for classical sculpture. This formative influence is evident in his compositions, which often feature figures rendered with remarkable anatomical accuracy yet imbued with a palpable sense of emotion—a hallmark of the figurative tradition championed by artists like Rembrandt and Michelangelo Buonarroti. He honed his skills under Peter Graham Li, absorbing techniques focused on capturing subtle nuances of light and color, mirroring the Impressionist preoccupation with atmospheric effects.

    His artistic output spanned several decades, producing approximately 150 paintings primarily focusing on portraits and landscapes. Kinley’s landscapes—particularly those executed in Orkney, Scotland—were characterized by a masterful use of muted tones and textured brushstrokes that conveyed the serenity and grandeur of the Scottish Highlands. These canvases exemplify the Romantic spirit, mirroring the aesthetic sensibilities of artists like Turner and Constable who sought to convey sublime beauty alongside psychological depth. He was particularly drawn to St Peter’s House museum in Stromness, Scotland, where he found inspiration from the region's rich maritime heritage and geological formations.

    Kinley’s artistic development can be traced through his exploration of various mediums—primarily oil paint—allowing him to achieve exceptional detail and luminosity. His meticulous approach to painting involved layering thin glazes upon thicker impasto surfaces, creating a palpable sense of physicality that enhanced the expressive power of his images. This technique aligns with the broader stylistic trends of British art in the mid-century, where artists prioritized capturing the essence of their subjects rather than striving for photographic realism.

    Despite remaining largely outside the mainstream artistic discourse of his era, Peter Kinley’s legacy persists through a growing body of scholarship and critical acclaim. His paintings are held in private collections worldwide and continue to inspire admiration for their quiet beauty and masterful execution—a testament to an artist who quietly pursued excellence within the framework of British art history. He is remembered as a significant contributor to St Peter's College’s art collection, showcasing his dedication to preserving artistic heritage.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Study for Figure

    artsdot.com/nl/art/download/peter-kinley-study-for-figure-AR2GVQ-en/

    Bronvermelding voor dit kunstwerk

    MLA
    kinley, peter. Study for Figure. 1956, https://artsdot.com/nl/art/peter-kinley-study-for-figure-AR2GVQ-en/
    APA
    kinley, peter (1956). Study for Figure [Painting]. https://artsdot.com/nl/art/peter-kinley-study-for-figure-AR2GVQ-en/
    Chicago
    peter kinley. Study for Figure. 1956. https://artsdot.com/nl/art/peter-kinley-study-for-figure-AR2GVQ-en/
    Harvard
    kinley, peter (1956) Study for Figure. Available at: https://artsdot.com/nl/art/peter-kinley-study-for-figure-AR2GVQ-en/

    Bekijk het van dichtbij

    Study for Figure — peter kinley

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Still Life with Bottles (1957), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. peter kinley was ongeveer 30 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.