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Dulwich Trees

Naam Klas Datum

percy frederick horton, Dulwich Trees (1930). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
percy frederick horton artsdot.com/nl/artists/percy-frederick-horton/
Geboortedatum en -overlijden kunstenaar
1897 – 1970
Geschilderd
1930
Afmetingen origineel werk
39 x 50 cm

In context

Dulwich Trees — percy frederick horton

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 39 × 50 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Shaded: het leven van percy frederick horton (1897–1970) ▲ dit werk, 1930

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/percy-frederick-horton-dulwich-trees-AQVBMM-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #475142

    Gecatalogiseerd palet

    • #475142
    • #A1A187
    • #5F6951
    • #7D8262
    Naam hoofdkleur
    Espresso
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Serene De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    percy frederick horton

    The Visionary of Rural England: The Life and Legacy of Percy Frederick Horton

    Born in the coastal light of Brighton in 1897, Percy Frederick Horton emerged as a profound voice in the tapestry of twentieth-century British art. His journey was one defined by a deep-seated connection to the natural world and an unwavering commitment to the emotional truth found within observation. Growing up in a working-class family, Horton’s path was paved by talent and scholarship, leading him from the Brighton School of Art to the prestigious Royal College of Art. This formative period was not merely about technical mastery but about developing a soul that could converse with the landscape. His early years were marked by a significant moral stance; as a conscientious objector during the First World War, he faced imprisonment, an experience that undoubtedly deepened his introspective nature and perhaps fueled the psychological depth found in his later, more somber works.

    Horton’s artistic evolution is a fascinating study of movement from the structured elegance of Academic Impressionism toward the raw, emotive power of Expressionism. Influenced by the monumental presence of Cézanne and the haunting psychological landscapes of Edvard Munch, he learned to use the brush not just to replicate reality, but to interpret it. His technique became a language of texture; through the deliberate use of impasto and bold, visible brushstrokes, he could convey the weight of a forest or the fleeting softness of a petal. This transition allowed him to move beyond mere depiction, capturing the very atmosphere—the moisture in the air, the brooding shadows of a woodland, and the quiet stillness of an English afternoon.

    A Mastery of Light, Landscape, and Still Life

    The breadth of Horton’s oeuvre reveals an artist capable of immense versatility, moving seamlessly between the grand scale of the English countryside and the intimate quietude of domestic life. His landscapes are perhaps his most enduring contribution to British art. In works such as ‘Lakeland Landscape’ (1943), one can feel the heavy, atmospheric tension of the Cumbrian forests, where the paint itself seems to hold the dampness of the mist. He possessed a rare ability to imbant a scene with a sense of time and place, whether it was the rugged beauty of the Lakes or the gentle, rolling hills of Suffolk, as seen in his evocative ‘Coates Corner’.

    Yet, Horton was equally adept at finding the infinite within the small. His still lifes, such as the delicate ‘Flowerpiece’ (1929), demonstrate a masterful command of light and shadow. In these compositions, pink roses and weathered books are bathed in a soft, ethereal glow, inviting the viewer into a moment of profound tranquility. This duality—the ability to capture both the epic and the intimate—is what defines his unique artistic signature. His work often serves as a bridge between the Victorian sensibilities of his youth and the modern, fractured perspectives of the mid-twentieth century.

    The Educator and the Enduring Influence

    Beyond the canvas, Horton’s impact on the art world was cemented through his profound dedication to teaching. His career as an educator was as distinguished as his time as a painter. Serving as the Ruskin Master of Drawing at the University of Oxford from 1949 to 1964, he became a custodian of classical principles while encouraging the next generation to explore modern expression. He understood that true art required both a foundation in rigorous observation and the courage to experiment with form and emotion.

    The legacy of Percy Frederick Horton resides not only in the museums that house his paintings but in the very way we perceive the British landscape. His life was a testament to the power of staying true to one's convictions, whether through political dissent or artistic innovation. Through his eyes, we continue to see the beauty of rural England—not as a static postcard, but as a living, breathing, and deeply emotional entity. His contributions to the Royal Society of British Artists and his lasting imprint on art education ensure that his vision remains an essential part of the historical narrative of British fine art.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Dulwich Trees

    artsdot.com/nl/art/download/percy-frederick-horton-dulwich-trees-AQVBMM-en/

    Bronvermelding voor dit kunstwerk

    MLA
    horton, percy frederick. Dulwich Trees. 1930, https://artsdot.com/nl/art/percy-frederick-horton-dulwich-trees-AQVBMM-en/
    APA
    horton, percy frederick (1930). Dulwich Trees [Painting]. https://artsdot.com/nl/art/percy-frederick-horton-dulwich-trees-AQVBMM-en/
    Chicago
    percy frederick horton. Dulwich Trees. 1930. https://artsdot.com/nl/art/percy-frederick-horton-dulwich-trees-AQVBMM-en/
    Harvard
    horton, percy frederick (1930) Dulwich Trees. Available at: https://artsdot.com/nl/art/percy-frederick-horton-dulwich-trees-AQVBMM-en/

    Kijk goed naar

    Dulwich Trees — percy frederick horton

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar The Rugmaker (1946), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. percy frederick horton was ongeveer 33 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

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