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Number 23

Naam Klas Datum

Jackson Pollock, Number 23 (1948). Publiek domein

De feiten

Kunstenaar
Jackson Pollock artsdot.com/nl/artists/jackson-pollock_nl/
Geboortedatum en -overlijden kunstenaar
1912 – 1956
Geschilderd
1948
Techniek
Acrylic On Canvas
Afmetingen origineel werk
575 x 784 cm
Beweging
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Artistic style
Abstract Expressionism
Influences
Regionalism
Notable elements or techniques
Gestural abstraction; Drip method
Subject or theme
Non-representational

In context

Number 23 — Jackson Pollock

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 575 × 784 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte. Het is te groot om op schaal weer te geven op deze pagina.

Wanneer is dit geschilderd?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Shaded: het leven van Jackson Pollock (1912–1956) ▲ dit werk, 1948

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/paul-jackson-pollock-number-23-8XYAGE-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Rosy Brown #9b9fa3

    Gecatalogiseerd palet

    • #9B9FA3
    • #BDBEC1
    • #373D43
    • #70757A
    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Rosy Brown
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Balanced De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Balanced Harmony De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Over dit kunstwerk

    Number 23 — Jackson Pollock

    Number 23: A Symphony of Chance and Texture

    Jackson Pollock’s “Number 23,” completed in 1948, stands as an undeniable cornerstone of Abstract Expressionism—a movement that fundamentally challenged artistic conventions and prioritized emotional expression over representational accuracy. More than just pigment on paper; it's a visceral embodiment of the artist’s process and a profound meditation on spontaneity and control within chaos.

    Composition & Technique: Pollock famously employed the “drip” technique, applying paint directly from cans onto a canvas laid horizontally on the floor. Gravity became an active collaborator, guiding the flow of pigment and resulting in a mesmerizing network of interwoven lines, splatters, and drips. This method deliberately eschewed traditional brushstrokes, favoring chance and improvisation—a radical departure from academic painting.

    Color Palette & Texture: The artwork’s restrained color palette – primarily black and white accented by subtle grey tones – serves to amplify the textural richness of the piece. Thick impasto layers create dramatic contrasts between smooth areas and densely textured surfaces, inviting viewers to explore the tactile qualities of the painting.

    Historical Context & Influence: Created during the height of the postwar artistic fervor in New York City, “Number 23” reflects the broader anxieties and aspirations of its time. Pollock’s work directly responded to the influence of Surrealism and Gestalt psychology, pushing boundaries on how artists could convey emotion and explore subconscious impulses.

    Symbolic Resonance: While devoid of recognizable imagery, "Number 23" speaks volumes about the artist's inner state. The seemingly random arrangement of lines can be interpreted as a visual representation of thought processes—a deliberate attempt to capture the fluidity and dynamism of consciousness. It’s a celebration of process over product.

    Emotional Impact: Viewing “Number 23” evokes feelings of energy, excitement, and perhaps even unease. The painting's dynamic composition compels contemplation, prompting viewers to consider the relationship between order and disorder—a theme that resonates deeply within the human experience.

    Its current location at Tate Britain underscores its enduring significance as a pivotal work of modern art. A high-quality reproduction captures not only the visual splendor but also the spirit of innovation that defined Pollock’s groundbreaking approach to painting—a legacy that continues to inspire artists and collectors alike.

    Kunstenaar en museum

    Kunstenaar

    Jackson Pollock

    Geboren in Cody, Verenigde Staten van Amerika

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark. He was the fifth and youngest son in a struggling farming family, and his mother fostered artistic potential in each of her children.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    Pollock’s marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work. She became a crucial collaborator, not just as a wife but as an intellectual partner who understood and championed his vision.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    The influence of Surrealism is evident in the dreamlike quality of many of his works, while simultaneously rejecting traditional representational forms. Pollock sought to capture not just what he saw, but what he felt – the underlying currents of emotion and subconscious experience that shaped his perception of the world. His work can be seen as a visual embodiment of the anxieties and uncertainties of the post-war era.

    His style transcends mere aesthetics; it's an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Historical Significance

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. He was initially met with skepticism and criticism, but his influence grew steadily after his untimely death in 1956 at the age of 44. Today, he is universally recognized as one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression. His innovative techniques and expressive style continue to inspire and provoke, ensuring his enduring legacy for generations to come.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Number 23

    artsdot.com/nl/art/download/paul-jackson-pollock-number-23-8XYAGE-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Pollock, Jackson. Number 23. 1948, https://artsdot.com/nl/art/paul-jackson-pollock-number-23-8XYAGE-en/
    APA
    Pollock, Jackson (1948). Number 23 [Painting]. https://artsdot.com/nl/art/paul-jackson-pollock-number-23-8XYAGE-en/
    Chicago
    Jackson Pollock. Number 23. 1948. https://artsdot.com/nl/art/paul-jackson-pollock-number-23-8XYAGE-en/
    Harvard
    Pollock, Jackson (1948) Number 23. Available at: https://artsdot.com/nl/art/paul-jackson-pollock-number-23-8XYAGE-en/

    Kijk goed naar

    Number 23 — Jackson Pollock

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: drip painting, black white contrast, geometric lines. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Nummer 1, 1949 (1950), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Waar is dat in dit werk te zien?

    Uw reactie

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