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Number 14

Naam Klas Datum

Jackson Pollock, Number 14 (1951). Publiek domein

De feiten

Kunstenaar
Jackson Pollock artsdot.com/nl/artists/jackson-pollock_nl/
Geboortedatum en -overlijden kunstenaar
1912 – 1956
Geschilderd
1951
Afmetingen origineel werk
146 x 269 cm
Beweging
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Notable elements
Drip technique, black and white contrast, gestural lines, textural variations, layering
Style
Expressionism, Action Painting
Subject
Stylized landscape with implied figures or forms

In context

Number 14 — Jackson Pollock

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 146 × 269 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Shaded: het leven van Jackson Pollock (1912–1956) ▲ dit werk, 1951

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/paul-jackson-pollock-number-14-8XYAFY-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Phthalo Green #12152a

    Gecatalogiseerd palet

    • #12152A
    • #95919A
    • #DBD4DA
    • #4F4D5B
    Naam hoofdkleur
    Phthalo Green
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Balanced Harmony De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Over dit kunstwerk

    Number 14 — Jackson Pollock

    A Tempestuous Vision: Decoding Jackson Pollock’s ‘Number 14’

    Jackson Pollock's ‘Number 14’, created in 1951, is a monumental work embodying the raw energy and innovative spirit of Abstract Expressionism. Measuring an impressive 146 x 269 cm, this painting isn’t merely viewed – it’s experienced. It represents a pivotal moment in Pollock's career, falling within his celebrated “black pourings” period, a departure from the more colorful compositions that preceded it.

    Style and Technique: The All-Over Composition

    Number 14’ exemplifies Pollock’s revolutionary technique of action painting. Abandoning traditional easel work, he placed the canvas directly on the floor, then dripped, splashed, and poured paint from all sides using sticks, knives, and even hardened brushes. This method allowed for an unprecedented level of physical involvement and spontaneity. The result is a dense, interwoven network of black lines against a stark white ground – an “all-over” composition devoid of focal points or traditional perspective. The absence of recognizable forms invites viewers to engage with the painting on a purely visceral level, responding to its rhythm and energy rather than seeking representational meaning.

    Historical Context: A Post-War Aesthetic

    Created in the aftermath of World War II, ‘Number 14’ reflects the anxieties and existential questioning prevalent during that era. Abstract Expressionism emerged as a distinctly American artistic response to European philosophical currents and the trauma of global conflict. Pollock's work rejected traditional notions of beauty and representation, instead prioritizing subjective experience and emotional expression. It signaled a shift in the art world, moving away from figuration towards abstraction as a means of conveying profound psychological states.

    Symbolism & Interpretation: Beyond Representation

    While Pollock vehemently denied any intentional symbolism in his work, ‘Number 14’ resonates with powerful emotional undertones. The chaotic interplay of lines can be interpreted as representing the complexities and contradictions of the human psyche. The dark palette evokes feelings of melancholy, isolation, or even turmoil. However, within this darkness, there are moments of light and energy – suggesting a struggle between opposing forces. Some scholars suggest connections to Native American sand painting traditions, which Pollock encountered during his youth with his father, though he never explicitly confirmed such influences.

    Emotional Impact & Interior Design

    Number 14’ is not a passive artwork; it demands attention and evokes strong reactions. Its scale and intensity create an immersive experience, capable of transforming any space. In interior design, this piece serves as a powerful statement – ideal for modern or minimalist settings where its dramatic presence can be fully appreciated. Its monochrome palette offers versatility, complementing a range of color schemes while adding depth and sophistication. The painting’s energy is best showcased in large, open areas allowing viewers to step back and absorb the entirety of the composition. Consider pairing it with understated furniture and neutral tones to allow the artwork to take center stage.

    Pollock's Legacy

    Jackson Pollock’s brief but prolific career fundamentally altered the course of modern art. His innovative techniques, coupled with his uncompromising artistic vision, continue to inspire artists today. ‘Number 14’ stands as a testament to his enduring legacy – a powerful and evocative work that challenges our perceptions of painting and invites us to explore the depths of human emotion.

    Kunstenaar en museum

    Kunstenaar

    Jackson Pollock

    Geboren in Cody, Verenigde Staten van Amerika

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark. He was the fifth and youngest son in a struggling farming family, and his mother fostered artistic potential in each of her children.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    Pollock’s marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work. She became a crucial collaborator, not just as a wife but as an intellectual partner who understood and championed his vision.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    The influence of Surrealism is evident in the dreamlike quality of many of his works, while simultaneously rejecting traditional representational forms. Pollock sought to capture not just what he saw, but what he felt – the underlying currents of emotion and subconscious experience that shaped his perception of the world. His work can be seen as a visual embodiment of the anxieties and uncertainties of the post-war era.

    His style transcends mere aesthetics; it's an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Historical Significance

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. He was initially met with skepticism and criticism, but his influence grew steadily after his untimely death in 1956 at the age of 44. Today, he is universally recognized as one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression. His innovative techniques and expressive style continue to inspire and provoke, ensuring his enduring legacy for generations to come.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Number 14

    artsdot.com/nl/art/download/paul-jackson-pollock-number-14-8XYAFY-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Pollock, Jackson. Number 14. 1951, https://artsdot.com/nl/art/paul-jackson-pollock-number-14-8XYAFY-en/
    APA
    Pollock, Jackson (1951). Number 14 [Painting]. https://artsdot.com/nl/art/paul-jackson-pollock-number-14-8XYAFY-en/
    Chicago
    Jackson Pollock. Number 14. 1951. https://artsdot.com/nl/art/paul-jackson-pollock-number-14-8XYAFY-en/
    Harvard
    Pollock, Jackson (1951) Number 14. Available at: https://artsdot.com/nl/art/paul-jackson-pollock-number-14-8XYAFY-en/

    Kijk goed naar

    Number 14 — Jackson Pollock

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: abstract, dynamic, lines. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Nummer 1, 1949 (1950), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    Number 14 — Jackson Pollock

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. To which art movement does 'Number 14' by Jackson Pollock most closely belong?

      • A Impressionism
      • B Abstract Expressionism
      • C Surrealism
    2. 2. What is a defining characteristic of Pollock’s technique, prominently displayed in 'Number 14'?

      • A Precise brushstrokes and realistic depiction
      • B Dripping and pouring paint onto the canvas
      • C Use of vibrant, contrasting colors
    3. 3. The description notes a strong contrast in 'Number 14'. What color palette dominates the artwork?

      • A Red and Yellow
      • B Blue and Green
      • C Black and White
    4. 4. Considering Pollock's broader artistic period, when was 'Number 14' created in relation to his most famous 'drip paintings'?

      • A Before the start of his drip period
      • B During the peak of his drip period (1947-1950)
      • C After his main drip painting phase, during his 'black pourings'
    5. 5. The artwork’s composition is described as lacking traditional perspective. What does it rely on to create depth?

      • A Linear Perspective
      • B Chiaroscuro
      • C Layering and Density

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

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    1B · 2B · 3C · 4C · 5C